Lydia Lunch
- 风格
- #无浪潮 #噪音摇滚 #实验摇滚
- 地区
- United States of America 美国
艺人介绍
小简介
实验摇滚(experimental rock),无浪潮(no wave),噪音摇滚(noise rock),另类流行摇滚(alternative pop rock)
After leaving the seminal New York no wave outfit Teenage Jesus and the Jerks, poet/actress/vocalist Lydia Lunch (b. Lydia Koch) embarked on a solo career marked by frequent collaborations and band changes, plus an attitude of confrontational nihilism expressed in both her sound and her often violent and/or sexually oriented subject matter. Upon leaving Teenage Jesus, Lunch first formed Beirut Slump, but departed after one single. Her solo debut, 1980s Queen of Siam, proved to be one of her most acclaimed efforts, as was her next band, the funk-inflected 8 Eyed Spy. However, that band broke up due to the death of bassist George Scott, and Lunch went back out on her own. After 1982s 13.13, which featured former members of the Weirdos, Lunch began a rash of collaborations, working with the Birthday Party on the EP The Agony Is the Ecstasy, as well as Einstürzende Neubauten, Die Haut, Sort Sol, Swans Michael Gira, and members of Sonic Youth. Lunch founded her own Widowspeak label in 1985, immediately delving into spoken word with the EP The Uncensored Lydia Lunch and reissuing much of her back catalog, including a two-CD retrospective, Hysterie, in 1986. Her next collaboration was the first of several with Jim Foetus Thirlwell, who remixed a shelved project with Birthday Party members from 1982-1983; it was issued as Honeymoon in Red in 1987. The two also released the Stinkfist EP under Thirlwells Clint Ruin alias in 1989. That same year, Lunch teamed with Sonic Youth bassist Kim Gordon in Harry Crews, a one-off, all-female noise rock band, for the LP Naked in Garden Hills. Aside from an EP with ex-Birthday Party guitarist Rowland S. Howard in 1991, Shotgun Wedding, plus her acting career in underground films, Lunch has concentrated on the spoken word arena into the 90s; a three-CD retrospective of this aspect of her career, Crimes Against Nature, was issued in 1993, and Lunch has continued her activities throughout the decade. Much of her Widowspeak output was reissued by other independent labels in the mid-90s.
热门评论
- @燃：躯体里迸发出狂野的力量，洗净糜烂颓废的我，就想咆哮，干这他妈像敌人一样的世界
- @太编：Lydia Lunch简介 20世纪八九十年代独立音乐家，噪音实验家， Lydia Lunch是1970年代纽约无浪潮运动中一个令人瞩目的角色，她在文学、电影、朗读表演、视频、摄影、诗歌以及其他创造性活动中都留下了足迹。不过音乐仍是她的最爱。她曾在许多开创性的乐队里发挥重要作用，这些乐队包括Teenage Jesus，Eight Eyed Spy，Beirut Slump，The Devil Dogs和13.13等，它们为纽约式的美学奠定了基础，确立了基调。 20世纪八九十年代独立音乐家，噪音实验家， Lydia Lunch是1970年代纽约无浪潮运动中一个令人瞩目的角色，她在文学、电影、朗读
最新简评（共115条）
- @ㅤ培养皿(作为报答、我吔给泥放点、...)：回
- @刘远野(as they long...)：My,how nothing changes,different men in the same position
- @小小虾(我还没想好要写什么...)：➕
- @EWMN柴木寒(虾米音乐陪葬品)：。
- @琪裴衣(我还没想好要写什么...)：嗷
- @Geworfenheit(购买诗集《落日飞奔术》电...)：爱你
- @itsoba(StandingClub)：
- @﹏凛(一切过往，皆为序章。)：C
- @…(@ddazedconfu...)：姐姐俺爱你
- @yo ro shi ku(Spotify : Yo...)：