Bach:BrandenburgConcertos(Explained)

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共124首歌曲

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#英语　#有声书　#古典
创建者
UglyDuckling
更新时间
2020年04月19日

歌曲列表

# 歌曲 艺人 时长
01 Brandenburg Concerto No. 4 in G: The Brandenburgs as concerti grossi Jeremy Siepmann 01:28
02 Brandenburg Concerto No. 4 in G - First Movement: Introduction: Melody, Theme and Motif; Bach's opening gambit Jeremy Siepmann 02:15
03 Brandenburg Concerto No. 4 in G - First Movement: Onwards and upwards: Motif No. 2 and its function Jeremy Siepmann 00:51
04 Brandenburg Concerto No. 4 in G - First Movement: The two elements of Motif No. 2 and the effect of their combination Jeremy Siepmann 00:29
05 Brandenburg Concerto No. 4 in G - First Movement: The 'motto' rhythm hidden even within the opening bar Jeremy Siepmann 01:07
06 Brandenburg Concerto No. 4 in G - First Movement: Motif No. 3, introduced by the two recorders, has a kind of 'hovering' character Jeremy Siepmann 00:00
07 Brandenburg Concerto No. 4 in G - First Movement: Motif No. 3 repeated for a second, 'directed' listen Jeremy Siepmann 00:23
08 Brandenburg Concerto No. 4 in G - First Movement: Bach reminds us of the opening Jeremy Siepmann 00:00
09 Brandenburg Concerto No. 4 in G - First Movement: Motif No. 4 - a steadily rising derivative of Motif No. 1 Jeremy Siepmann 00:19
10 Brandenburg Concerto No. 4 in G - First Movement: Motif No. 5, a lovely, bouncy, syncopated flourish, in which all the instruments join Jeremy Siepmann 00:23
11 Brandenburg Concerto No. 4 in G - First Movement: Opening Ritornello (complete) Jeremy Siepmann 01:47
12 Brandenburg Concerto No. 4 in G - First Movement: Episode 1 begins with virtuoso entry of the solo violin, made up of alternating arpeggios Jeremy Siepmann 01:15
13 Brandenburg Concerto No. 4 in G - First Movement: Motif No. 3 returns, courtesy of the recorders, recently sidelined by the violin Jeremy Siepmann 00:00
14 Brandenburg Concerto No. 4 in G - First Movement: Ritornello 2, a varied repeat of Ritornello 1, arrives after much harmonic movement Jeremy Siepmann 00:43
15 Brandenburg Concerto No. 4 in G - First Movement: Episode 2, Part 1, preceded by the 'fanfare' motif from which its first theme derives Jeremy Siepmann 00:59
16 Brandenburg Concerto No. 4 in G - First Movement: Episode 2 continued, with more bravura dazzle from the solo violin Jeremy Siepmann 00:00
17 Brandenburg Concerto No. 4 in G - First Movement: Repeat of section for purposes of hearing the harmonic movement Jeremy Siepmann 00:48
18 Brandenburg Concerto No. 4 in G - First Movement: Ritornello 3, with the prominent participation of the soloists Jeremy Siepmann 00:00
19 Brandenburg Concerto No. 4 in G - First Movement: Episode 3 proves retrospective, featuring transposed repeats of earlier material Jeremy Siepmann 00:49
20 Brandenburg Concerto No. 4 in G - First Movement: Ritornello 4, not altogether what it might seem; solo violin takes 'motto' motif Jeremy Siepmann 00:00
21 Brandenburg Concerto No. 4 in G - First Movement: Episode 4. Cue to Part 1, focusing on 'soloistic' counterpoint provided by the continuo Jeremy Siepmann 00:00
22 Brandenburg Concerto No. 4 in G - First Movement: Return to Ritornello 4 to hear sources of Episode 4, Part 2 Jeremy Siepmann 00:37
23 Brandenburg Concerto No. 4 in G - First Movement: Episode 4 continued, with emphasis placed on conversational interchanges Jeremy Siepmann 00:28
24 Brandenburg Concerto No. 4 in G - First Movement: Return to opening Ritornello in order to enhance awareness of the contrast Jeremy Siepmann 00:53
25 Brandenburg Concerto No. 4 in G - First Movement: Ritornello 5, beginning Jeremy Siepmann 00:10
26 Brandenburg Concerto No. 4 in G - First Movement: Ritornello 5 continued, with emphasis on the determined banishment of B Minor Jeremy Siepmann 00:56
27 Brandenburg Concerto No. 4 in G - First Movement: Cue to complete performance of First Movement Jeremy Siepmann 00:46
