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艺人介绍

by John Dougan

A critic once called Steve Gibbons "the English Bob Seger," which, as descriptions go, could have been much worse, but is really based on superficialities. Both guys are basically unpretentious, blue-collar rockers who achieved notoriety (Seger much more so than Gibbons) as veterans. But Gibbons' career wasn't long enough to witness the kind of decline and formulaic emptiness that marked Seger's career after 1980. Still, for a career that lasted for five albums, Gibbons didn't do too badly; three of them are good, and one (Down in the Bunker) is great. Backed by a crack band that included former Move bassist Trevor Burton, Gibbons fancied himself a modern-day rock & roll outlaw: dark features, surly countenance, mean disposition. His songs were essentially Chuck Berry updates (in some cases, simply Chuck Berry covers) about thugs, dealers, and good lovin' gone bad. Tight with Who bassist John Entwistle, Gibbons was able to land a contract with the Who's American label, MCA, and share the same management company. The trouble was that being the English Bob Seger meant little, if anything, to most American rock fans (who preferred their own Seger by a wide margin), and Gibbons' career never amounted to much here; he was fairly popular in England, though. Following Down in the Bunker, Gibbons released two early-'80s records for RCA, and On the Loose for Magnum Force in 1986. The 1998 Bob Dylan tribute The Dylan Project, recorded with members of Fairport Convention, marked a comeback of sorts for Gibbons.


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