Oscar Brown, Jr.

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风格: #人声爵士　#爵士
地区: United States of America 美国

艺人介绍

by Jason Ankeny

Although rooted in jazz, singer, poet, and activist Oscar Brown, Jr. defied musical categorization throughout his long and eclectic career — a forerunner of the political consciousness that would become predominant in soul, funk, and hip-hop in the decades to follow, his efforts to exact social change spread across the arts and even into government, spurring two unsuccessful but memorable campaigns for office. Born on Chicagos South Side on October 10, 1926, Brown was the son of a successful attorney and property broker who wanted his firstborn someday to assume control of the family business; instead, Brown was drawn to writing and performing, and by 15 was a regular on writer Studs Terkels radio program Secret City. After skipping two grades, he entered the University of Wisconsin at 16, but finding the world of academia little to his liking, Brown returned to broadcasting, and in 1944 was tapped to host Negro Newsfront, the nations first black news radio broadcast. Dubbed Americas first Negro newscaster, he relinquished the gig in 1948 to run for the Illinois state legislature on the Progressive Party ticket — he did not win, and spent the remainder of the decade working on writer/producer Richard Durhams Black Radio Days series, followed by a two-year stint in the U.S. Army.

Though a card-carrying Communist, in 1952 Brown mounted an unsuccessful campaign for U.S. Congress on the Republican ticket, aligning himself with the right wing solely to get his name on the ballot. (He resigned from the Communist Party in 1956, declaring himself just too black to be red.) Through all this time, singing and songwriting remained little more than sidelines, but that all changed in 1958, when Brown attended the opening of Lorraine Hansberrys landmark play A Raisin in the Sun — there he met Hansberrys husband, the New York City music publisher Robert Nemiroff, and their fledgling friendship soon yielded a record deal with Columbia. In 1960, Brown collaborated with Max Roach on the legendary bop drummers trenchant civil rights project We Insist! Freedom Now Suite, soon followed by his solo debut, Sin & Soul — launched via an extended residency at the famed Village Vanguard, the record featured readings of popular jazz instrumentals like Nat Adderleys Work Song and Mongo Santamarias Afro Blue with new, socially charged lyrics penned by Brown himself. Brown Baby, a lullaby written for his newborn son, went on to emerge as something of a modern standard, with covers by vocalists including Mahalia Jackson and Lena Horne.

The creative and commercial success of Sin & Soul made Brown a star, and after writing lyrics for Miles Davis classic All Blues, he reunited with Hansberry and Nemiroff for Kicks & Co., a stage musical that earned Brown an unheard-of two-hour appearance on NBC televisions Today Show. The show nevertheless closed shortly after its preview series at Chicagos McCormick Place in 1961, and after reworking some of the material to create a one-man show, Oscar Brown Entertains, he toured the U.S. and Europe, in 1962 stopping long enough to host the television series Jazz Scene USA, during taping meeting his future wife, singer/dancer Jean Pace. Through his concert appearances and LPs, including 1963s Tells It Like It Is! and 1965s Mr. Oscar Brown, Jr. Goes to Washington, he kept his social and political beliefs front and center, refusing to accept the common wisdom that mainstream audiences wanted no part of such stuff — with Pace, he wrote and directed a series of stage shows casting teens from Chicagos impoverished neighborhoods, and the most famous of the couples collaborations, 1967s Opportunity Please Knock, was even produced in conjunction with the Blackstone Rangers youth gang. The Browns work with underprivileged youth also earned a 1968 invitation from Gary, IN, mayor Richard Hatcher to helm a summer talent project that was a springboard for then-unknowns the Jackson 5 and actor/singer Avery Brooks.

After relocating to San Francisco in 1969, Brown and Pace transformed the stage comedy Big Time Buck White into a musical that, upon making the leap to Broadway, starred boxing legend Muhammad Ali in the title role. Brown spent much of the 1970s as an artist-in-residence teaching musical theater at Washington, D.C.s Howard University, New York Citys Hunter College, and Chicagos Malcolm X College. In 1972, after a seven-year hiatus from the recording studio, he delivered Where Are You, followed by a pair of releases for Atlantic: 1973s Brother Where Are You and 1975s Fresh. Also in 1975, he starred in the revived Evolution of the Blues and starred in a Chicago television special, Oscar Brown Is Back in Town, which earned a pair of local Emmy Awards. Brown was next tapped to host the acclaimed 1980 PBS series From Jump Street: The Story of Black Music, and went on to appear in network series including Brewster Place and Roc. His first album in two decades, Then and Now, appeared on Weasel Disc in 1995, and in 2001 he was the subject of a documentary, Music Is My Life, Politics My Mistress. Brown died from complications from a blood infection on May 29, 2005.

Oscar Brown, Jr.

艺人介绍

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