28 Brandenburg Concerto No. 4 in G - First Movement: First Movement (complete) Jeremy Siepmann 06:20
29 Brandenburg Concerto No. 4 in G - Second Movement: Introduction: Rhythmic Motif provides basis for whole movement Jeremy Siepmann 01:17
30 Brandenburg Concerto No. 4 in G - Second Movement: The melody not much to write home about; nor is the meek 'answer' offered by the soloists Jeremy Siepmann 00:14
31 Brandenburg Concerto No. 4 in G - Second Movement: Putting the two together, thereby establishing a relationship Jeremy Siepmann 00:00
32 Brandenburg Concerto No. 4 in G - Second Movement: Contrast and syncopation - their relationship in opening section Jeremy Siepmann 02:18
33 Brandenburg Concerto No. 4 in G - Second Movement: Listening from the 'botton up' Jeremy Siepmann 02:48
34 Brandenburg Concerto No. 4 in G - Second Movement: The intertwining and alternation of solo and orchestra; the irregularity of metrical groupings Jeremy Siepmann 00:00
35 Brandenburg Concerto No. 4 in G - Second Movement: The next orchestral phrase; slowing the pace but not the tempo Jeremy Siepmann 00:28
36 Brandenburg Concerto No. 4 in G - Second Movement: The First Section (complete) Jeremy Siepmann 01:37
37 Brandenburg Concerto No. 4 in G - Second Movement: The next section; foreground symmetry and background variety Jeremy Siepmann 01:29
38 Brandenburg Concerto No. 4 in G - Second Movement: The central section's groupings are hugely asymmetrical Jeremy Siepmann 01:12
39 Brandenburg Concerto No. 4 in G - Second Movement: Cue to Second Movement as a whole Jeremy Siepmann 00:11
40 Brandenburg Concerto No. 4 in G - Second Movement: Second Movement (complete) Jeremy Siepmann 03:17
41 Brandenburg Concerto No. 4 in G - Third Movement: Introduction to the Third Movement... Jeremy Siepmann 04:57
42 Brandenburg Concerto No. 4 in G - Third Movement: Fugue subject Jeremy Siepmann 00:00
43 Brandenburg Concerto No. 4 in G - Third Movement: First counter-subject Jeremy Siepmann 00:00
44 Brandenburg Concerto No. 4 in G - Third Movement: Second counter-subject Jeremy Siepmann 00:51
45 Brandenburg Concerto No. 4 in G - Third Movement: Bass entry of the subject Jeremy Siepmann 00:14
46 Brandenburg Concerto No. 4 in G - Third Movement: Exposition (complete) Jeremy Siepmann 00:33
47 Brandenburg Concerto No. 4 in G - Third Movement: First Episode; the use of fragmentary derivatives Jeremy Siepmann 00:00
48 Brandenburg Concerto No. 4 in G - Third Movement: The difference a detail can make! Jeremy Siepmann 00:15
49 Brandenburg Concerto No. 4 in G - Third Movement: Harmonic Rhythm defined; back to the beginning to find the seed... Jeremy Siepmann 01:07
50 Brandenburg Concerto No. 4 in G - Third Movement: ...and now the blossom Jeremy Siepmann 00:21
51 Brandenburg Concerto No. 4 in G - Third Movement: The First Solo Episode; a confusion of terms; onwards, to the introduction of the solo episode Jeremy Siepmann 01:59
52 Brandenburg Concerto No. 4 in G - Third Movement: Ritornello 2 complete Jeremy Siepmann 01:11
53 Brandenburg Concerto No. 4 in G - Third Movement: Solo Episode 2 dominated by thrilling virtuosity from the solo violin Jeremy Siepmann 01:47
54 Brandenburg Concerto No. 4 in G - Third Movement: Ritornello 3: highly contrapuntal and dominated by subject-derivatives, with much harmonic fluidity Jeremy Siepmann 00:47
55 Brandenburg Concerto No. 4 in G - Third Movement: Ritornello 3 continues: engine of harmonic motion repeated at higher pitch Jeremy Siepmann 00:06
56 Brandenburg Concerto No. 4 in G - Third Movement: More on Ritornello 3: the use of long, sustained, slightly syncopated notes in upper strings Jeremy Siepmann 00:21
57 Brandenburg Concerto No. 4 in G - Third Movement: Ritornello 3 (complete) Jeremy Siepmann 00:00
58 Brandenburg Concerto No. 4 in G - Third Movement: Solo Episode 3 - less solo than earlier ones, what with (albeit very discreet) Jeremy Siepmann 00:00
59 Brandenburg Concerto No. 4 in G - Third Movement: The two recorders converse in canon, accompanied for six exhilarating bars by cello 'continuo' Jeremy Siepmann 00:22
