Rome
- 风格
- #氛围回响 #当代节奏布鲁斯 #都市音乐 #后摇
- 地区
- Luxembourg 卢森堡
艺人介绍
卢森堡人Jerome Reuter以自己名字命名的新民团。Jerome，一个典型的后现代虚无主义者，早年混迹于各个后朋乐队，后来组建了个人计划ROME，并被Roger相中加入CMI，并很快在2006年初发行其处女专辑Berlin广受好评。Rome相对于其他Neofolk来说在编曲方面还是比较讲究的，在传统化的Death in June中加入了大量后工业乐团所时尚的元素，包括了漂亮的吉他编排(相对)、军事打击乐器广泛运用、Pop化曲风等都让人耳目一新的感觉。这张也是Rome关于二战题材的第二弹，紧跟上张Berlin的大热之势，除了典型的氛围化烘托二战宏伟之外，丰富的合成器编排运用与传统的黑色民谣、宗教与重复打击乐相比较与也有Dark Wave压倒Neofolk的趋势。此外，Jerome歌词语言泛欧洲化也是Rome一大特色之一，像这张专辑就包括了英语、拉丁语、法语及德语等等。Nera也被著名的乐评网站Heathen Harvest评论为2006年最佳专辑之一，Rome的流行化居然受到了“黑嘴”行家们的肯定，可见其不一般。
Thrill Jockey instrumental duo Rome are, like many of the acts on the Chicago-based independent label, generally grouped in as loose adherents of post-rock, a period-genre arising in the mid-90s to refer to rock-based bands utilizing the instruments and structures of the music in a non-traditionalist or otherwise heavily mutated fashion. Unlike other Thrill Jocky artists such as Tortoise and Trans-Am, however, Rome draw less obviously from the past, using instruments closely associated with dub (melodica, studio effects), ambient (synthesizers, found sounds), industrial (machine beats, abrasive sounds), and space music (soundtrack-y atmospherics), but fashioning from them a sound which lay clearly beyond the boundaries of each. Perhaps best described as simply experimental, Rome formed in the early 90s as the trio of Rik Shaw (bass), Le Deuce (electronics), and Elliot Dick (drums). Based in Chicago, their Thrill Jockey debut was a soupy collage of echoing drums, looping electronics, and deep, droning bass, with an overwhelmingly live feel (the band later divulged that much of the album was the product of studio jamming and leave-the-tape-running styled improvisation). Benefiting from an early association with labelmates Tortoise as representing a new direction for American rock, Rome toured the U.S. and U.K. with the group (even before the album had been released), also appearing on the German Mille Plateaux labels tribute compilation to French philosopher Gilles Deleuze, In Memoriam. Although drummer Elliot Dick left the group soon after the first album was released, Shaw and Deuce wasted no time with new material, releasing the Beware Soul Snatchers single within weeks of its appearance. An even denser slab of inboard studio trickery, Soul Snatchers was the clearest example to date of the groups evolving sound, though further recordings failed to materialize.
热门评论
- @纯粹布尔什维克：早期的军工专辑真的很好听，但后来怎么就变成新民了呢？？！！！！！老子真是痛心疾首啊！！！！
- @牛大春：这年头不被下架都不好意思说自己是个做音乐的
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