Sviatoslav Richter 斯维亚托斯拉夫·特奥菲洛维奇·里赫特 / Святослав Теофилови
- 风格
- #室内乐 #重奏 #键盘音乐 #独奏 #西方古典
- 地区
- Russia 俄罗斯
艺人介绍
前苏联钢琴家，生于乌克兰，18岁当了奥德萨歌剧剧院合唱团的助理指挥。1937年进莫斯科音乐学院开始正规钢琴训练。1942年首演普罗科菲耶夫的第六奏鸣曲，1945年获苏联全国钢琴比赛奖，1949年获斯大林奖。1960年到芬兰、纽约举行独奏会，并与芝加哥交响乐团合作演奏协奏曲，轰动了西方国家，接着到意、德、法、英巡回演出，作为新一代杰出钢琴家得到世界的公认。李赫特的技术游刃有余，演奏得心应手，对浪漫派作曲家作品的演绎，达到了极美如诗的境界；而演奏德彪西、拉威尔的作品，又给人以无比细致完美的感受。
Having learned the fundamentals of music from his father, Sviatoslav Teofilovich Richter taught himself the piano and had already given public concerts before entering the Moscow Conservatory in 1937. While still a student, Richter won first prize at the All-Union Contest of Performers of 1945. His playing earned him considerable renown, and by the time of his graduation in 1947 he had devoted fans. In 1949 he garnered the coveted Stalin Prize.
Richter gave the 1942 premiere of Sergei Prokofiev's Piano Sonata No. 6 — the composer's first work in that form for years, and the first one he did not premiere himself. This resulted in wild acclaim for both performer and composer. Thereafter, Richter was a great proponent of Prokofiev's music, premiering also the Seventh and the Ninth Sonatas, the latter of which is dedicated to him.
Though word of Richter's excellence (and occasional poor-quality recordings) had spread outside of Russia, his foreign engagements were limited to Eastern Bloc countries (and, in one case, China) where Soviet officials felt there was reduced risk of defection. However, his 1958 performance of Prokofiev's Fifth Piano Concerto with the Philadelphia Orchestra (on tour in Leningrad) generated such excitement that he was finally permitted to tour the United States, further bolstering his reputation as a virtuoso. Engagements in all of world's musical centers followed. Richter was known as a pianist of transcendent abilities, particularly adept at highlighting the nuances of different styles. Though his interests focused primarily on music of Beethoven, and Prokofiev, he was also highly regarded for his Schubert, Schumann, Bach, Debussy, and Ravel; and in the early 1960s he made a memorable recording of Benjamin Britten's Piano Concerto with the composer conducting.
Richter did not favor studio recordings; therefore, most of his recordings are from live performances. Many of them, particularly those from Soviet concerts, suffer from indifferent sound quality and excessive audience noise, but his playing had an electric quality that transcended these handicaps.
The pianist earned a reputation for being difficult and aloof. He was notoriously apt to cancel performances on whims, or arrive late without explanation or apology. However, those who heard him were rarely disappointed. He preferred intimate concert settings over big auditoriums, and thus returned many times to the Aldeburgh and Spoleto Festivals. He was the centerpiece of the Fêtes Musicales, held annually beginning in 1964 at Grange de Meslay, near Tours.
Among his greatest recordings are his Schubert sonatas, Rachmaninov and Prokofiev concertos, Liszt concertos (these have the benefits of first-rate sound), and his Schumann. He has also served as a chamber musician and accompanist, playing piano duets with Britten, and accompanying Elisabeth Schwarzkopf and Dietrich Fischer-Dieskau, among others.
热门评论
- @Tasia：李赫特没有留下哥德堡的录音，这件事能否减轻一点我们对死亡的恐惧？去那个世界就能听到现场了：）
- @Mio：他们演奏的都很好，但是只有里赫特来自另一个星球——Youtube网友
- @jimmytang85：里赫特脑残粉，什么曲子都是他最佳版本
- @三三啦啦啦：昨晚幸福地梦到跟里赫特吃晚饭，然后在飘雪的路灯下散步。按昨晚睡眠时长的话，我们应该散了9个小时的步。可能从清华走到香山了。
- @真源：世界上的钢琴家比驴还多，他们的技术能差多少？有些人利落，有些人磨叽。关键看你喜欢哪种。
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