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风格
#凯尔特民谣
地区
欧美

艺人介绍

小简介

他是1975年2月24日出生在加拿大Creignish市的一个专业的小提琴手。他的表演颠覆了小提琴的传统,在他的演奏中有很多的摇滚歌曲,还融合有HIP-HOP和舞曲的元素在里面.。他1995年的专集在加拿大获得了巨大成功,并一举成名.

Ashley Dwayne MacIsaac (born February 24, 1975 in Creignish, Nova Scotia) is a Canadian professional fiddler.

While MacIsaac's fiddle-playing is entirely traditional,[citation needed] he often sets it in contemporary rock songs with hip hop and dance elements. He has, however, also released several albums of more traditional folk music. Unlike most other left-handed violinists, he actually plays the fiddle left-handed.

His greatest mainstream success in Canada was his 1995 album Hi™ How Are You Today?, featuring the hit single "Sleepy Maggie", with vocals in Scottish Gaelic by Mary Jane Lamond.

Family

MacIsaac's sister Lisa is also a touring fiddler and appears on his album Helter's Celtic. His cousins Alexis MacIsaac, Wendy MacIsaac and Natalie MacMaster are also touring fiddlers. Ashley MacIsaac is a distant cousin of The White Stripes guitarist and lead vocalist Jack White. The two met and MacIsaac opened for The White Stripes concert in Glace Bay.[1]

Controversy

MacIsaac has sometimes been a controversial figure, who has often appears to use shock tactics to gain attention. For example, in 1999, he told a journalist for The New Yorker that his goal was to become "weirder than Michael Jackson".[2]

He elicited a considerable amount of controversy in 1996, after being interviewed by Maclean's for their best of the year section. He told the Maclean's interviewer that he had previously discussed his sexual life, including his sixteen year old boyfriend and his enjoyment of kinky sex acts including watersports, in an interview with the LGBT newsmagazine The Advocate. For its part, The Advocate did not print any of the controversial assertions, but Maclean's nonetheless dropped him from its year-end honours list and instead wrote a disparaging article on him

Also the same year, MacIsaac toured the United States as an opening act for The Chieftains. Another opener, folk singer Nanci Griffith, dropped out of the tour. While it was widely reported in the media that Griffith objected to MacIsaac's musical style, Griffith indicated in a 1998 interview with Rolling Stone that her primary conflict was not with MacIsaac himself, but with the tour organizers over how much time was actually available for her to perform after MacIsaac was added to the bill.[4]

In 1997, MacIsaac appeared on Late Night with Conan O'Brien, in a controversial performance during which one of his kick steps lifted his kilt high enough that his genitals were clearly visible to both the studio audience and the television cameras. MacIsaac stated that this was unintentional.[5]

In 1998, he included one hip hop song—including the word fuck and accompanied by hip hop gestures—in a performance at an all-ages venue in Fort Erie, Ontario. Most press coverage of the incident gave the false impression that the whole show had been significantly more lewd and laden with swear words than it actually was.[citation needed]

Shortly thereafter, MacIsaac fought successfully to be independent of his record label and was dropped from Universal Music. [6] He subsequently signed with the independent label Loggerhead Records for his 1999 album Helter's Celtic. During the promotional tour for that album, he indicated to the press that he had previously battled an addiction to crack cocaine.[7]

On December 31, 1999, MacIsaac again gave a controversial performance at a show in Halifax, in which his entire performance consisted of a twenty-minute rant containing numerous expletives and, allegedly, several racist statements, which turned out to be actually verbal irony. A few days later, MacIsaac got into a media spat with Loggerhead after the label sent out a press release distancing itself from his actions.[8]

Later in 2000, MacIsaac left a stage in Chatham, Ontario, after a patron approached him with a beer bottle, ready to throw it at the performer. Also the same year, MacIsaac told the Halifax Chronicle-Herald that he was on the verge of declaring bankruptcy, retracted the statement within a few days, and then actually filed for bankruptcy several months later.[8]

In 2003, MacIsaac was again alleged to have made racist statements on stage, at a show where he reportedly accused an Asian woman in the audience of spreading SARS. He subsequently stated that the comment was intended as an ironic parody of racism, and sued the Ottawa Citizen for misrepresenting the statement as racist when in fact he was speaking out against racial profiling happening in Canada at the time.[9]

Political involvement

In 2005, MacIsaac pursued a new direction, after signing on with Linus Entertainment (home to Gordon Lightfoot and Ron Sexsmith) forming a rock band with himself on lead vocals and guitar. He has declared an interest in politics and has stated, in a letter to the National Post, that he is studying constitutional law so as to pursue an entry into Canadian federal politics.

In the March 20, 2006, edition of the Halifax Daily News, MacIsaac declared himself a candidate for the leadership of the Liberal Party of Canada. Some Canadian journalists, including Mike Duffy, characterized MacIsaac's campaign as a publicity stunt to promote his new CD Pride, which was released just a day after declaring himself a candidate.[citation needed] MacIsaac told the Canadian Press that he fully intended to mount a serious campaign, but on June 21, 2006, MacIsaac decided to no longer take part in the leadership race. However, he has not ruled out future attempts. His stated reasons for withdrawing from the race were a lack of French language skills, and his concern for other leading candidates' intentions on foreign policy.[citation needed]

In a comment to national press, another fiddler turned politician, Rodney MacDonald, Premier of Nova Scotia, praised MacIsaac by stating it would be a nice thing to see him in federal politics. Both MacIsaac and MacDonald played in a group together in the late eighties called The Next Generation and have been friends for many years, starting out as the only two well known young male step dancers from Cape Breton. MacDonald, however, is a Conservative while MacIsaac is a "life-long" Liberal.


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