入门听古典音乐（巴洛克时期——J.S.Bash篇）

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共171首歌曲

标签
#classical music
创建者
ti阿默
更新时间
2019年09月20日

歌单介绍

以时间为顺序，分不同时期，有助于感受不同时期音乐风格。

附中文翻译名，相关小知识，以及wikipekia的相关英文描述。

古典音乐作品命名方式：https://www.zhihu.com/question/22439412

【J.S.Bash作品命名 BWV（Bach-Werke-Verzeichnis）】

歌曲列表

# 歌曲 艺人 时长
01 Johann Sebastian Bach: Notenbüchlein für Anna Magdalena Bach - II. Menuet, BWV Anh. 114 (Arr. J.S. B
《G大调小步舞曲》 Johann Sebastian Bach (1685 – 1750) 作曲家乌龙小故事： The Minuet in G major is a keyboard piece included in the 1725 Notebook for Anna Magdalena Bach. Until 1970 it was attributed to Johann Sebastian Bach (BWV Anh. 114), but it is now universally attributed to Christian Petzold. It is a 32-measure piece primarily in the key of G major, but measures 20-23 are in D major. 		Johann Sebastian Bach 01:25
02 Johann Sebastian Bach: Two-Part Inventions No.1 in C major BWV 772
《二部创意曲（Two-Part Inventions)》 （曲集共15首） BWV 772 - 786 个人比较喜欢 Gould 版本（大师有边弹边哼的习惯，不习惯的可换其他版本） ，重点体会巴洛克「复调音乐」的华丽。 由于虾米版权问题，合集无法播放，此处以 NO.1, NO.6, NO.8, NO.14 为样例。 （如想听全部15首，可移步「网易云音乐」）Sigh. 		Glenn Gould 01:30
03 Johann Sebastian Bach: Invention No. 1 in C Major, BWV 772
可将《二部创意曲》基本分成三类: 1．由富于创意的主题动机，以对位模仿或展开手法构成。这类乐曲的主题，都是比较短小的，如1、3、4、7、13、14首就是。 		Glenn Gould 01:32
04 Johann Sebastian Bach: Invention No. 3 in D Major, BWV 774 Glenn Gould 00:59
05 Johann Sebastian Bach: Invention No. 4 in D minor, BWV 775 Glenn Gould 00:45
06 Johann Sebastian Bach: Invention No. 7 in E minor, BWV 778 Glenn Gould 00:54
07 Johann Sebastian Bach: Invention No. 13 in A minor, BWV 784 Glenn Gould 00:44
08 Johann Sebastian Bach: Two-Part Inventions No.14 in B-flat major BWV 785 Glenn Gould 01:43
09 Johann Sebastian Bach: Invention No. 14 in B-flat Major, BWV 785 Glenn Gould 01:37
10 Johann Sebastian Bach: Invention No. 5 in E-flat Major, BVW 776
2．主题是完整的乐句，然后与一定的对位主题组合起来，基本上以赋格曲(Fugue)手法创作，表现形式可分为“较严格”和“较自由”。 较严格：如第5、10、12、15首，主题的两次出现是在主调与属调上。 较自由：如第6、9、11首，主题的两次出现都在主调上。 以上提到的七首乐曲，其共同特点就是所展示的主题都有一定的长度，其旋律线条就可以作舒展性的表情处理。 		Glenn Gould 01:21
11 Johann Sebastian Bach: Invention No. 10 in G Major, BVW 781 Glenn Gould 00:40
12 Johann Sebastian Bach: Invention No. 12 in A Major, BWV 783 Glenn Gould 00:55
13 Johann Sebastian Bach: Invention No. 15 in B minor, BWV 786 Glenn Gould 00:51
14 Johann Sebastian Bach: Two-Part Inventions No.6 in E major BWV 777 Glenn Gould 02:40
15 Johann Sebastian Bach: Invention No. 6 in E Major, BWV 777 Glenn Gould 02:41
16 Johann Sebastian Bach: Invention No. 9 in F minor, BWV 780 Glenn Gould 02:48
17 Johann Sebastian Bach: Invention No. 11 in G minor, BWV 782 Glenn Gould 00:54
18 Johann Sebastian Bach: Invention No. 2 in C minor, BWV 773
3.以卡农(Canon)手法写成，“卡农”是一种严格模仿的对位法。 第2首是较严格的。第8首则较自由。 第2首：高声部先行两小节，然后低声部在第3小节以低八度进入，以严格模仿追行，调性由c小调发展至降E大调，由第11小节改由低音部以g小调先行，高音部以迟两小节的距离追行，最后又返回到高声部以c小调先行，结束全曲。 第8首：不是严格模仿、追行，大部分以八分音符及十六分音符的组合来体现。 		Glenn Gould 02:54
19 Johann Sebastian Bach: Two-Part Inventions No.8 in F major BWV 779 Glenn Gould 01:04
20 Johann Sebastian Bach: Invention No. 8 in F Major, BWV 779 Glenn Gould 01:03
