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92人收藏
共50首歌曲
- 标签
- #Katchen #古典 #奏鸣曲 #Rhapsody #Liszt
- 创建者
- Alberto466
- 更新时间
- 2019年09月18日
卡钦Brahms专辑发布: Works for Solo Piano
http://www.xiami.com/album/828578604
Julius Katchen的艺人档案：
卡钦(1926-1969)，美国早逝的天才钢琴家。Brahms作品的演译名家
Artist Biography by Erik Eriksson
A child prodigy of startling promise, Julius Katchen matured into a solo and chamber music pianist of broad interests and probing artistry. His death from cancer at age 42 denied a discerning public the presence of a pianist especially well-equipped to penetrate to the center-most meanings of those works he favored.
Born to a musical family, Katchen was instructed in the musical arts from his earliest years. His grandmother, formerly a faculty member at the Warsaw Conservatory, was his first piano instructor, while his grandfather taught him theory (his mother, a pianist, had trained at the Fontainebleau School of Music and had made concert appearances in both Europe and America). In 1937, Katchen presented himself to Eugene Ormandy and requested that he be permitted to play for him. Ormandy was sufficiently impressed to engage the lad for an appearance with the Philadelphia Orchestra. The October 21, 1937, concert found Katchen performing Mozart's Concerto in D minor to high praise. Following this glowing reception, the 11-year-old pianist was invited to perform at a pension fund concert with the New York Philharmonic the following month. Critic Lawrence Gilman was moved to recall the debut of Josef Hofmann as a prodigy a half century before. "His fingers are fleet, his conceptions clear and intelligent," wrote Gilman of Katchen. "He has a musicianly feeling for the contour and flow and rhythm of a phrase and a sense of what is meant by Mozartean style." A New York recital a year later brought even more enthusiastic praise for the youth's musical understanding.
Before his career advanced, however, Katchen's parents chose to place a hold on further public appearances and enroll him instead at Haverford College, where he majored in philosophy and English literature. His break, Katchen often insisted, developed in him the intellectual curiosity that fed his interest in the more mentally challenging works in the repertory.
A fellowship extended by the French government permitted Katchen to travel to Paris in 1946; that cosmopolitan city became his home for the remainder of his life and he lost no time in making himself a formidable presence there and in the rest of Europe, respected for his commanding interpretive thoughtfulness and virtuoso technique. He undertook several highly successful tours of the Continent, winning acclaim in each center he visited. Decca Records signed him to an exclusive contract and he began recording a bracing cross-section of the repertory with Brahms always at the core. He presented concert performances of Brahms' complete solo piano works in New York, London, Amsterdam, Vienna, and Berlin and was heard with major orchestras in the two piano concertos. In addition to solo appearances, Katchen often took part in chamber music performances, again concentrating on Brahms, but certainly not neglecting other aspects of an extensive personal repertory. Ned Rorem and Benjamin Britten were just two contemporary composers to benefit from Katchen's advocacy. To say, as some have, that Katchen never achieved the success in America that was his in Europe fails to account for the far greater portion of his mature years that were spent on the Continent where other cultural stimulations prompted his most involved and productive work. Katchen was also acutely aware of the need to extend the exposure of classical music well beyond its existing ranks -- on December 11, 1968, he was one of a large group of musicians, all but one of them from the rock and blues fields, to perform as part of the Rolling Stones' Rock & Roll Circus, and a segment that was introduced by Brian Jones, no less; alas, due to production and post-production problems, no one got to see any part of Katchen's performance until over three decades later; the pianist himself, terminally ill with cancer, didn't live another six months after this extraordinary event. His tragic death was keenly felt on both sides of the Atlantic.
| # |
歌曲 |
艺人 |
时长 |
| 01 |
Johannes Brahms: Rhapsody in G minor, Op.79, No.2
|
Julius Katchen |
05:52 |
| 02 |
Johannes Brahms: Hungarian Dance No.5 in G minor
|
Julius Katchen |
02:16 |
| 03 |
Johannes Brahms: Hungarian Dance No.6 in D flat
|
Julius Katchen |
03:16 |
| 04 |
Johannes Brahms: Hungarian Dance No.1 in G minor
|
Julius Katchen |
02:58 |
| 05 |
Johannes Brahms: Intermezzi, Op.117 - II. in B flat minor
|
Julius Katchen |
04:40 |
| 06 |
Johannes Brahms: 6 Piano Pieces, Op.118 - II. Intermezzo in A
|
Julius Katchen |
