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风格
#管弦乐
地区
France 法国

艺人介绍

雷蒙•勒菲夫1929年出生在法国北部的卡雷,1946年进入巴黎音乐学院,3年后以钢琴和黑管两科第一名的成绩毕业。1956年,他成立了自己的乐队,乐队风格不是当时流行的爵士风格,而是以古典为主并成为当时红极一时的欧洲歌手达丽达的专业伴奏乐队,1957年,达丽达的歌曲《巴比诺》成为当时最流行的歌曲。从此以后,雷蒙•勒菲夫乐队成为电视节目中的常客。

1969年,雷蒙•勒菲夫皇家乐队发表了新曲《La Reine De Saba(萨巴女王)》,成为全世界无人不知、无人不晓的名曲,而雷蒙•勒菲夫皇家乐队也一举闻名于世。雷蒙•勒菲夫的儿子米歇尔•勒菲夫一直担任着乐团指挥,他完全继承了父亲的音乐信念,带领着雷蒙•勒菲夫皇家乐队始终保持着世界著名现代乐队的荣誉。雷蒙•勒菲夫皇家乐队把古典音乐和现代轻音乐的不同特征巧妙地结合,融为一体,曲风浪漫、优雅,令人聆听时如感轻风拂面,丝丝柔情触动心扉,充分领略到深蕴其中的法式浪漫情怀。

The instrumental smash &Ame Câline& vaulted conductor and arranger Raymond Lefèvre to the front ranks of the easy listening renaissance that followed the commercial vogue for stereophonic sound. Born in Calais, France on November 20, 1929, Lefèvre studied flute as a child and at 16 entered Paris' Conservatoire National de Musique, moonlighting as a jazz pianist in local clubs and cabarets. After a stint behind jazz bandleader Hubert Rostaing, Lefèvre joined conductor Bernard Hilda's Club des Champs-Elysées orchestra--he established himself as a composer and arranger during a lengthy tenure as a Barclay Records staffer, concurrently serving six years behind Egyptian born-singer Dalida and in 1957 scoring the first of more than a dozen films with director Guillaume Radot's Fric-frac en dentelles. A year later, Lefèvre notched a minor U.S. hit with his interpretation of Gilbert Bécaud's &Le Jour Ou La Pluie Viendra,& retitled &The Day the Rains Came& for American consumption--by this time, he was also established as the musical director for the French television variety series Musicorama, leading his orchestra in accompaniment of countless singers. While scoring the 1964 feature Faites Sauter La Banque!, Lefèvre first collaborated with fellow easy-listening maestro Paul Mauriat, his greatest commercial rival in the years to follow--while Mauriat scored the biggest instrumental hit of the period with the chart-topping &Love Is Blue,& Lefèvre's lush symphonic approach was a fixture on the European pop charts throughout the Sixties as consumer demand for stereo recordings guaranteed impressive sales for singles including &La La La (He Gives Me Love),& &Puppet on a String& and &A Whiter Shade of Pale.& He scored his biggest hit in 1968 when composer Michel Polnareff's haunting &Ame Câline& (a.k.a. &Soul Coaxing&) emerged as a staple on pirate station Radio Caroline, and while his commercial fortunes dwindled in the decade to follow, Lefèvre remained a ubiquitous presence in French cinema, winning widespread acclaim for the 1971 thriller score Jo. He also continued recording until 2001, enjoying his greatest commercial renown in Japan. Lefèvre died in Seine-Port, France on June 27, 2008.


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