经过多年的等待,Enigma的经理人宣布新一辑的Enigma专辑将于2006年9月22日在德国以"A Posteriori"的名称(拉丁文,中文意思为"后验、推纳")发布,而本专辑在其他国家的发布日期为9月25日。专辑《A Posteriori 后验 / 推纳 / 因果论》包含了12首单曲,而一张包含了一首单曲《Goodbye Milky Way》和MV的CD将在九月初预售。
关于新专辑的名称:A Posteriori(拉丁文),稍微有点让人迷惑。不过基本上来说,它表达的是一种哲学观点,可以被理解为"回溯,或者分析过去的经验",或者"依据过去的经验作出决定或者结论"。关于"过去"的一切描述都是很有意味的。
by Thom Jurek
Enigma records must sell here in the States. In Europe, where virtually anything goes, they do; but here, one has to wonder after five albums that are only subtly different from one another, along with countless singles and 12" remixes, what's left to engage the imagination. Such is the case with A Posteriori, which in Italian means anything from "what comes after" to "behind." Dedicated to "all visionaries of human race" (sic), A Posteriori is once again beautiful in its sonics, textures, and grooves. Michael Crétu does almost everything here save for a couple of recitations. Once more, the songs of Enlightenment composers such as Gesualdo and Monteverdi are sampled in the tranced-out mix. Are they prayers? Are they amorous songs? Unless you can understand Latin or Italian, there's no way of knowing. But Crétu has always been able to weave together the spiritual and the carnal, and it's his trademark. The more obvious trance and house beats are a near constant. One has to believe that if the folks in Tangerine Dream would have started in the 1990s instead of the 1960s, they'd sound something like this, as many of Crétu's pulsing textures are reminiscent of Tangerine Dream's Stratosfear and Tangram years. While the sound Crétu employs is now familiar, perhaps listeners should be thankful for it. He's managed to find something that works, and goes for it with gusto. Perhaps nothing on this set is as striking as "Remembrance," but then who would ever want to hear that cut again? "Feel Me Heaven" is a wild, pulsing, throbbing trance cut that blends everything listeners know of Crétu's previous music into a lovely whole. It is followed by "Dreaming of Andromeda," a slower though no less hypnotic slice of chilled house. Some things here seem just plain dumb -- "Dancing with Mephisto" and "Sitting on the Moon" feel more like new age cuts than anything else. Crétu's vocal on the latter sounds like Robbie Robertson's from his solo albums. The glissando guitar that opens the completely dancefloor-driven "Invisible Love" works well, but Crétu's vocals are irritating. The shifting dynamics in "The Alchemist" make it one of the most compelling cuts on the disc, and it is a perfect candidate for an extended remix by some wise and imaginative soul. The bottom line: if you like the Enigma sound, this will be up your alley, full of the things you may seek out in a recording, but there is little new here.