Earl Klugh
- 风格
- #爵士流行
- 地区
- United States of America 美国
艺人介绍
by Scott Yanow
An acoustic guitarist with a very pretty tone, Earl Klugh does not consider himself a jazz player and thinks of Chet Atkins as being his most important influence. Klugh played on a Yusef Lateef album when he was 15 and gained recognition in 1971 for his contributions to George Bensons White Rabbit record. He played regularly with Benson in 1973, was a member of Return to Forever briefly in 1974, and then in the mid-70s, began recording as a leader. After a couple well-received solo albums on different Capitol imprints including Blue Note, Klugh hit pay dirt with 1979s One on One, a Grammy-winning collaboration with pianist Bob James. More solo albums followed before the sequel to One on One, Two of a Kind, appeared in 1982. In 1984 he changed labels and released one of his most popular albums, Soda Fountain Shuffle, on Warner Brothers. Klugh made his biggest artistic impression yet in 1989 with the self-explanatory Solo Guitar. Two years later he would return to the serious jazz repertoire of Solo Guitar, but this time with bassist Ralphe Armstrong and drummer Gene Dunlap on the acoustic bebop outing The Earl Klugh Trio, Vol. 1. Cool from 1992 found him working with Bob James again and was followed by three more smooth releases for the Warner Brothers family before the jump was made to Windham Hill with 1999s Peculiar Situation. Compilations, live albums, appearances with others, and reissues filled the years leading up to 2005s Naked Guitar, a stripped down, standards-heavy album for the Koch label.
最新简评（共88条）
- @漫長の告別˚(夏天)：༄
- @长青(榕树长青)：
- @慢慢慢(掌心与掌心间，是温柔的宇...)：昨晚梦到了姥姥。她走了。今天第39天。
- @izuki：我猜想大师应该有一个幸福的童年。不然他的音乐怎么会如此纯粹而甜美，充满阳光，似乎从来没有过伤到灵魂的痛苦。个人感觉大师之所以为大神不在于指法多么快速炫技，而是在于他的每次拨弦发出的温暖丰富的泛音，营造出让人听起来无比幸福的音场。不是白糖，而是能够闪耀出太阳金光的蜂蜜。那种用耳朵听出来的肉眼看得见的甜。
- @大有(最早一批的音乐电台DJ现...)：只会日语的乐迷问：怎么没有英语好的，把这位大师的简介给翻译一下？
- @かか(虾米不要离开我！)：*ଘ(੭*ˊᵕˋ)੭* ੈ✩‧₊˚
- @Fawn_7H(我还没想好要写什么...)：~
- @狗叔(幻听捕食者)：舒服
- @海逸馨(You can’t ho...)：
- @海逸馨(You can’t ho...)：