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#硬摇滚 #重金属
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United States of America 美国

艺人介绍

by Greg Prato

Throughout his lengthy career, guitar wildman Ted Nugent has reveled in the controversy and criticism that always seems to follow in his path. While theres no denying his exceptional talent on the six-string, his knack for penning arena rock anthems, or his standing as one of rocks top live acts, its his nonmusical endeavors that have caused the most condemnation from his detractors (his pro-right wing beliefs, pro-gun advocacy, appreciation of hunting animals, etc.). But by the same token, Nugent is a family man and one of the few hard rockers who has admirably stuck by his lifelong anti-drugs and -drink stance throughout his career.

Born on December 13, 1948, in Detroit, MI, Nugent became interested in rock & roll early in the game, picking up the guitar as a youngster, while his disciplinarian father passed his beliefs down to Nugent. In the 60s, Nugent formed his first bands (including Royal High Boys and Lourdes), drawing inspiration from such British blues-rockers as the Rolling Stones and the Yardbirds. But it wasnt until the formation of the Amboy Dukes that the Nuge got his first taste of stardom (it was also around this time that Nugent began playing a Gibson Byrdland guitar, a model which would be instantly associated with him throughout his career). The other members of the group didnt exactly share Nugents clean-living lifestyle, as proven by their psychedelic hit single Journey to the Center of the Mind, which Nugent claimed he didnt know at the time was about being under the influence. The band managed to issue several albums throughout the late 60s — 1967s self-titled debut, 1968s Journey to the Center of the Mind, and 1969s Migration — as the group fit in well with such other high-energy rock bands to emerge from the Motor City: MC5 and the Stooges in particular.

With bandmembers coming and going at an alarming rate, Nugent remained the only constant member — eventually officially changing the bands name to Ted Nugent & the Amboy Dukes by the 70s, and issuing 1971s Survival of the Fittest, 1973s Call of the Wild, and 1974s Tooth, Fang & Claw. While none of these releases exactly stormed the charts, Nugent and his cohorts remained an in-demand concert draw, as he also set up guitar duels on-stage around this time (battling with MC5s Wayne Kramer and Mahogany Rushs Frank Marino, among others).

By the mid-70s, Nugent decided to finally ditch the Amboy Dukes name and set out on his own, assembling a first-rate backing band that included second guitarist/vocalist Derek St. Holmes, bassist Rob Grange, and drummer Cliff Davies. By 1975, the new band was signed to Aerosmiths management company (Leber & Krebs), as well as the same record company, Columbia, resulting in the release of Nugents self-titled debut in November of the same year. The band immediately struck a chord with the heavy metal/hard rock crowd from coast to coast, due to the bands over-the-top stage show. But the bandmembers relationship with Nugent was rocky at best — Nugent wanted complete control of the band, while the others wanted it to be more of a democracy. The end result was St. Holmes leaving the band prior to the sessions of their sophomore effort, 1976s Free-for-All (which saw a then-unknown singer by the name of Meat Loaf filling in for the departed singer).

St. Holmes returned, however, in time for the albums ensuing tour, and by the release of 1977s Cat Scratch Fever (which spawned the hit single title track), Nugent and his band was one of the top rock bands in the U.S. — storming the charts and selling out arenas coast to coast. By now, Nugent had assumed the stage persona of a caveman — hitting the stage dressed in nothing but a skimpy loincloth and knee-high boots, and would often begin his show by swinging out on a rope à la Tarzan (!). Like other rock acts of the 70s (Kiss, Cheap Trick, Peter Frampton, etc.), Nugent used a live album to catapult his career to the next level of stardom — 1978s classic Double Live Gonzo! But despite all the success, the members of his band began deserting him one by one over the course of such albums as 1978s Weekend Warriors, 1979s State of Shock, and 1980s Scream Dream. To add insult to injury, Nugent found himself bankrupt around this time, due to several failed business ventures and poor management.

Nugent continued to tour and crank out albums throughout the 80s (including such forgettable releases as Intensities in 10 Cities, Nugent, Penetrator, Little Miss Dangerous, and If You Cant Lick Em...Lick Em), but it appeared as through the Nuge was trying to keep pace with the burgeoning pop-metal crowd instead of sticking to the raw and raging rock that brought him success in the first place. Nugent also tried his hand at acting around this time, appearing as a drug dealer in an episode of the hit TV series Miami Vice in 1986. By the end of the decade, Nugent joined the rock supergroup Damn Yankees (joining former Night Ranger bassist/singer Jack Blades, former Styx guitarist/singer Tommy Shaw, and drummer Michael Cartellone) — resulting in the quartets self-titled debut in 1990, which became a surprise hit due to their Top Ten power ballad, High Enough. But ultimately, the union proved to be short-lived; after only one more album (1992s lackluster Dont Tread), the band called it quits.

Nugent returned to his solo career, issuing his best album in over a decade, 1995s back-to-basics Spirit of the Wild, while several archival releases turned up throughout the 90s: 1993s three-disc box set Out of Control, 1997s Live at Hammersmith 79, as well as his first three albums reissued with added tracks and newly remastered sound in 1999 by the Epic/Legacy label (also issued at the same time was the first truly comprehensive compilation of the Amboy Dukes, the 18-track Loaded for Bear). The Nuge was also the subject of an interesting VH1 Behind the Music episode. He continued to tour well into the 21st century (landing the opening slot on Kiss Farewell U.S. Tour in 2000), and issued the third live collection of his career, Full Bluntal Nugity, in 2001.

In addition to music, Nugent has gotten involved in politics, hosting a number one morning radio show in Detroit, has issued his own hunting camp and issues instructional videotapes (as well as the Ted Nugent Spirit of the Wild PBS video series), owns his own hunting supply store, has been appointed to the Board of Directors of the National Rifle Association, writes columns regularly for a number of different magazines, and even sells his very own beef jerky (called Gonzo Meat Biltong)! In 2001, the Nuge penned his own autobiography, the perfectly titled God, Guns, & Rock n Roll.


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