60 Brandenburg Concerto No. 4 in G - Third Movement: Finishing Solo Exposition 3: orchestral cellos introduce what sounds Jeremy Siepmann 00:00
61 Brandenburg Concerto No. 4 in G - Third Movement: Approaching the final Ritornello; stretto explained Jeremy Siepmann 00:56
62 Brandenburg Concerto No. 4 in G - Third Movement: Cue to Finale Ritornello, noting tension-building 'pedal point' in cellos and double bass Jeremy Siepmann 00:00
63 Brandenburg Concerto No. 4 in G - Third Movement: Coda - the 'tail-piece', with its surprising 'hammer strokes' Jeremy Siepmann 00:58
64 Brandenburg Concerto No. 4 in G - Third Movement: Cue to Third Movement Jeremy Siepmann 00:20
65 Brandenburg Concerto No. 4 in G - Third Movement: Third Movement (complete) Jeremy Siepmann 00:00
66 Brandenburg Concerto No. 5 in D - First Movement: Opening Music; analysis and phony analysis; Shaw quote; music: Motif No. 1 Jeremy Siepmann 03:08
67 Brandenburg Concerto No. 5 in D - First Movement: Music, energy and relationship Jeremy Siepmann 00:59
68 Brandenburg Concerto No. 5 in D - First Movement: The outlines of a melody emerge Jeremy Siepmann 00:42
69 Brandenburg Concerto No. 5 in D - First Movement: The opening bar again Jeremy Siepmann 00:25
70 Brandenburg Concerto No. 5 in D - First Movement: Motif No. 2: ta / dee-ya, dee-ya, dee-ya Jeremy Siepmann 00:11
71 Brandenburg Concerto No. 5 in D - First Movement: Motif No. 3, and an important feature of its rhythm Jeremy Siepmann 00:32
72 Brandenburg Concerto No. 5 in D - First Movement: Beethoven Fifth Symphony (opening) Jeremy Siepmann 00:00
73 Brandenburg Concerto No. 5 in D - First Movement: Motif No. 4 Jeremy Siepmann 00:12
74 Brandenburg Concerto No. 5 in D - First Movement: Motif No. 5 Jeremy Siepmann 00:05
75 Brandenburg Concerto No. 5 in D - First Movement: Motif No. 6 Jeremy Siepmann 00:06
76 Brandenburg Concerto No. 5 in D - First Movement: Episode 1: a 'Love Duet' Jeremy Siepmann 01:39
77 Brandenburg Concerto No. 5 in D - First Movement: Episode 1 continued; violin and flute reverse direction of their theme Jeremy Siepmann 01:01
78 Brandenburg Concerto No. 5 in D - First Movement: 'False' Ritornello; soloists interrupt; rising 'sighing' motif; harpsichord continues downwards Jeremy Siepmann 00:59
79 Brandenburg Concerto No. 5 in D - First Movement: Four things going on at once, in violin, flute, harpsichord right hand, harpsichord left hand Jeremy Siepmann 00:39
80 Brandenburg Concerto No. 5 in D - First Movement: The orchestra returns, picking up at exactly the spot where it was interrupted Jeremy Siepmann 00:28
81 Brandenburg Concerto No. 5 in D - First Movement: The harpsichord intervenes with derivative of Motif 4; key shifts from A Major to B Minor Jeremy Siepmann 00:00
82 Brandenburg Concerto No. 5 in D - First Movement: The orchestra returns to foreground and brings this section to an end Jeremy Siepmann 00:42
83 Brandenburg Concerto No. 5 in D - First Movement: Harpsichord emerges as virtuoso; a series of expectations are frustrated Jeremy Siepmann 00:00
84 Brandenburg Concerto No. 5 in D - First Movement: A backwards look; blurred distinctions between soloists and orchestra; 'Mozartian' development Jeremy Siepmann 04:36
85 Brandenburg Concerto No. 5 in D - First Movement: Out of the Twilight Zone; a sequence of surprises Jeremy Siepmann 00:00
86 Brandenburg Concerto No. 5 in D - First Movement: The epoch-making harpsichord cadenza and the final Ritornello Jeremy Siepmann 00:00
87 Brandenburg Concerto No. 5 in D - First Movement: Cue to First Movement Jeremy Siepmann 00:00
88 Brandenburg Concerto No. 5 in D - First Movement: First Movement (complete) Jeremy Siepmann 09:00
89 Brandenburg Concerto No. 5 in D - Second Movement: Introduction; the opening Ritornello Jeremy Siepmann 02:34
90 Brandenburg Concerto No. 5 in D - Second Movement: The first bar; the first main building block Jeremy Siepmann 00:00
91 Brandenburg Concerto No. 5 in D - Second Movement: The flute motif Jeremy Siepmann 00:16
