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风格

#钢琴布鲁斯　#爵士

地区

欧美

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艺人介绍

by Jason Ankeny

One of the driving forces behind the advent of boogie-woogie piano, Clarence Pine Top Smith ranks among the most influential blues figures of the 1920s. Born January 11, 1904, in Troy, AL, he was raised in nearby Birmingham; a self-taught player, he began performing at area house parties while in his mid-teens, and after relocating to Pittsburgh accompanied Ma Rainey and Butterbeans & Susie. On the advice of fellow pianist Cow Cow Davenport — himself a seminal figure in boogie-woogies development — Smith relocated to Chicago in 1928, where he lived in the same apartment house as Meade Lux Lewis and Albert Ammons, conditions that resulted in frequent all-night jam sessions; there, he also made a name for himself on the citys house-rent party and club circuits. While boogie-woogies exact origins are a mystery, Smiths energetic Pine Tops Boogie Woogie (cut during his first Vocalion label sessions in 1928) marked the first known use of the phrase on record, and its lyrics — a cry of Hold it now/Stop/Boogie Woogie! — became the template for any number of subsequent piano tunes. Another recording session followed in early 1929, but just weeks later, on March 15, Smiths bright career came to an abrupt halt when he was shot and killed by a stray bullet during a dancehall fracas; he was just 25 at the time of his death, leaving behind a legacy of only 11 recorded tracks.