Julieta Venegas

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地区: 欧美

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音乐才女，70年生，墨西哥流行音乐中坚。精通各种乐器，有个孪生姐姐是位摄影师。

拉丁葛莱美奖「最佳摇滚演唱专辑」得主、墨西哥音乐才女再次精彩横扫墨西哥、西班牙个人第四张好评专辑。

专辑荣获2006年拉丁葛莱美奖「最佳另类专辑」肯定；2007葛莱美奖「最佳流行拉丁专辑」提名出道将进入第十个年头之际，Julieta总是慢工出细活的相隔每三年发行一张优作，个人第四次出击的《Limon Y Sal》，抢下墨西哥数位专辑榜冠军+流行专辑榜季军，谱出白金之作、美国金唱片纪录、西班牙榜Top4同获颁白金佳绩。绝对动人流畅的首波单曲《Me Voy》，轻松写意的拉出蝉连墨西哥榜12周冠军+西班牙三周冠军+意大利季军+美国拉丁榜Top8畅销佳绩；《Primer Dia》淋上夏日风情的雷鬼旋律，并搭配时兴流行的嘻哈饶舌调调；第二支同名作品《Limon Y Sal》，延续首功单曲气势开出墨西哥Top4+西班牙Top10好成绩；谱入较为沉重音阶之《Ultima Vez》，并以电子润饰其伤感冷调情节；这位曾在2004年抱走拉丁葛莱美「最佳摇滚演唱专辑」的Julieta，添入摇滚领域最具挑战性的尝鲜音符，增加最具聆听享受的丰富声调。

Julieta Venegas曾受到著名的拉丁音乐制作人 Gustavo Santaolalla 的信赖，分别在1997年和2000年制作了最早的两部专辑。当Julieta Venegas 的第三部专辑面市时，她的音乐开始受到了世界的重视。Sí这一张让她获得了50万的销售量，歌曲也可在西班牙很容易的找到。三年之后，2006年在得到了大众的支持下，她带着自己最有自传性质的作品满怀信心地重返西班牙。

Julieta Venegas 的音乐生涯只是从8年前开始的，那时她开始了钢琴古典音乐的学习。青少年时期她曾经成立过几个不同的音乐组合，之后很快就做出了开始独唱歌手生涯的决定。她是自己大部分所唱歌曲的作者，或许在她的音乐中最具代表力的就是不可缺少的手风琴和她独特的嗓音，因为这些，她创作出了很多不同风格的音乐，比如rock, pop, hip hop, reggae, tango, bolero 和cumbia。这些音乐具有创作性，原汁原味，充满了色彩和神奇。

2006年九月 Julieta Venegas 在西班牙进行了七场演唱会，在2007年三月，她还在几个2006年还没来得及拜访过的城市中进行巡回演出。

Mexican singer/songwriter Julieta Venegas established herself initially as a cutting-edge Latin alternative artist during the late '90s, before her career shifted direction significantly with her third album, Sí (2003), a broadly appealing pop/rock effort graced with genuine hits, including a couple chart-toppers. In the wake of her 2003 breakthrough, Venegas didn't look back. Her next album, Limón y Sal (2006), was just as broadly appealing as its predecessor, and it was an even bigger hit, spawning several major hits and finding success in western Europe as well as the Americas. Moreover, Venegas was as acclaimed as she was popular, customarily earning the praise of critics and winning awards, including numerous Grammys. Her musical abilities were sometimes overlooked, for in addition to writing and singing her own songs, she plays numerous instruments, including guitar, accordion, and keyboard. Venegas also made a name for herself as a collaborator, writing songs for and performing with a range of Latin artists, from Paulina Rubio and Mala Rodríguez to Miguel Bosé and Los Tigres del Norte.

Born Julieta Venegas Percevault on November 24, 1970, in Tijuana, Mexico, Venegas is the daughter of two photographers and is one of five siblings. Her sister, Yvonne Venegas, is a notable photographer whose credits include Ely Guerra and RBD. Julieta embarked on her musical journey at a young age, studying piano from the age of eight. In addition to piano, she also studied musical theory, singing, cello, and violoncello at La Escuela de Música del Noroeste, while she also crossed the U.S. border to study at South Western College in San Diego — all of this before she even graduated from high school. During her school years she began playing with various bands, including Grupo Chantaje and Tijuan (composing one of the latter's more significant hits, "Pobre de Ti").