21 Johann Sebastian Bach: Sinfonia No. 1 in C Major, BWV 787
《三部创意曲（Three-Part Sinfonias)》（曲集共15首） BWV 787 - 801 三部就是比二部多了中声部的音乐线条。 除了第5、第11这两首外，其余13首基本上都以赋格曲(Fugue)的形式写成，仅简要分类，按顺序加入。 由于虾米版权问题，无一首 Gould 版本的三部创意曲，请移步「网易云音乐」。加入他人版本No.5, No.13为样例，重点听三声部的呼应。 		Glenn Gould 00:45
22 Johann Sebastian Bach: Sinfonia No. 2 in C minor, BWV 788 Glenn Gould 03:01
23 Johann Sebastian Bach: Sinfonia No. 3 in D Major, BWV 789 Glenn Gould 01:06
24 Johann Sebastian Bach: Sinfonia No. 4 in D minor, BWV 790 Glenn Gould 03:13
25 Johann Sebastian Bach: Sinfonia No. 6 in E Major, BWV 792 Glenn Gould 00:49
26 Johann Sebastian Bach: Sinfonia No. 7 in E minor, BWV 793 Glenn Gould 01:31
27 Johann Sebastian Bach: Sinfonia No. 8 in F Major, BWV 794 Glenn Gould 00:58
28 Johann Sebastian Bach: Sinfonia No. 9 in F minor, BWV 795 Glenn Gould 04:17
29 Johann Sebastian Bach: Sinfonia No. 10 in G Major, BWV 796 Glenn Gould 00:57
30 Johann Sebastian Bach: Sinfonia No. 12 in A Major, BWV 798 Glenn Gould 01:14
31 Sinfonia No. 13, BWV 799, in A Minor Peter Serkin 02:38
32 Johann Sebastian Bach: Sinfonia No. 13 in A minor, BWV 799 Glenn Gould 02:14
33 Johann Sebastian Bach: Sinfonia No. 14 in B-flat Major, BWV 800 Glenn Gould 01:08
34 Johann Sebastian Bach: Sinfonia No. 15 in B minor, BWV 801 Glenn Gould 01:03
35 Sinfonia No. 5, BWV 791, in E-Flat Peter Serkin 03:20
36 Johann Sebastian Bach: Sinfonia No. 5 in E-flat Major, BWV 791 Glenn Gould 03:05
37 Johann Sebastian Bach: Sinfonia No. 11 in G minor, BWV 797 Glenn Gould 03:44
38 Johann Sebastian Bach: Prelude & Fugue No. No. 1 In C Major, BWV 846 - Prelude
《平均律 (The Well-Tempered Clavier)》 （曲集两本）BWV 846 - 893 The Well-Tempered Clavier, BWV 846–893, is a collection of two series of Preludes and Fugues in all major and minor keys. 【了解相关乐理知识，有助于理解《平均律》在音乐史上重要意义。关于十二平均律的乐理相关知识可见：https://www.zhihu.com/question/20612595】 		Glenn Gould 02:22
39 Johann Sebastian Bach: Prelude & Fugue No. No. 1 In C Major, BWV 846 - Fugue Glenn Gould 01:56
40 Johann Sebastian Bach: Prelude & Fugue No. No. 2 In C Minor, BWV 847 - Prelude Glenn Gould 02:08
41 Johann Sebastian Bach: Prelude & Fugue No. No. 2 In C Minor, BWV 847 - Fugue Glenn Gould 01:35
42 Johann Sebastian Bach: Prelude & Fugue No. No. 3 in C-Sharp Major, BWV 848 - Prelude Glenn Gould 01:05
43 Johann Sebastian Bach: Prelude & Fugue No. No. 3 in C-Sharp Major, BWV 848 - Fugue Glenn Gould 02:03
44 Johann Sebastian Bach: Prelude & Fugue No. No. 4 in C-Sharp Minor, BWV 849 - Prelude Glenn Gould 02:40
45 Johann Sebastian Bach: Prelude & Fugue No. No. 4 in C-Sharp Minor, BWV 849 - Fugue Glenn Gould 03:06
46 Johann Sebastian Bach: Prelude & Fugue No. No. 5 In D Major, BWV 850 - Prelude Glenn Gould 01:06
47 Johann Sebastian Bach: Prelude & Fugue No. No. 5 In D Major, BWV 850 - Fugue Glenn Gould 01:42
48 Johann Sebastian Bach: Prelude & Fugue No. No. 6 In D Minor, BWV 851 - Prelude Glenn Gould 01:20
49 Johann Sebastian Bach: Prelude & Fugue No. No. 6 In D Minor, BWV 851 - Fugue Glenn Gould 01:44
