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共9首歌曲
Drawing heavily from the lush, orchestrated work of performers including Brian Wilson, Burt Bacharach, and Lee Hazlewood, Chamber Pop arose largely as a reaction to the lo-fi aesthetic dominant throughout much of the 1990s alternative music community. Inspired in part by the lounge-music revival but with a complete absence of irony or kitsch, chamber pop placed a renewed emphasis on melody and production, as artists layered their baroque, ornate songs with richly textured orchestral strings and horns, all the while virtually denying the very existence of grunge, electronica, and other concurrent musical movements.
(http://www.allmusic.com/style/chamber-pop-ma0000012300)
Chamber Pop的崛起很大程度上是对1990年代另类音乐群落中的Lo-Fi美学的统治地位所作的回应,它从包括Brian Wilson、Burt Bacharach以及Lee Hazlewood的豪华管弦乐演奏作品中吸取养分。Chamber Pop部分灵感来自于驰放音乐,但是完全没有讽刺和庸俗在里面,它给予音乐的旋律和创作以一种全新的关注,如巴洛克风格的音乐层次、有着丰富质地的管弦和号角的华丽歌曲。Chamber Pop实际上是一直否认Grunge(垃圾)、Electronica和其它同时期的音乐运动的存在。
# | 歌曲 | 艺人 | 时长 |
---|---|---|---|
01 | Chinatown | Destroyer | 03:49 |
02 | European Oils | Destroyer | 04:55 |
03 | Sound of San Francisco | Plush | 03:33 |
04 | Rolled Together | The Antlers | 04:36 |
05 | Hope There's Someone | Antony and the Johnsons | 04:21 |
06 | Marbles | Tindersticks | 04:30 |
07 | The Not Knowing | Tindersticks | 04:58 |
08 | The Sound and the Words | matt pond PA | 01:28 |
09 | Fed | Plush | 03:39 |