Arturo Benedetti Michelangeli 阿尔图罗·贝内代托·米凯兰杰利
- 风格
- #室内乐 #重奏 #键盘音乐 #独奏 #西方古典
- 地区
- Italy 意大利
艺人介绍
意大利钢琴家，10岁进米兰音乐学院师从安福西学钢琴，1933年毕业，1939年参加日内瓦国际钢琴比赛获一等奖后，波洛尼亚的马蒂尼音乐学院聘他当钢琴教授。
二次大战中参军任意大利飞行员，曾成为德军的俘虏，后又戏剧性地逃脱。二次大战结束后，米凯兰杰里开始巡回演出，在各地引起轰动，1952年因患病不得不中断巡回演出，在意大利几个城市举办钢琴高级班。
1964-1969年创办一所钢琴天才学校，专收世界各国最有才能的学生。1968年，他移居瑞士。
米凯兰杰里是一个完美主义者，他对音色十分在意，没有人能奏出比他更完美的圆滑音阶、更响亮、有力的和弦或以更精致的触键与音调呈现更平衡的结构。他追求的是&管风琴和小提琴相结合&的那种音色，他又是公认的&音乐哲学家&，每一首曲子的演绎都有独到的曲速安排与分句设计。
米凯兰杰里因为对演奏的效果的苛求，留下的唱片并不多，他的贝多芬的皇帝协奏曲是一生所有精髓的极至;他的德彪西展现出了顶尖绝妙的音色与层次;他的肖邦也是最有味道的肖邦。应该说，他录制的每一首作品，都呈现着别人难以企及的精致。
One of the most enigmatic performers of the twentieth century, Arturo Benedetti Michelangeli was also one of the most compelling and, paradoxically, one of the least-heard pianists of his generation. Michelangeli was famous for having canceled nearly as many performances as he gave, and he committed little of his vast repertory to disc.
Michelangeli has born on January 5, 1920 in Orzinuovi, Italy. His father was a dedicated amateur musician who introduced young Benedetti to the art. After early studies on the violin, Michelangeli took up the piano, entering the Milan Conservatory at the age of ten. Four years later the young pianist graduated with top accolades.
In 1939 Michelangeli's concert career began in earnest after he claimed top honors at the International Piano Competition in Geneva. Of his triumphant performance at the competition, no less a luminary than the great Alfred Cortot exclaimed, &A new Liszt is born!& Service in the Italian Air Force during World War II interrupted Michelangeli's career; taking the stage again at war's end, however, he soon earned a place among the top performers of the day.
The 1950s and 1960s were a busy time for the pianist, who divided his time between a hectic concert schedule and various teaching appointments. In 1960 Michelangeli performed Beethoven's &Emperor& Concerto in Vatican City for the Pope. A triumphant 1964 appearance in Moscow reportedly had the audience in an uproar, and in 1965 Michelangeli became one of the first Western artists to concertize extensively in Asia.
In 1968 Michelangeli went into voluntary &exile& from Italy, angered at the government for impounding his pianos after a company in which he was a partner went bankrupt. Although Italy remained his official residence, he resided in Switzerland for the rest of his life.
In the 1970s and 1980s he made fewer and fewer concert appearances, owing both to consistent health troubles and his growing aversion to public display. During a performance in Bordeaux in October 1988 he suffered an aortic aneurysm onstage; nevertheless, he resumed performing the following season. He gave his last public performance in 1990 and died five years later died from the chronic medical problems that had plagued him since childhood.
Michelangeli regarded the life of a concert pianist as one of labor. His own schedule included upwards of ten hours of practice a day; he suggested to his pupils that they cease practicing only when the pain in the fingers and shoulders became too great for them to continue. Michelangeli took his role as a mentor very seriously; he held various teaching positions in Italy and throughout Europe, and included Martha Argerich and Maurizio Pollini among his pupils. A generous man, he funded each and every one of his students out of his own income, maintaining that music is an inalienable right for those who have the gift.
To many Michelangeli's playing was the ideal blend of technique and uncanny musical depth. His subtlety, revealed in such masterly recordings as Brahms' Paganini Variations, is in restraint and detachment — calculated to temper power and fury, not to replace it. His performances of Mozart, Haydn, and Scarlatti are particularly esteemed.
Michelangeli never wholly embraced life as a concert artist. He felt that to pour such adulation on a performer was a disgrace, and that it distracted the performer from the very essence of his duty. A deeply private man, Michelangeli had a tendency to distort the truth during interviews, making it difficult for musicologists and historians to build an accurate portrait of his life; he will likely remain a fascinating, little-understood man.
热门评论
- @單噖：我老师是他的学生 听老师说了很多关于大师的事情。。
- @M Scudder：也许老米的完美恰好是他的不完美。但是他太精致了，谁能把斯卡拉蒂弹出那种闪烁的贵气。想象他叼着雪茄演奏，袖口都闪着光。有着所有演奏家难以企及的精准，我们只可望其项背，永无法企及。
- @吃饱出门转转：在我非常有限的古典音乐体会与理解里，弹肖邦，米凯朗杰里排第一！特别是在youtube上看的现场录像，会发现他给我的是醍醐灌顶的洗涤。无与伦比！
最新简评（共119条）
- @Geworfenheit(诗集电子版正在发售)：
- @苏笛扬Diane(Perplexe)：Arturo Benedetti Michelangeli ,迷人的人类，才华横溢的钢琴家
- @麦香鱼(祝(所有神奇的生物）好运)：啊啊啊啊啊啊啊这完美的触键我要疯了啊啊啊啊啊啊啊
- @长青(榕树长青)：
- @Via vita(V：Dear_Sir_D...)：这个男人，怎么会如此迷人
- @小小虾(我还没想好要写什么...)：➕
- @Simo( )：～
- @小圆凉凉子(我还没想好要写什么...)：害
- @麦香鱼(祝(所有神奇的生物）好运)：他的触键太好听了，沁入心灵的声音啊，可以修复不完整的灵魂啊啊啊啊啊啊啊
- @永远的恋人(在音乐里澎湃，在玩笑里开...)：精致完美的追求，就像一颗水珠在荷叶上滚动时，也有让人惊诧的璀璨夺目。它当然不是钻石，即使夜空中也会闪亮。但是，我倒非常喜欢这种感觉。极致精致的完美，把形式主义变成了艺术。