At age 22 Venegas moved to Mexico City, where she hoped to involve herself with the city's vibrant music scene. Given her talent and beauty, it didn't take her long to make acquaintances, among them Fratta and Café Tacuba. She began writing music for plays around this time, including Calígula Probablemente by Francisco Franco, and she also took up the accordion. Venegas then started a band called La Milagrosa, enlisting Fratta and Rafael González, but when she was offered a contract with BMG, she dropped the idea of forming a band and began work on her solo debut, Aquí (1997), which she recorded in Los Angeles with esteemed producer Gustavo Santaolalla (Café Tacuba, Juanes, Molotov).

In addition to writing the songs on Aquí and singing them, Venegas also played the accordion, piano, and guitar; a number of guests also played on the album, among them brothers Joselo and Enrique Rangel (Café Tacuba), Rafael González (Botellita de Jerez), and Patricio Iglesias (Santa Sabina). BMG released the album in the United States and Spain as well as throughout Latin America, and it won critical acclaim in all corners. Venegas also toured a lot, embarking on the De Viva Voz tour with Ely Guerra and Aurora y la Academia (which stretched across North America) and the Calaveras y Diablitos tour with Los Fabulosos Cadillacs and Aterciopelados (which hit the major cities of Spain). During this same late-'90s era, Venegas contributed her talents to a number of albums by other artists (Enrique Bunbury, Mastretta) and to a number of soundtracks, too (En el País de No Pasa Nada, Amores Perros), and she performed at a number of major festivals as well.

During roughly this same time period, Venegas found time to write and record her second album, Bueninvento (2000). A bit of a departure from her debut, Bueninvento is a full-fledged rock en español album and features a backing band of veteran sessionmen: Joe Gore (guitar), Fernando Saunders (bass), Joey Waronker (drums), and Rick Boston (sax, flutes). More tours and soundtrack contributions followed: the Revolución tour with Jaguares, Jumbo, La Gusana Ciega, and Lisa Flores; the Fémina Rock tour with Aterciopelados, Maria Gabriela Epumer, and others; and the films Demasiado Amor, El Sueño del Caimán, Asesino en Serio, María Llena Eres de Gracia, and Subterra. She also got her first Latin Grammy nominations: Best Rock Song for "Hoy No Queiro" and Best Rock Album for Bueninvento.

Venegas subsequently settled down in Madrid and Buenos Aires to record her third album, Sí (2003), with producers Coti Sorokin and Cachorro López. Six of the album's ten songs were co-written with Sorokin, and the resulting album was a significant change from her past efforts: a colorful pop/rock album. Every song on Sí clocks in between three and four minutes in length; the hooks are memorable and melodic; the music is generally fun and upbeat; and all of it is broadly appealing rather than confrontational, as her past music had often been. Also unlike her past work, Sí took off commercially, going triple platinum in Mexico, topping the album chart there and breaking into the Top Five on the stateside Latin albums chart, and spawning four big hits ("Andar Conmigo," "Lento," "Algo Está Cambiando," "Oleada"), three of them reaching number one in either Mexico or the United States. The success of Sí led to a Latin Grammy for Best Rock Solo Vocal Album in 2004; plus, there were a trio of MTV Music Video Awards, for Best Solo Artist, Best Artist (Mexico), and Artist of the Year.

For her next album, Limón y Sal (2006), Venegas once again worked with producers Coti Sorokin and Cachorro López, and once again came up with a broadly appealing, hit-laden pop/rock album. The lead single, "Me Voy," spent 12 weeks atop the Mexican singles chart; it also was a number one in Spain, a Top Three hit in Italy, and a Top Ten Latin hit in the U.S. A string of follow-up singles (including "Limón y Sal," "Eres Para Mí," and "Primer Día") followed "Me Voy" up the Latin American and European charts (Limón y Sal itself topped charts in Mexico, Columbia, Argentina, Chile, and Central America; plus, it went Top Five in Spain, Top Ten in Switzerland, and Top 200 in the United States). Venegas continued to get command heavy airplay for the string of singles from Limón y Sal well into late 2007, at which time a best-of collection, Realmente Lo Mejor, was issued. Meanwhile, the accolades continued: a Grammy in 2007 for Best Latin Pop Album, a Latin Grammy Award in 2006 for Best Alternative Music Album, and a MTV Video Music Award in 2006 for Best Solo Artist.

Julieta Venegas

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