50 Johann Sebastian Bach: Prelude & Fugue No. No. 7 in E-Flat Major, BWV 852 - Prelude Glenn Gould 04:12
51 Johann Sebastian Bach: Prelude & Fugue No. No. 7 in E-Flat Major, BWV 852 - Fugue Glenn Gould 01:45
52 Johann Sebastian Bach: Prelude in E-Flat Minor & Fugue in D-Sharp Minor No. 8, BWV 853 - Prelude Glenn Gould 03:39
53 Johann Sebastian Bach: Prelude in E-Flat Minor & Fugue in D-Sharp Minor No. 8, BWV 853 - Fugue Glenn Gould 05:14
54 Johann Sebastian Bach: Prelude & Fugue No. No. 9 in E Major, BWV 854 - Prelude Glenn Gould 01:35
55 Johann Sebastian Bach: Prelude & Fugue No. No. 9 in E Major, BWV 854 - Fugue Glenn Gould 01:03
56 Johann Sebastian Bach: Prelude & Fugue No. No. 10 in E Minor, BWV 855 - Prelude Glenn Gould 02:50
57 Johann Sebastian Bach: Prelude & Fugue No. No. 10 in E Minor, BWV 855 - Fugue Glenn Gould 01:00
58 Johann Sebastian Bach: Prelude & Fugue No. No. 11 In F Major, BWV 856 - Prelude Glenn Gould 00:58
59 Johann Sebastian Bach: Prelude & Fugue No. No. 11 In F Major, BWV 856 - Fugue Glenn Gould 01:18
60 Johann Sebastian Bach: Prelude & Fugue No. No. 12 In F Minor, BWV 857 - Prelude Glenn Gould 04:56
61 Johann Sebastian Bach: Prelude & Fugue No. No. 12 In F Minor, BWV 857 - Fugue Glenn Gould 03:25
62 Johann Sebastian Bach: Prelude & Fugue No. 13 in F-Sharp Major, BWV 858 - Prelude Glenn Gould 02:16
63 Johann Sebastian Bach: Prelude & Fugue No. 13 in F-Sharp Major, BWV 858 - Fugue Glenn Gould 02:16
64 Johann Sebastian Bach: Prelude & Fugue No. 14 in F-Sharp Minor, BWV 859 - Prelude Glenn Gould 01:01
65 Johann Sebastian Bach: Prelude & Fugue No. 14 in F-Sharp Minor, BWV 859 - Fugue Glenn Gould 03:52
66 Johann Sebastian Bach: Prelude & Fugue No. 15 In G Major, BWV 860 - Prelude Glenn Gould 00:42
67 Johann Sebastian Bach: Prelude & Fugue No. 15 In G Major, BWV 860 - Fugue Glenn Gould 02:22
68 Johann Sebastian Bach: Prelude & Fugue No. 16 In G Minor, BWV 861 - Prelude Glenn Gould 02:30
69 Johann Sebastian Bach: Prelude & Fugue No. 16 In G Minor, BWV 861 - Fugue Glenn Gould 02:17
70 Johann Sebastian Bach: Prelude & Fugue No. 17 in A-Flat Major, BWV 862 - Prelude Glenn Gould 01:23
71 Johann Sebastian Bach: Prelude & Fugue No. 17 in A-Flat Major, BWV 862 - Fugue Glenn Gould 01:31
72 Johann Sebastian Bach: Prelude & Fugue No. 18 in G-Sharp Minor, BWV 863 - Prelude Glenn Gould 01:22
73 Johann Sebastian Bach: Prelude & Fugue No. 18 in G-Sharp Minor, BWV 863 - Fugue Glenn Gould 01:48
74 Johann Sebastian Bach: Prelude & Fugue No. 19 in A Major, BWV 864 - Prelude Glenn Gould 01:00
75 Johann Sebastian Bach: Prelude & Fugue No. 19 in A Major, BWV 864 - Fugue Glenn Gould 02:24
76 Johann Sebastian Bach: Prelude & Fugue No. 20 in A Minor, BWV 865 - Prelude Glenn Gould 01:11
77 Johann Sebastian Bach: Prelude & Fugue No. 20 in A Minor, BWV 865 - Fugue Glenn Gould 03:25
78 Johann Sebastian Bach: Prelude & Fugue No. 21 in B-Flat Major, BWV 866 - Prelude Glenn Gould 01:10
79 Johann Sebastian Bach: Prelude & Fugue No. 21 in B-Flat Major, BWV 866 - Fugue Glenn Gould 01:25
