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Spain 西班牙

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一出道就勇夺2005年拉丁葛莱美奖最佳新进艺人大奖,同时还入围年度专辑、唱片、歌曲、流行女歌手演唱专辑等4大奖项,Bebe不愧是西班牙新世代的骄傲。在她的首张专辑【Pafuera Telarañas】里,乐风上,她揉合了西班牙的佛朗明哥节奏、牙买加的ska节奏、拉丁摇滚、美式电子摇滚/舞曲、吉他刷弦音色以及世界音乐元素,创造出一种独特的西班牙流行音乐魅力,唱法上,她懂得用唱腔去点出歌曲的情绪,当她唱的是温柔、感性的歌曲时,她选择以平静的,带点诗意的感觉去倾诉歌曲的情绪,当她唱的是喜悦、惬意的歌曲时,她的歌声显得非常活泼、跳跃,当她唱的是充满批判、愤怒、不满性格的歌曲时,她选择以非常率性的、具有街头歌唱感觉的方式去倾泻歌曲的情绪,最重要的是,无论是什麼样情绪的歌曲,她的唱腔情绪听起来总是显得非常自然,引人入胜,完全没有任何的压迫感。

全名为Bebe Rebolledo Vila的Bebe,1978年5月9号出生于西班牙的东部大城瓦伦西亚,父母亲曾是西班牙民谣乐团Surberina的成员,童年时就喜欢唱歌,11岁的时候,开始接触吉他,1995年,她加入流行乐团Vanagloria,96年,她移居马德里,除了持续歌曲创作的学习,她也开始接触舞台戏剧的课程,2001年,Bebe正式以创作型歌手的身份闯荡乐坛,同一年就在西班牙西部的埃斯特马杜拉地区的音乐比赛中赢得首奖。2003年,Bebe将娱乐梦想的触角延伸至电影圈,开始参予一些电影的演出。

by Jason Birchmeier

Bebe emerged from near-obscurity in 2005 to become the most talked-about Latin artist in America after she was awarded a shocking five Latin Grammy nominations to become far and away the year's most nominated act. The Spanish singer/songwriter from Valencia doesn't neatly fit into any stylistic category, which made her Grammy nominations sweep all the more curious. Bearing a strong resemblance to mid- to late-'90s Aterciopelados -- edgy dance-pop songs that brazenly defy gender stereotypes -- as well as more contemporary alternative Latinas such as Natalia LaFourcade, Ely Guerra, and Julieta Venegas, Bebe didn't sound totally out of place when she debuted in 2004 with Pafuera Telarañas. In fact, some described her as Laura Pausini with attitude, while others billed her style as flamenco-punk. Before the wave of attention that followed her Grammy nominations, Bebe was a steadily developing artist with a small buzz. Back in the '90s she sang for a group called Vanagloria, and she subsequently enjoyed a lot of success in Spain as a solo artist, selling hundreds of thousands of albums, scoring numerous hit singles, and winning a few major awards. But it wasn't until 2005 that she crossed over to America in the wake of her Grammy nominations, which were announced almost exactly a year after the stateside release of Pafuera Telarañas. During that year, the album sort of languished in obscurity. That was a shame, because it was a wonderful, colorful, and creative album, on a par with LaFourcade's self-titled debut and Venegas' Sí.


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