92 Brandenburg Concerto No. 5 in D - Second Movement: Opening of the first solo episode Jeremy Siepmann 01:04
93 Brandenburg Concerto No. 5 in D - Second Movement: An important motif; the second main building block Jeremy Siepmann 00:17
94 Brandenburg Concerto No. 5 in D - Second Movement: The second main theme Jeremy Siepmann 00:33
95 Brandenburg Concerto No. 5 in D - Second Movement: Ritornello 2; violin and flute as 'orchestra' Jeremy Siepmann 00:52
96 Brandenburg Concerto No. 5 in D - Second Movement: Episode 2; inversion of original motifs Jeremy Siepmann 00:00
97 Brandenburg Concerto No. 5 in D - Second Movement: More on Episode 2 Jeremy Siepmann 00:00
98 Brandenburg Concerto No. 5 in D - Second Movement: Episode 1 and Episode 2 compared Jeremy Siepmann 00:22
99 Brandenburg Concerto No. 5 in D - Second Movement: Episode 2; key shifts from D Major to F-Sharp Minor Jeremy Siepmann 00:00
100 Brandenburg Concerto No. 5 in D - Second Movement: Ritornello 3: an exact transposition of Ritornello 1 Jeremy Siepmann 00:47
101 Brandenburg Concerto No. 5 in D - Second Movement: Episode 3 contrasted with Episode 1 Jeremy Siepmann 00:34
102 Brandenburg Concerto No. 5 in D - Second Movement: Episode 3 described in detail Jeremy Siepmann 01:05
103 Brandenburg Concerto No. 5 in D - Second Movement: Ritornello 4; second main theme's first appearance in a Ritornello Jeremy Siepmann 00:57
104 Brandenburg Concerto No. 5 in D - Second Movement: Episode 4: dominated by inversions Jeremy Siepmann 01:34
105 Brandenburg Concerto No. 5 in D - Second Movement: Cue to Second Movement Jeremy Siepmann 00:06
106 Brandenburg Concerto No. 5 in D - Second Movement: Second Movement (complete) Jeremy Siepmann 05:39
107 Brandenburg Concerto No. 5 in D - Third Movement: Introduction: Ritornello 1 Jeremy Siepmann 00:54
108 Brandenburg Concerto No. 5 in D - Third Movement: The Fugue Subject: close juxtaposition of contrasting elements Jeremy Siepmann 01:21
109 Brandenburg Concerto No. 5 in D - Third Movement: Flute takes the 'answer', with countersubject in the violin Jeremy Siepmann 00:33
110 Brandenburg Concerto No. 5 in D - Third Movement: Contrary motion as a contrapuntal device Jeremy Siepmann 00:23
111 Brandenburg Concerto No. 5 in D - Third Movement: Contrary motion as a listening aid; a new theme Jeremy Siepmann 00:32
112 Brandenburg Concerto No. 5 in D - Third Movement: Playing with the counter-subject; a musical game of tag Jeremy Siepmann 00:51
113 Brandenburg Concerto No. 5 in D - Third Movement: Hidden rhythms: background variety behind foreground uniformity Jeremy Siepmann 00:44
114 Brandenburg Concerto No. 5 in D - Third Movement: Fugal writing and the compatibility of parts; the Exposition Jeremy Siepmann 01:35
115 Brandenburg Concerto No. 5 in D - Third Movement: Episode 1, taken by soloists, contains important 'seeds' Jeremy Siepmann 00:37
116 Brandenburg Concerto No. 5 in D - Third Movement: The orchestra enters at last, but by stealth Jeremy Siepmann 01:19
117 Brandenburg Concerto No. 5 in D - Third Movement: Stretto and musical football Jeremy Siepmann 01:02
118 Brandenburg Concerto No. 5 in D - Third Movement: Key changes to B Minor, introducing extensive Middle Section Jeremy Siepmann 01:24
119 Brandenburg Concerto No. 5 in D - Third Movement: The Middle Section a precursor of the Mozartian 'development' Jeremy Siepmann 03:06
120 Brandenburg Concerto No. 5 in D - Third Movement: The Fugue Subject out in force: first four immediately consecutive entries yet Jeremy Siepmann 01:51
121 Brandenburg Concerto No. 5 in D - Third Movement: Ambiguity of mode and a Scottish twist Jeremy Siepmann 00:38
122 Brandenburg Concerto No. 5 in D - Third Movement: Middle Section sontinued; harpsichord dominates Jeremy Siepmann 02:11
123 Brandenburg Concerto No. 5 in D - Third Movement: Cue to Last Movement Jeremy Siepmann 00:19
124 Brandenburg Concerto No. 5 in D - Third Movement: Last Movement (complete) Jeremy Siepmann 04:55



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