80 Johann Sebastian Bach: Prelude & Fugue No. 22 in B-Flat Minor, BWV 867 - Prelude Glenn Gould 03:57
81 Johann Sebastian Bach: Prelude & Fugue No. 22 in B-Flat Minor, BWV 867 - Fugue Glenn Gould 05:11
82 Johann Sebastian Bach: Prelude & Fugue No. 23 In B Major, BWV 868 - Prelude Glenn Gould 00:59
83 Johann Sebastian Bach: Prelude & Fugue No. 23 In B Major, BWV 868 - Fugue Glenn Gould 01:36
84 Johann Sebastian Bach: Prelude & Fugue No. 24 In B Minor, BWV 869 - Prelude Glenn Gould 02:14
85 Johann Sebastian Bach: Prelude & Fugue No. 24 In B Minor, BWV 869 - Fugue Glenn Gould 03:45
86 Johann Sebastian Bach: Prelude No. 1 in C Major, BWV 870
《平均律》卷二 		Glenn Gould 03:00
87 Johann Sebastian Bach: Fugue No. 1 in C Major, BWV 870 Glenn Gould 01:50
88 Johann Sebastian Bach: Prelude No. 2 in C Minor, BWV 871 Glenn Gould 01:26
89 Johann Sebastian Bach: Fugue No. 2 in C Minor, BWV 871 Glenn Gould 01:27
90 Johann Sebastian Bach: Prelude No. 3 in C Sharp Major, BWV 872 Glenn Gould 01:41
91 Johann Sebastian Bach: Fugue No. 3 in C Sharp Major, BWV 872 Glenn Gould 03:33
92 Johann Sebastian Bach: Prelude No. 4 in C Sharp Minor, BWV 873 Glenn Gould 03:09
93 Johann Sebastian Bach: Fugue No. 4 in C Sharp Minor, BWV 873 Glenn Gould 01:55
94 Johann Sebastian Bach: Prelude No. 5 in D Major, BWV 874 Glenn Gould 04:14
95 Johann Sebastian Bach: Fugue No. 5 in D Major, BWV 874 Glenn Gould 02:46
96 Johann Sebastian Bach: Prelude No. 6 in D Minor, BWV 875 Glenn Gould 01:56
97 Johann Sebastian Bach: Fugue No. 6 in D Minor, BWV 875 Glenn Gould 01:46
98 Johann Sebastian Bach: Prelude No. 7 in E Flat Major, BWV 876 Glenn Gould 01:28
99 Johann Sebastian Bach: Fugue No. 7 in E Flat Major, BWV 876 Glenn Gould 01:41
100 Johann Sebastian Bach: Prelude No. 8 in D Sharp Minor, BWV 877 Glenn Gould 02:22
101 Johann Sebastian Bach: Fugue No. 8 in D Sharp Minor, BWV 877 Glenn Gould 02:19
102 Johann Sebastian Bach: Prelude No. 9 in E Major, BWV 878 Glenn Gould 02:17
103 Johann Sebastian Bach: Fugue No. 9 in E Major, BWV 878 Glenn Gould 01:49
104 Johann Sebastian Bach: Prelude No. 10 in E Minor, BWV 879 Glenn Gould 02:04
105 Johann Sebastian Bach: Fugue No. 10 in E Minor, BWV 879 Glenn Gould 02:47
106 Johann Sebastian Bach: Prelude No. 11 in F Major, BWV 880 Glenn Gould 02:09
107 Johann Sebastian Bach: Fugue No. 11 in F Major, BWV 880 Glenn Gould 01:33
108 Johann Sebastian Bach: Prelude No. 12 in F Minor, BWV 881 Glenn Gould 01:46
109 Johann Sebastian Bach: Fugue No. 12 in F Minor, BWV 881 Glenn Gould 01:30
110 Johann Sebastian Bach: Prelude No. 13 in F Sharp Major, BWV 882 Glenn Gould 02:12
111 Johann Sebastian Bach: Fugue No. 13 in F Sharp Major, BWV 882 Glenn Gould 01:48
112 Johann Sebastian Bach: Prelude No. 14 in F Sharp Minor, BWV 883 Glenn Gould 03:22
113 Johann Sebastian Bach: Fugue No. 14 in F Sharp Minor, BWV 883 Glenn Gould 02:48
114 Johann Sebastian Bach: Prelude No. 15 in G Major, BWV 884 Glenn Gould 01:10
115 Johann Sebastian Bach: Fugue No. 15 in G Major, BWV 884 Glenn Gould 00:55
116 Johann Sebastian Bach: Prelude No. 16 in G Minor, BWV 885 Glenn Gould 03:09
