Olé Coltrane
- 艺人
- John Coltrane
- 语种
- 英语
- 厂牌
- Atlantic
- 发行时间
- 1961年11月01日
- 专辑类别
- 录音室专辑
专辑介绍
by Lindsay Planer
The complicated rhythm patterns and diverse sonic textures on Olé are evidence that John Coltrane was once again charting his own course. His sheer ability as a maverick -- over and beyond his appreciable musical skills -- guides works such as this to new levels, ultimately advancing the entire art form. Historically, it's worth noting that recording had already commenced -- two days prior to this session -- on Africa/Brass, Coltrane's debut for the burgeoning Impulse! label. The two discs complement each other, suggesting a shift in the larger scheme of Coltrane's musical motifs. The assembled musicians worked within a basic quartet setting, featuring Coltrane (soprano/tenor sax), McCoy Tyner (piano), and Elvin Jones (drums), with double-bass chores held down by Art Davis and Reggie Workman. Added to that are significant contributions and interactions with Freddie Hubbard (trumpet) and Eric Dolphy (flute and alto sax). Dolphy's contract with another record label prevented him from being properly credited on initial pressings of the album. The title track is striking in its resemblance to the Spanish influence heard on Miles Davis' Sketches of Spain. This is taken a bit further as Coltrane's combo stretches out with inspired improvisations from Dolphy, Hubbard, Tyner, and Coltrane, respectively. "Olé" likewise sports some amazing double-bass interaction. The combination of a bowed upright bass played in tandem with the same instrument that is being plucked has a sinister permeation that assuredly excited Coltrane, who was perpetually searching from outside the norms. The haunting beauty of "Aisha" stands as one of the finest collaborative efforts between Tyner -- the song's author -- and Coltrane. The solos from Hubbard, Dolphy, and an uncredited Tyner gleam from within the context of a single facet in a multi-dimensional jewel. The CD reissue also includes an extra track cut during the Olé sessions. "Original Untitled Blues (To Her Ladyship)" is likewise on the seven-volume Heavyweight Champion: The Complete Atlantic Recordings box set.
最新简评（共15条）
- @toto：Reggie Workman — bass on "Olé," "Dahomey Dance" and "Aisha" Art Davis — bass on "Olé," "Dahomey Dance" and "To Her Ladyship" Elvin Jones — drums eric dolphy录制中用了假名george lane
- @toto：John Coltrane — soprano saxophone on "Olé" and "To Her Ladyship; tenor saxophone on "Dahomey Dance" and "Aisha" Freddie Hubbard — trumpet Eric Dolphy — flute on "Olé" and "To Her Ladyship"; alto saxophone on "Dahomey Dance" and "Aisha" McCoy Tyner — piano
- @十万马力吐槽机(一碗爵士饭：jazz-f...)：今天发现能听懂一些了
- @十万马力吐槽机(一碗爵士饭：jazz-f...)：虽然听不懂
- @未知生物：******
- @美术鸡：柯川一如既往的牛B，我觉得法老无法超越他。 未知生物 2013-04-23 16:49 ****** 美术鸡 2013-04-23 21:18 未知生物说： 感觉不是一个类型的，无法比较，查理帕克主要还是波普吧~~ 未知生物 2013-04-23 23:07 美术鸡说： ****** 美术鸡 2013-04-24 07:51 未知生物说： 我爱更喜欢柯川吧，那种精神力量，超越了爵士乐 未知生物 2013-04-24 11:11 美术鸡说： ******
- @美术鸡：John Coltrane Sax (Alto), Sax (Soprano), Sax (Tenor) Eric Dolphy Flute, Sax (Alto) Freddie Hubbard Trumpet Elvin Jones Drums McCoy Tyner Piano Reggie Workma
- @notflying(I)：这张专辑的阵容之强大无须多言。 第一首OLE里，coltrane的高音萨克斯一上来就是刺破云霄的超凡之势，曲子的后半段，两把低音提琴幽妙的呼应极其精彩。 因为节奏组鼓捣出来的好似烟雾弥漫的迷幻气氛（对此十分着迷，Mingus也是制造类似气氛的高手），长笛在其中如鱼得水，将烟雾绕出更加飘渺的形状。 美术鸡 2012-12-27 18:46 请问阵容有谁？
- @notflying(I)：这张专辑的阵容之强大无须多言。 第一首OLE里，coltrane的高音萨克斯一上来就是刺破云霄的超凡之势，曲子的后半段，两把低音提琴幽妙的呼应极其精彩。 因为节奏组鼓捣出来的好似烟雾弥漫的迷幻气氛（对此十分着迷，Mingus也是制造类似气氛的高手），长笛在其中如鱼得水，将烟雾绕出更加飘渺的形状。