DJ Rolando
- 风格
- #科技舞曲 #底特律科技舞曲
- 地区
- 欧美
艺人介绍
by John BushThough hes one of the later recruits to Detroits Underground Resistance family, DJ Rolando (aka the Aztec Mystic) became one of the most important figures in the UR organization after two releases: his Aztec Mystic Mix, which compiled all of the labels brightest tracks in a stunning compilation; and his Jaguar single, a leftfield dance hit that became a flashpoint for URs anti-major label stance. Raised in Mexicantown (right next to the Ambassador Bridge on Detroits southwest side), Rolando grew up mixing the freestyle and hip-hop that was common currency around the area. After he became interested in techno as well and began dropping it into his sets, a friend introduced him to Mad Mike Banks, the leader of Underground Resistance and one of the primary figures in Motor City techno.Rolando soon began DJing around the world as part of the UR organization, and made his production debut on the Underground Resistance tracks Aztlan and Aztec Mystic. He also produced a track (Mi Raza) for the UR full-length Interstellar Fugitives. In early 1999, the B-side of his single Ascesión/Jaguar gained airplay in British clubs and on radio, and his Aztec Mystic Mix gained even more praise. By the end of the year, Jaguar had gained so much attention — much of it in commercial trance circles where URs pioneering work was barely known — that Sony Germany attempted a tone-for-tone trance remake of the track for potential chart entry and inclusion on DJ albums. Underground Resistance immediately organized an uprising of record-store owners, techno purists, and underground DJs worldwide to protest the recording and boycott its release. Even while another megalabel, BMG, considered doing the same thing, Sony backed down and pulled the single. UR responded with Revenge of the Jaguar: The Mixes, an EP with remixes by Detroit figures Jeff Mills and Octave One as well as Banks himself.
最新简评（共10条）
- @Geworfenheit(购买诗集《落日飞奔术》电...)：
- @张立²(纵使时光飞逝而过，在人的...)：1994年，他通过朋友认识了Mike Banks，加入了传奇厂牌：Underground Resistance。虽然UR成员一直在变化，但在过去的那段时间里，UR毫无疑问就像一个Techno中心:和其他成员一起在工作室里讨论工作的日子让Rolando获得了很多有价值的想法和建议。这些至今仍让他难以忘怀并深深地影响了他之后的道路。
- @张立²(纵使时光飞逝而过，在人的...)：在定性于Techno/ House之前, 早期的Rolando以播放hip-hop, electro,以及一些底特律西南区盛行的拉丁音乐为主。那个时候能够播放的Techno/ House音乐非常有限。如果演出过程中所播放的歌曲里面没有包含人声，听众就会直接对你的音乐表现出不满。这让喜欢Techno/ House的Rolando感到十分沮丧。虽然他收集了很多此类风格的唱片，却一直没什么机会播放。直到90年代中期，局面才慢慢得以改善。
- @张立²(纵使时光飞逝而过，在人的...)：1987年, 他首次购置了DJ设备, 从此开始了自己的DJ生涯。虽然他的兄弟姐妹都传承了父亲，成为弹奏乐器的传统音乐家，而他却另辟蹊径，踏上了一条有别于自己家族的路线。他很坦然地表示这很大一部分影响, 源于他在1986年看到完Jeff Mills的现场演出后，便坚信自己真正想要追逐的梦想就是成为一名DJ。
- @张立²(纵使时光飞逝而过，在人的...)：Rolando的青少年时期, 嘻哈音乐非常盛行, 横扫全美。而他成长的区域属于底特律西南部的西班牙裔街区。他的父亲也一位音乐家, 一名墨西哥乐队乐手, 所以他从小就对音乐就有着浓厚的兴趣，并深受拉丁文化的熏染。底特律这座城市的工业气质，加上他个人的拉丁背景，这两种气质的相互碰撞，造就了他独特的个人风格。可以说拉丁乐已经融入他的基因, 成为他音乐最为显要的特征, 也可以说是他作为制作人的秘密武器！
- @张立²(纵使时光飞逝而过，在人的...)：明天见
- @Salvador(好累哦但还是要保持亢奋)：明天见
- @耗子24：kkkk
- @新鮮饅頭(fresh steame...)：▲
- @Beta sound(我还没想好要写什么...)：「CBDL」