117 Johann Sebastian Bach: Fugue No. 16 in G Minor, BWV 885 Glenn Gould 02:26
118 Johann Sebastian Bach: Prelude No. 17 in A Flat Major, BWV 886 Glenn Gould 03:00
119 Johann Sebastian Bach: Fugue No. 17 in A Flat Major, BWV 886 Glenn Gould 01:57
120 Johann Sebastian Bach: Prelude No. 18 in G Sharp Minor, BWV 887 Glenn Gould 01:38
121 Johann Sebastian Bach: Fugue No. 18 in G Sharp Minor, BWV 887 Glenn Gould 04:27
122 Johann Sebastian Bach: Prelude No. 19 in A Major, BWV 888 Glenn Gould 01:22
123 Johann Sebastian Bach: Fugue No. 19 in A Major, BWV 888 Glenn Gould 01:05
124 Johann Sebastian Bach: Prelude No. 20 in A Minor, BWV 889 Glenn Gould 02:18
125 Johann Sebastian Bach: Fugue No. 20 in A Minor, BWV 889 Glenn Gould 01:30
126 Johann Sebastian Bach: Prelude No. 21 in B Flat Major, BWV 890 Glenn Gould 02:26
127 Johann Sebastian Bach: Fugue No. 21 in B Flat Major, BWV 890 Glenn Gould 01:47
128 Johann Sebastian Bach: Prelude No. 22 in B Flat Minor, BWV 891 Glenn Gould 01:39
129 Johann Sebastian Bach: Fugue No. 22 in B Flat Minor, BWV 891 Glenn Gould 03:19
130 Johann Sebastian Bach: Prelude No. 23 in B Major, BWV 892 Glenn Gould 01:40
131 Johann Sebastian Bach: Fugue No. 23 in B Major, BWV 892 Glenn Gould 02:01
132 Johann Sebastian Bach: Prelude No. 24 in B Minor, BWV 893 Glenn Gould 01:40
133 Johann Sebastian Bach: Fugue No. 24 in B Minor, BWV 893 Glenn Gould 01:29
134 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Aria
《哥德堡变奏曲》 BWV 988 全作品包括主题，30个变奏，主题反复。每三个变奏为一组，每组最后一曲为卡农曲（从一度至九度卡农），如V1-V2-V3（V3是一度卡农曲），V4-V5-V6（V6 二度卡农曲），V7-V8-V9（V9 三度卡农曲），V10-V11-V12（V12 四度卡农曲）等等。 【卡农（Canon）是复调音乐的写作技法之一，也是利用对位法的音乐谱曲技法。卡农的所有声部虽然都模仿一个声部，但不同高度的声部依一定间隔进入，造成一种此起彼伏，连绵不断的效果，轮唱也是一种卡农。】 The Goldberg Variations is a work written for harpsichord by Johann Sebastian Bach, consisting of an aria and a set of 30 variations. First published in 1741, the work is considered to be one of the most important examples of variation form. The Variations are named after Johann Gottlieb Goldberg, who may have been the first performer. [For this work] we have to thank the instigation of the former Russian ambassador to the electoral court of Saxony, Count Kaiserling, who often stopped in Leipzig and brought there with him the aforementioned Goldberg, in order to have him given musical instruction by Bach. The Count was often ill and had sleepless nights. At such times, Goldberg, who lived in his house, had to spend the night in an antechamber, so as to play for him during his insomnia. … Once the Count mentioned in Bach's presence that he would like to have some clavier pieces for Goldberg, which should be of such a smooth and somewhat lively character that he might be a little cheered up by them in his sleepless nights. Bach thought himself best able to fulfill this wish by means of Variations, the writing of which he had until then considered an ungrateful task on account of the repeatedly similar harmonic foundation. But since at this time all his works were already models of art, such also these variations became under