06:10 |
| 07 |
Johannes Brahms: 6 Piano Pieces, Op.118 - III. Ballade in G minor
|
Julius Katchen |
03:11 |
| 08 |
Johannes Brahms: 16 Waltzes, Op.39 - XI. in B minor
|
Julius Katchen |
01:14 |
| 09 |
Johannes Brahms: 16 Waltzes, Op.39 - I. in B
|
Julius Katchen |
00:54 |
| 10 |
Johannes Brahms: 16 Waltzes, Op.39 - XV. in A flat
|
Julius Katchen |
01:25 |
| 11 |
Johannes Brahms: 16 Waltzes, Op.39 - II. in E
|
Julius Katchen |
01:08 |
| 12 |
Johann Sebastian Bach: Herz und Mund und Tat und Leben, Cantata BWV 147, arr. Dame Myra Hess (1890-1965) - VI. Choral: Jesu, joy of man's desiring
|
Julius Katchen |
03:47 |
| 13 |
Wolfgang Amadeus Mozart: Piano Sonata No.16 in C, K.545 "Sonata facile" - I. Allegro
|
Julius Katchen |
02:18 |
| 14 |
Felix Mendelssohn: Auf Flügeln des Gesanges, Op.34, No.2, Arr. Liszt
|
Julius Katchen |
04:17 |
| 15 |
Sergei Rachmaninov: Piano Concerto No. 2 in C minor, Op. 18 - I. Moderato
with London Symphony Orchestra, conducted by Georg Solti
|
Julius Katchen |
09:50 |
| 16 |
Sergei Rachmaninov: Piano Concerto No. 2 in C minor, Op. 18 - II. Adagio sostenuto
with London Symphony Orchestra, conducted by Georg Solti
|
Julius Katchen |
11:56 |
| 17 |
Sergei Rachmaninov: Piano Concerto No. 2 in C minor, Op. 18 - III. Allegro scherzando
with London Symphony Orchestra, conducted by Georg Solti
|
Julius Katchen |
11:19 |
| 18 |
Sergei Rachmaninov: Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & or
with London Philharmonic Orchestra, conducted by Adrian Boult
|
Julius Katchen |
22:07 |
| 19 |
Franz Liszt: Piano Concerto No.1 in E flat, S.124 - 1. Allegro maestoso - Tempo giusto
|
Julius Katchen |
05:23 |
| 20 |
Franz Liszt: Piano Concerto No.1 in E flat, S.124 - 2a. Quasi adagio
|
Julius Katchen |
05:10 |
| 21 |
Franz Liszt: Piano Concerto No.1 in E flat, S.124 - 3. Allegretto vivace
|
Julius Katchen |
04:11 |
| 22 |
Franz Liszt: Piano Concerto No.1 in E flat, S.124 - 4. Allegro marziale animato
|
Julius Katchen |
04:01 |
| 23 |
Franz Liszt: Piano Concerto No.2 in A, S.125 - 1. Adagio sostenuto assai - Allegro agitato assai
|
Julius Katchen |
06:59 |
| 24 |
Franz Liszt: Piano Concerto No.2 in A, S.125 - 2. Allegro moderato
|
Julius Katchen |
05:01 |
| 25 |
Franz Liszt: Piano Concerto No.2 in A, S.125 - 3. Allegro deciso - Marziale un poco meno allegro
|
Julius Katchen |
06:02 |
| 26 |
Franz Liszt: Piano Concerto No.2 in A, S.125 - 4. Allegro animato
|
Julius Katchen |
01:46 |
| 27 |
Franz Liszt: Hungarian Rhapsody No.12 in C sharp minor, S.244
|
Julius Katchen |
09:50 |
| 28 |
Franz Liszt: 10 Harmonies poétiques et religieuses, S.173 - No. 7 Funérailles
|
Julius Katchen |
11:24 |
| 29 |
Franz Liszt: Fantasia on Hungarian Folk tunes, S.123
|
Julius Katchen |
14:51 |
| 30 |
Johannes Brahms: Sonata for Violin and Piano No.1 in G, Op.78 - 2. Adagio
|
Josef Suk |
07:54 |
| 31 |
Johannes Brahms: Sonata for Violin and Piano No.2 in A, Op.100 - 1. Allegro amabile
|
Josef Suk |
08:27 |
| 32 |
Johannes Brahms: Sonata for Violin and Piano No 3 in D minor, Op.108 - 1. Allegro
|
Josef Suk |
07:39 |
| 33 |
Johannes Brahms: Sonata for Violin and Piano No 3 in D minor, Op.108 - 3. Un poco presto e con sentimento
|
Josef Suk |
02:49 |
| 34 |
Johannes Brahms: Sonata for Violin and Piano No 3 in D minor, Op.108 - 4. Presto agitato
|
Josef Suk |
05:58 |
| 35 |
Johannes Brahms: Sonata for Violin and Piano No 3 in D minor, Op.108 - 2. Adagio
|
Josef Suk |
04:59 |
| 36 |
Maurice Ravel: Piano Concerto for the left hand in D
|
Julius Katchen |
17:44 |
| 37 |
George Gershwin: Rhapsody in Blue, Arr. F.Grofé
|
Julius Katchen |
15:50 |
| 38 |
Béla Bartók: Piano Concerto No.3, BB 127, Sz. 119 - 1. Allegretto
|
Julius Katchen |
07:11 |
| 39 |
Béla Bartók: Piano Concerto No.3, BB 127, Sz. 119 - 2. Adagio religioso
|
István Kertész |
10:54 |
| 40 |
Béla Bartók: Piano Concerto No.3, BB 127, Sz. 119 - 3. Allegro vivace
|
István Kertész |
06:45 |
| 41 |
Maurice Ravel: Piano Concerto in G - 2. Adagio assai
|
István Kertész |
10:14 |
| 42 |
Sergei Prokofiev: Piano Concerto No.3 in C, Op.26 - 1. Andante - Allegro
|
István Kertész |
08:34 |
| 43 |
Sergei Prokofiev: Piano Concerto No.3 in C, Op.26 - 2. Tema con variazione
|
István Kertész |
08:40 |
| 44 |
Sergei Prokofiev: Piano Concerto No.3 in C, Op.26 - 3. Allegro ma non troppo
|
István Kertész |
09:05 |
| 45 |
Tema (Vivace)
|
Julius Katchen |
00:50 |
| 46 |
Variation IX (Allegro pesante e risoluto)
Beethoven's Diabelli Variations for Piano in C Major, Op. 120
|
Julius Katchen |
01:29 |
| 47 |
Variation XIV (Grave e maestoso)
|
Julius Katchen |
04:35 |
| 48 |
Variation XXXI (Largo, molto espressivo)
|
Julius Katchen |
04:54 |
| 49 |
Variation XXXII: Fuga (Allegro - Poco adagio)
|
Julius Katchen |
02:47 |
| 50 |
Variation XXXIII (Tempo di minuetto moderato, ma non tirarsi dietro)
|
Julius Katchen |
03:11 |