Kurt Moll 库尔特·莫尔
- 风格
- #歌剧 #声乐 #西方古典
- 地区
- Germany 德国
艺人介绍
库尔特·莫尔（Kurt Moll)，德国男低音，1938年出生于德国科隆。现任德国科隆音乐大学教授。1958－61年期间开始在科隆歌剧院饰演小角色。1961年在亚琛城市剧院（Aachen)以奥赛罗中的罗多维哥（Lodovico)一角作为正式首演（1961－63）。后受聘于美因兹城市剧院（Mainz,1963-66)和乌珀塔尔城市剧院(Wuppertal,1966-69)。1970年受聘于汉堡国家歌剧院，同年首次在萨尔茨堡音乐节登台扮演萨拉斯托。1972年起，他定期在欧美大歌剧院巡回演出。除上面提到的剧院外，他曾踏足的大剧院和音乐节有：拜罗伊特音乐节（1972），米兰斯卡拉歌剧院（1974）、伦敦皇家歌剧院（1977）、纽约大都会歌剧院（1978）、芝加哥歌剧院（1983）、慕尼黑歌剧院、维也纳国家歌剧院、巴黎国家歌剧院和旧金山歌剧院等。
与他曾经合作过的指挥，多是20世纪的指挥大师，像卡拉扬、伯姆、伯恩斯坦、克莱伯等。而他曾演出的歌剧包括了瓦格纳、威尔第、普契尼等作曲家的上百部作品，其中主要角色有：萨拉斯托、奥斯敏、马尔克、普格纳、古纳曼茨、卡斯帕、兰德格拉夫、达兰特、海因利希国王、奥克斯等。
库尔特·莫尔分别于1975年、1979年、1993年成为汉堡、巴伐利亚和维也纳指定宫廷歌唱家。他参与录制的唱片达100多张，获过若干评论奖和唱片奖，是联邦功勋十字奖章获得者。
(爱乐人走四方)
Kurt Moll (born April 11, 1938) is a German operatic bass, now retired.
His voice was notable for its range, a true infra-bass (lower than basso profondo), including full, resonant low and very-low notes with relaxed vibrato; also for its unusual combination of extreme size and a purring, contrabassoon-like timbre. Although he was large enough for most of Wagner's noble-bass roles, he was not a thunderer and he never performed as Hagen, Hans Sachs, nor Wotan. His interpretations tended to be restrained and intelligent, even in buffo roles like Baron Ochs and Osmin. His recording for the Orfeo label of Schubert's philosophical &Lieder für Bass& set a new standard for these songs.
Moll was born in Buir, near Cologne, Germany.
As a child, he played the cello and hoped to become a great cellist. He also sang in the school choir, the conductor of which encouraged him to concentrate on singing. He studied voice at the Köln Hochschule für Musik with Emmy Müller. He joined the Cologne Opera at 20 and remained until 1961. He then sang for three years in Mainz and five years in Wuppertal. In 1969, he accepted an engagement with the Hamburg State Opera, and he then sang in all the major opera houses of Europe.
He made his US debut with the San Francisco Opera as Gurnemanz in Richard Wagner's Parsifal in 1974, a role he reprised with that company in 2000. His Metropolitan Opera debut followed four years later, when he sang the Landgraf in Tannhäuser, Rocco in Fidelio and Sparafucile in Rigoletto. From that time he performed all over the world.
He made a great many recordings of opera, sacred music, and lieder with many of the great conductors and piano-accompanists, winning several prestigious European record awards; he also won a 1990 Grammy Award for his participation in James Levine's 1988 recording of Das Rheingold. Moll can be heard as Ochs in no fewer than seven complete recordings of Der Rosenkavalier, as Sarastro in six recordings of Die Zauberflöte and as Marke in six sets of Tristan und Isolde. On commercial video as well he can be seen in many roles, including Sarastro (twice), Osmin, the Commendatore, Bartolo (Mozart), Hunding (three times), Gurnemanz, and Ochs (three times).
Kurt Moll retired from the stage in 2006, after singing the Commendatore in Don Giovanni and, his last role, the Nachtwächter in Die Meistersinger von Nürnberg, both for the Bavarian State Opera in Munich, but he continues to make a contribution by giving master classes (as of January 2011)
最新简评（共5条）
- @大喵(不要自我设限.....)：
- @一念万年(一切随缘)：“在神圣的殿堂里”- Kurt Moll ： "in diesen heil'gen Hallen”萨拉斯特罗的咏叹调 选自奥地利作曲家莫扎特的歌剧《魔笛》
- @一念万年(一切随缘)：Kurt Moll - Die Entführung aus dem serail :