his hand. Yet he produced only a single work of this kind. Thereafter the Count always called them his variations. He never tired of them, and for a long time sleepless nights meant: 'Dear Goldberg, do play me one of my variations.' Bach was perhaps never so rewarded for one of his works as for this. The Count presented him with a golden goblet filled with 100 louis-d'or. Nevertheless, even had the gift been a thousand times larger, their artistic value would not yet have been paid for. 		Glenn Gould 01:49
135 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 1 a 1 Clav.
二声部，前奏曲风格，轻便活泼，和开头缓慢沉思的气氛很不一样。 【Clav. = Clavinet】 		Glenn Gould 00:49
136 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 2 a 1 Clav.
一卡农风格的变奏（为变奏3做准备），以Baroque时期常见的室内乐形式trio sonata（三重奏鸣曲）的风格与织体而写。 2/4拍。 【A trio sonata is written for two solo melodic instruments and basso continuo, making three parts in all, hence the name trio sonata. 】 		Glenn Gould 00:42
137 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 3 a 1 Clav.
同度卡农（高音与中音声部），两声部同样音高，先后相隔一个小节，所以这两个声部要弹出不同，有所区分，很难。低音声部自由式。 12/8拍。 Many sets of triplets suggest a kind of a simple dance. 		Glenn Gould 01:06
138 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 4 a 1 Clav.
Like the passepied, a Baroque dance movement, this variation is in 3/8 time with a preponderance of quaver rhythms. Bach uses close but not exact imitation: the musical pattern in one part reappears a bar later in another (sometimes inverted). 3/8拍。 		Glenn Gould 00:46
139 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 5 a 1 ovvero
使用意大利式手法，一只手在高音键和低音键来回换，另一只手在键盘中间，演奏很快的曲调。 3/4拍。 		Glenn Gould 00:38
140 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 6 a 1 Clav.
二度卡农，3/8拍。 The harpsichordist Ralph Kirkpatrick describes this piece as having "an almost nostalgic tenderness". 		Glenn Gould 00:29
141 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 7 a 1 ovvero
一个活泼的意大利风格的声音。第一、二层键盘交替表达，西西里舞曲风格。 6/8拍。 		Glenn Gould 01:09
142 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 8 a 2 Clav.
This is another two-part hand-crossing variation, in 3/4 time. The French style of hand-crossing such as is found in the clavier works of Francois Couperin is employed, with both hands playing at the same part of the keyboard, one above the other. This is relatively easy to perform on a two-manual harpsichord, but quite difficult to do on a piano. 		Glenn Gould 00:48
143 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 9 a 1 Clav.
三度卡农，三声部。 4/4拍。 		Glenn Gould 00:42
144 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 10 a 1 Clav.
四声部的小赋格。4/4拍。 【赋格：复调音乐的一种固定的创作形式。主要结构是首先在一个声部上出现一个主题片段（Subject），然后在其他的声部上模仿这个片段（Subject），这时演奏主题的声部演奏与新的声部相对应的乐句，形成各个声部相互问答追逐的效果。】 注意区分「赋格」和「卡农」的区别。 		Glenn Gould 00:42
145 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 11 a 2 Clav.
12/16拍。 		Glenn Gould 00:58
146 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 12 Canone al
四度卡农。 3/4拍。 		Glenn Gould 00:59
147 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 13 a 2 Clav.
