黑川良一,中国文艺青年最该认识的日本新一代艺术偶像。
如果您对日本实验电子音乐的认知还停留在池田亮司 (Ryoji Ikeda),那真该快快“进行”一下更新“的动作”。妙的是,黑川根本不是“音乐家”,他的艺术就是 AV,纯粹 AV,纯粹 audio-visual。这类视觉与听觉彻底合的真正新媒体/多媒体正是未来潮流之所指。那种舞厅里 DJ 配 VJ 的概念,在这种整体艺术之前显得陈腐不堪。
黑川的 AV 电脑程序控制,出神入化,随心所欲,为所欲为。它让你沉思:在这终极底限之后,电子艺术还有下一步吗?
黑川良一是当前世界各大型媒体节及音乐节争相邀约的艺术家。黑川这是第一次来中国演出。“河流体”开幕式演出的开场第一晚压轴节目即黑川良一。黑川将以 8 台 15,000 流明的投影机投出四块巨大影像,加上 24 支全频加上 (下探 32Hz 的) 12 支超低频阵列音箱组,展现最强撼的AV 巅狂。
Biography
Japanese audiovisual artist. His works take on multiple forms such as screening works, recordings, installation and live performance. Kurokawa composes time based sculpture with digital generated materials and field recorded sources, and the minimal and the complexities coexist there. Kurokawa accepts sound and imagery as a unit not as separately, and constructs very exquisite and precise computer based works with the audiovisual language. That shortens mutual distance, the reciprocity and the synchronization of sound and visual composition. He also performed live-visual for musicians such as HUMAN AUDIO SPONGE(ex.YMO: Sketch Show + Ryuichi Sakamoto). In recent years, Kurokawa is invited to numerous noted international festivals and museums in Europe, US and Asia including TATE MODERN[UK], ARS ELECTRONICA[AT], transmediale[DE], Shanghai eARTS[CN], MUTEK[CA], TodaysArt[NL] and SONAR[ES] for concert and exhibition, and he continues to be an active presence on the international stage.