Mongezi Feza
- 风格
- #非洲爵士 #先锋爵士 #世界融合
- 地区
- 欧美
艺人介绍
by Francesco MartinelliMongezi Feza began playing the trumpet very early, and by his teens was already playing professionally in groups, taking part in the very popular jazz competitions. Chris McGregor spotted him there and invited him to join the Blue Notes; with them he fled the country in 1964, playing first at the Antibes Jazz Festival and then in Zurich, London, and Copenhagen. Feza was a member of the ensembles McGregor led and played with Dudu Pukwana in his groups Assagai and Spear in the early 70s. In Flute Music (Caroline 1975), he plays flute and percussion on four original compositions, including the beautiful Sondela. He was heard on Keith Tippetts huge Centipede (Septober Energy, RCA 1971); with avant-rocks Robert Wyatt (Ruth Is Stranger Than Richard, Virgin 1975), and in Henry Cow with Fred Frith (Desperate Straights and In Praise of Learning, Virgin 1974). In 1972, Johnny Dyani invited Feza to join the trio Xaba, with Turkish percussionist Okay Temiz. Feza recorded one of his last sessions (Diamond Express, Freedom 1977) with Dudu Pukwana. He passed away in 1975, from a combination of nervous disorder and untreated pneumonia; his friends and colleagues believed that his complaints were not taken seriously enough at the London hospital. Explosive yet lyrical, Feza was enamored of the style of Clifford Brown and Booker Little. His free improvisations, infused with the influence of kwela rhythms and African melodies, are a marvel of invention. With his premature death, the European jazz scene lost one of its most original voices and a person loved by audiences and colleagues alike.
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- @Geworfenheit(购买诗集《落日飞奔术》电...)：
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- @(我还没想好要写什么...)：）
- @未知生物：哭
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- @keinschatten(需要有空闲的朋友帮助上传...)：Mongezi Feza, Bernt Rosengren Quartet，大作，需要补充discogs上面的封面，有一轨上传失败