一个精巧的长音旋律，类似《意大利协奏曲》中的行板，但不像它那样以庄严的D小调结束，而是在最光辉的G大调中打开。 3/4拍。 		Glenn Gould 02:10
148 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 14 a 2 Clav.
在双手交错的演奏中恢复了活泼的性格。舞蹈的韵律似乎暗示着蝴蝶飞舞的形象。使用第二层键盘，活泼的前奏曲风格。 Both features (ornaments and leaps in the melody) are apparent from the first bar: the piece begins with a transition from the G two octaves below middle C, with a lower mordent, to the G two octaves above it with a trill with initial turn. 		Glenn Gould 00:58
149 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 15 a 1 Clav.
五度卡农。这是三个G小调变奏中的第一个，这些上行下行的旋律似乎表达了愤怒和绝望的情绪。上行动机的最后一小节像问号一样悬置。巴赫这样悬而未决，大约是为加强第十六中——法国序曲的肯定色彩。由原来一直的G大调转为G小调，第一层键盘，行板。 Glenn Gould said of this variation, "It’s the most severe and rigorous and beautiful canon … the most severe and beautiful that I know, the canon in inversion at the fifth. It’s a piece so moving, so anguished—and so uplifting at the same time—that it would not be in any way out of place in the St. Matthew’s Passion; matter of fact, I’ve always thought of Variation 15 as the perfect Good Friday spell." 		Glenn Gould 02:29
150 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 16 a 1 Clav.
又变成G大调，前半部慢后半部快，序曲，把法国风格序曲的三段式改为两部：前半部为二声部前奏曲风格，行板；后半部为三声部小赋格，快板。 The set of variations can be seen as being divided into two halves, clearly marked by this grand French overture, commencing with a particularly emphatic opening and closing chords. It consists of a slow prelude with dotted rhythms with a following fugue-like contrapuntal section. 		Glenn Gould 01:13
151 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 17 a 2 Clav.
二声部的托卡塔风格。3/4拍。 In making his 1981 re-recording of the Goldberg Variations, Glenn Gould considered playing this variation at a slower tempo, in keeping with the tempo of the preceding variation (Variation 16), but ultimately decided not to because "Variation 17 is one of those rather skittish, slightly empty-headed collections of scales and arpeggios which Bach indulged when he wasn’t writing sober and proper things like fugues and canons, and it just seemed to me that there wasn't enough substance to it to warrant such a methodical, deliberate, Germanic tempo." 		Glenn Gould 00:53
152 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 18 a 1 Clav.
六度卡农，好像一个穿插着幽默的进行曲。2/2拍。 Glenn Gould cited this variation as the extreme example of "deliberate duality of motivic emphasis […] the canonic voices are called upon to sustain the passacaille role which is capriciously abandoned by the bass." 		Glenn Gould 00:40
153 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 19 a 1 Clav.
舞曲风格，三声部。3/8拍 		Glenn Gould 00:46
154 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 20 a 2 Clav.
This variation is a virtuosic two-part toccata in 3/4 time. Specified for two manuals, it involves rapid hand-crossing. The piece consists mostly of variations on the texture introduced during its first eight bars, where one hand plays a string of eighth notes and the other accompanies by plucking sixteenth notes after each eighth note. 		Glenn Gould 00:51
155 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 21 Canone al
七度卡农，部分使用半音阶。好像女神列柱慢慢挪动着僵硬的步子一样，第二个G小调的变奏出现了，尖锐而具有悲剧性，支撑着两个卡农。这个小调的低音让我们想到B小调弥撒中的 “受难（Crucifixus）”。这一段变奏的不宁追问和哭泣的应答，形成退却的和结局。 		Glenn Gould 01:23
156 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 22 a 1 Clav.
相反的代表“肯定”的时刻。它身形巨大，像帕勒斯特里纳（Palestrina）的音乐那样互相缠绕。托卡塔风格，宁静的调子。 		Glenn Gould 00:42
157 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 23 a 2 Clav.
模仿拉莫风格的性格是自由自在的，三度和弦无拘无束地奔跑。 It begins with the hands chasing one another, as it were: the melodic line, initiated in the left hand with a sharp striking of the G above middle C, and then sliding down from the B one octave above to the F, is offset by the right hand, imitating the left at the same pitch, but a quaver late, for the first three bars, ending with a small flourish in the fourth. 		Glenn Gould 00:55
158 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 24 a 1 Clav.
