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风格

#世界融合　#拉丁爵士

地区

欧美

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艺人介绍

Fernando Tarrés is widely recognized as one of the most important and original Argentine musicians to emerge from the jazz and improvised music scene of the last decades. The astonishing array of his artistic activities as a composer, arranger, performer and producer with artists like Tom Harrel, Danilo Pérez, Rubén Blades, Donny McCaslin, Erik Friedlander, Mark Feldman, Ed Simon, David Kikosky, Luis Perdomo, Drew Gress, Tito Puente, Paquito D'Rivera, Bologna Philarmonic Orchestra, Panama Symphony, Maracaibo Symphony Orchestra, Mexico's Chávez Orchestra, Claudio Roditi, David Sánchez, Jeff Ballard, Ben Street, Montevideo National Symphony, Medellin's EAFIT Orchestra, Bogotá Philarmonic, John Hollenbeck, Satoshi Takeishi, Lucía Pulido, David Binney and Gary Burton among many others, makes him one of the most prominent names in the South American modern creative music scene. Tarrés is a master form architect whose deeply personal language emerges from the rigorous, distanced perspective of an exile pondering his native sources, during his ten-year residency in New York City. He blends contemporary classical, modern jazz harmony, the unique melodic phrasing of tango, free improvisation and the rythms and melodies of Argentina's rick Folk vernacular in creating fresh, dynamic music that transcends category. With thirteen albums under his mane and many others as sideman, arranger and producer, Tarrés has reinforced his singular position in the music world. His eclectic approach to music has granted him commissions by the Córdoba Chamber Orchestra, Yale Philarmonic and Astor Piazolla's latest partner Daniel Binelli, for whom Tarrés composed his "Bandoneón Concerto". Over the past few years Tarrés has performed in prestigious theaters and jazz venues around the world: Jamboree (Barcelona), Stadtgarden (Koln), A Trane (Berlin), Jazzkeller (Frankfurt), Cadiz University (Cadiz), Unterfahrt (Munich), Bayerischer Hof (Munich), Café Central (Madrid), Moods (Zurich), Teatro San Martín (Córdoba, Argentina), Málaga University (Malaga), Teatro San Martín (Buenos Aires), Santa María University (Chile), University of Santiago (Santiago de Chile), Scullers (Boston), Knitting Factory (New York), Blues Alley (Washington), KC T'Vondel (Brussels), Schloss Elmsu (Elmsu, Germany), Visiones (New York), The Bird's Eye (Basel), Bunker Ulmenwall (Bielefeld), Domicil (Dortmund), WDR (Koln), JFC (St. Petersburg), Pamu Jazz Festival (Estonia), Progretto Jazz (Cremona), Blue Note (Poznan) and many others. He has received fellowships for his work from the Ministry of Foreign Affairs of Argentina, the City of Buenos Aires' Secretary of Culture, and the City of Buenos Aires' Sub-Secretary of Cultural Industries; as well as scholarships from Berklee College and Manhattan School of Music in the United States. In addition to his work as a guitarist, composer and educator, leading a wave of innovative projects, Tarrés is a tireless organizer who is partly responsible for the notable growth of the Argentine creative music scene in recent years.>br> He founded Buenos Aires Underground (BAU) in December 2001 to help disseminate the work of a new generation of artists. Since then, he has produced a number of festivals and collective performances in New York, Miami, Mexico City, Guadalajara, Monterrey, Bogotá and Buenos Aires, releasing under the BAU label over 40 albums devoted to the work of Argentina's more remarkable artists.