Anthony Phillips Anthony Edwin Phillips
- 风格
- #前卫摇滚 #成人时代 #氛围音乐
- 地区
- United Kingdom 英国
艺人介绍
by Bruce Eder
Anthony Phillips was one of the founding members of Genesis, having attended the Charterhouse School in Surrey with Peter Gabriel, Tony Banks, and Michael Rutherford. Phillips and Rutherford (who had played together in another band before linking up with Gabriel and Banks), were the principal composing members of Genesis during their formative years, right into their first recording venture on English Decca (Silent Sun etc.) under the aegis of Jonathan King. Much of Phillips and Rutherfords music was too subtle and introspective to work for the fledgling band on stage, and eventually composition became more of a shared effort. By the time the group cut its second album, Trespass, however, Phillips had receded into the background, propelled by a crippling onset of stage-fright that forced him out of the line-up following the albums release. His influence, ironically, was felt very strongly on their subsequent breakthrough third album, Nursery Cryme, the title track of which (the bands first number to attract a wide audience in progressive rock circles), for its introduction and opening minute, used material that Phillips had written and recorded (as a demo) as early as 1969.
Little more was heard from Anthony Phillips until 1977, when he favored us with his first solo album, The Geese and the Ghost, followed by Wise After the Event a year later, and then a collection of early demo recordings, Private Parts and Pieces, also issued in 1978. Phillips has re-emerged periodically, working in a style that is much closer to the classically influenced original Genesis sound than to the work of the current version of the group. He retains a cult of fans, similar in certain respects to Peter Banks of Yes (another guitar player who quit an art-rock band at a critical early juncture in their history), but recording more frequently. He also writes a considerable amount of music for television and movies, and remains a guitarist of supreme skill and confidence, steeped in classical, pre-Baroque, and folk influences, able to record entire albums featuring only his acoustic instrument. Phillips skills on the keyboard, principally synthesizer and Mellotron, are more limited, and were never exploited within a group context, but his studio recordings reveal a distinctive character to his compositions on those instruments as well.
热门评论
- @信可：我得经常同自己说，有些鸟儿是关不住的。它们的羽毛太鲜亮了。当它们飞走的时候，你心底里知道把它们关起来是一种罪恶，你会因此而振奋。 《肖申克的救赎》这台词挺适合描述他的单飞
最新简评（共10条）
- @Desperado(Let it go, l...)：【参考】
- @Desperado(Let it go, l...)：全名：Anthony Edwin Phillips
- @Desperado(Let it go, l...)：He also writes a considerable amount of music for television and movies, and remains a guitarist of supreme skill and confidence, steeped in classical, pre-Baroque, and folk influences, able to record entire albums featuring only his acoustic instrument. 这位摇滚音乐人后期转型成为影视配乐制作人，给很多罐头音乐厂牌创作配乐。
- @灰(生命已经过期)：
- @缺只徐行(去克洛里吧)：嗯
- @Lilian：Passacaglia
- @————————————————(海岸线)：
- @莲斯本：Adult Contemporary, Prog-Rock, Finger-Picked Guitar, Ambient, Album Rock, Contemporary Pop/Rock
- @羽蔚：可能吉他水平影响了乐队的发展而离开Genesis