by Scott Yanow
One of the more popular performers in the idiom somewhat inaccurately called contemporary jazz, David Benoit has mostly performed light melodic background music, what critic Alex Henderson has dubbed new age with a beat. Benoit has done a few fine jazz projects (including a tribute to Bill Evans and a collaboration with Emily Remler) but most of his output for GRP has been aimed clearly at the charts. He studied composition and piano at El Camino College and, in 1975, played on the soundtrack of the film Nashville. After recording with Alphonse Mouzon and accompanying singer Gloria Lynne, he was signed to the AVI label when he was 24, recording sets that paved the way toward his later output. In 1986, Benoit signed as a solo artist for GRP, a relationship that would last until 2003. Albums like 1989s Waiting for Spring and 1999s Professional Dreamer showcase his smooth, lyrical style, while projects like his 2000 tribute to Vince Guaraldis Peanuts scores, Heres to You, Charlie Brown!: 50 Great Years!, demonstrate where his own tastes lie. A decade after their first joint venture, Benoit and Russ Freeman collaborated on Benoit/Freeman Project 2, released by the Concord-associated label Peak in 2004. For 2005s Orchestral Works he was joined by the Czech National Symphony Orchestra and members of the Asia America Symphony Orchestra. Since then he has released two studio albums including Full Circle released in 2006 and Standards, which appeared later that same year.