八度卡农，巴赫让情绪严峻下来，这也是第八个卡农。 The leader is answered both an octave below and an octave above; it is the only canon of the variations in which the leader alternates between voices in the middle of a section. 		Glenn Gould 01:03
159 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 25 a 2 Clav.
最后一个G小调的变奏。 Glenn Gould said that "the appearance of this wistful, weary cantilena is a master-stroke of psychology." In an interview with Gould, Tim Page described this variation as having an "extraordinary chromatic texture"; Gould agreed: "I don't think there's been a richer lode of enharmonic relationships any place between Gesualdo and Wagner." 		Glenn Gould 04:16
160 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 26 a 2 Clav.
恢复G大调，前奏曲风格，慢拍和快拍子之间的旋律对比。 Two time signatures are used, 18/16 for the incessant melody written in 16th notes and 3/4 for the accompaniment in quarter and eighth notes; during the last five bars, both hands play in 18/16. 		Glenn Gould 00:53
161 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 27 a 2 Clav.
九度卡农。由三连音围绕萨拉班德构成。只有巴赫才能赋予这个学究气的形式如此顽皮幽默的色彩。 This is the only canon where two manuals are specified not due to hand-crossing difficulties, and the only pure canon of the work, because it does not have a bass line. 		Glenn Gould 00:53
162 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 28 a 2 Clav.
This variation is a two-part toccata in 3/4 time that employs a great deal of hand crossing. Trills are written out using 32nd notes and are present in most of the bars. The piece begins with a pattern in which each hand successively picks out a melodic line while also playing trills. 		Glenn Gould 00:57
163 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 29 a 1 ovver
Glenn Gould states that variations 28 and 29 present the only case of "motivic collaboration or extension between successive variations." 		Glenn Gould 00:54
164 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Variatio 30 a 1 Clav.
据考证，这首 Quodlibet 的旋律是根据两首17世纪德国民歌改写的：“我离开你很久了”（"I Have So Long Been Away From You"）和 “桌上只有白菜和萝卜，我要走人了”（"Cabbage and Turnips Have Driven Me Away"）「这种歌词也是够了」 【集腋曲(quodlibet)：比如把性格对立的歌曲主体混合，或者由许多首差别很大的民歌组成，同时发声。】 这种途径暗示了对位的可能，故巴赫选择了它。此集腋曲是1696年左右大街小巷上流行的曲调。巴赫根据传统将主题分开，倒置、模仿后再穿插。看上去，巴赫以这 样的旋律结束全曲，是在缅怀亲族传统。据福科尔的传记记载，巴赫的音乐家家族聚会时，大家合唱一段众赞歌，然后开始即兴创作各种音乐玩笑，当快乐达到顶峰 的时候，突然又沉默下来。 This quodlibet is based on multiple German folk songs, two of which are Ich bin solang nicht bei dir g'west, ruck her, ruck her ("I have so long been away from you, come closer, come closer") and Kraut und Rüben haben mich vertrieben, hätt mein' Mutter Fleisch gekocht, wär ich länger blieben ("Cabbage and turnips have driven me away, had my mother cooked meat, I'd have opted to stay"). 		Glenn Gould 01:21
165 Johann Sebastian Bach: Goldberg, Variationen BWV 988 (Clavier-Übung Teil IV) - Aria da capo
虽然乐谱和最先的主调一模一样，演奏的方式可以不同。 		Glenn Gould 02:27
166 Johann Sebastian Bach: Suite No.1 in C, BWV 1066 - I. Ouverture Academy of St. Martin in the Fields 05:55
167 Johann Sebastian Bach: Suite No.1 in C, BWV 1066 - II. Courante Academy of St. Martin in the Fields 02:08
168 Johann Sebastian Bach: Suite No.1 in C, BWV 1066 - III. Gavotte I-II Academy of St. Martin in the Fields 02:56
169 Johann Sebastian Bach: Suite No.1 in C, BWV 1066 - IV. Forlane Academy of St. Martin in the Fields 01:39
170 Johann Sebastian Bach: Suite No.1 in C, BWV 1066 - VI. Bourrée I-II Academy of St. Martin in the Fields 02:39
171 Johann Sebastian Bach: Suite No.1 in C, BWV 1066 - VII. Passepied I-II Academy of St. Martin in the Fields 02:29



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