Tony Scott 托尼·斯科特
- 风格
- #冷爵士
- 地区
- 欧美
艺人介绍
by Scott Yanow
Since leaving New York in 1959, Tony Scott (a top bebop-oriented clarinetist) has been an eager world traveler who enjoys exploring the folk music of other countries. Unfortunately, his post-1959 recordings have been few, far between, difficult-to-locate, and sometimes erratic, but Scott was an unheralded pioneer in both world music and new age.
Tony Scott attended Juilliard during 1940-1942, played at Mintons Playhouse, and then after three years in the military he became one of the few clarinetists to play bop. His cool tone (heard at its best on a 1950 Sarah Vaughan session that also includes Miles Davis) stood out from the more hard-driving playing of Buddy DeFranco. Scott worked with a wide variety of major players (including Ben Webster, Trummy Young, Earl Bostic, Charlie Ventura, Claude Thornhill, Buddy Rich, and Billie Holiday), led his own record dates (among his sidemen were Dizzy Gillespie and a young Bill Evans) which ranged from bop and cool to free improvisations (all are currently difficult to locate), and ranked with DeFranco at the top of his field.
Unfortunately the clarinet was not exactly a popular instrument in the 1950s (as opposed to during the swing era) and Tony Scott remained an obscure name outside of jazz circles. In 1959, he gave up on the U.S. and began extensive tours of the Far East. He played Eastern classical music, recorded meditation music for Verve, and, other than some brief visits to the U.S, has lived in Italy since the 1970s where he has sometimes experimented with electronics.
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- @sikkim(一個人的戰爭)：.
- @未知生物：•
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- @星星( 孤独的爵士钢琴手～)：可以
- @兴兴(Bidalaska)：新世纪音乐的创始人！居然没有人提“新世纪”三个字，国内的人真是孤陋寡闻！1967年开创了新世纪音乐流派，与印度的民族音乐结合....致敬佛陀的专辑大家有木有听过 兴兴 (Bidalaska) 2017-12-12 06:57 1965 来自iPhone客户端
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- @愫。(感谢有音乐陪伴)：好听就收藏