Morrissey

4378人收藏

风格: #学院摇滚　#流行摇滚　#独立摇滚　#噪响流行　#另类摇滚
地区: United Kingdom 英国

艺人介绍

Morrissey, The Smiths 乐队前主唱，1988年单飞，真正的偶像级摇滚诗人。在“曼城之声”潮流中扮演重要角色的THE SMITHS，早已是各路独立摇滚乐队新晋乐队的膜拜对象，比如STONE ROSES, NEW ORDER, OASIS... 乐队的灵魂人物Morrissey在单飞后依然以起个人独特的人文魅力，创作出大量优秀的英伦音乐作品。其唱片也一直受到英伦主要的音乐杂志的追捧。可以说是英伦乐队成员单飞后，个人发展最为优秀的一位。而在私生活方面，作为一个同性恋者，他的独身态度开启了人们对人类性行为反思的大门，他常站在人文主义的立场去审视世界，而小报记者则对他充满了猜测：关于他的性功能以及他出色地把握诸如动物权利、王权、唯美主义、作家奥斯卡王尔德和60年代电影等各种题材的能力。Morrissey曾在自传体的歌曲Heaven Knows I'm Miserable Now尽情咏颂过生命的痛苦，这首歌成为英国榜的19名。

by Steve Huey

As the lead singer of the Smiths, arguably the most important indie band in Britain during the 80s, Morrisseys theatrical crooning and literate, poetic lyrics — filled with romantic angst, social alienation, and cutting wit — connected powerfully with a legion of similarly sensitive, disaffected youth. These fans turned The Smiths into stars in Britain, exerting tremendous pull over much of the countrys guitar-based music for many years after their breakup, and even if the group remained underground cult artists in the States, they had a fanbase that slowly, steadily grew larger over the years. Indeed, a few years after The Smithss breakup in 1987, Morrisseys American cult had grown to the point where he became more popular in the U.S. than in his homeland, where he neverthless was never far from the music press headlines. After a quiet period around the turn of the millennium, Morrissey launched a comeback in 2004 with You Are the Quarry, an album whose success proved that he remained one of the most beloved figures in alternative rock.

Stephen Patrick Morrissey was born May 22, 1959, in Manchester, England; not surprisingly a shy, awkward youth, he became obsessed with music and film as a teenager and devoted his writing talents to penning a New York Dolls fanzine (he was the president of their U.K. fan club), as well as a tribute to James Dean and numerous opinionated letters to the weekly music paper Melody Maker. During the explosion of punk in the late 70s, Morrissey unsuccessfully auditioned for Slaughter & the Dogs and sang for a brief period with a band called the Nosebleeds. He met guitarist Johnny Marr in 1982 and the two began writing songs together, forging one of the most productive partnerships British pop had seen in quite some time. The Smiths 1983 debut single, Hand in Glove, a love song filled with oblique references to homosexuality, made them an underground sensation in the U.K. and as Morrissey attracted more attention, he demonstrated a flair for manipulating the media. His interviews were filled with blunt, unpredictable opinions and intentionally outrageous statements and his notoriety wasnt hurt by his stage presence (he performed wearing a hearing aid with flowers sticking out of his back pockets) or his self-proclaimed celibacy in the wake of much speculation about his sexuality.

Possessed of a darkly cynical bent as a lyricist, he was often misinterpreted as advocating some of the more disturbing things he sang about, which only added to the furor surrounding the band. The Smiths eponymous 1984 debut was a smash in the U.K. and in its wake, Morrissey began promoting his political views, heavily criticizing Margaret Thatcher, and advocating vegetarianism (hence the title of the follow-up LP, Meat Is Murder). The Queen Is Dead (1986) was acclaimed as a masterpiece, but friction between Morrissey and Marr was growing. Marr departed after 1987s Strangeways, Here We Come and Morrissey broke up the rest of the band to begin a solo career.

Feeling betrayed by Marrs defection, Morrissey channeled his frustration into creating new material with producer Stephen Street. His first two solo singles, Suedehead and the gorgeous Everyday Is Like Sunday, were significant British hits in 1988 and his first album, Viva Hate (its title a reference to the Smiths breakup), was commercially and critically well received. He released several more high-quality singles, including The Last of the International Playboys and Interesting Drug, but spent an inordinate amount of time laboring on the follow-up album, issuing the stopgap compilation Bona Drag in 1990. In the meantime, the Madchester fad was sweeping British indie music and when the lackluster Kill Uncle was finally released in 1991, it only magnified the disappointment. U.K. reviewers took Morrissey to task, suggesting that the record marked the end of his glory days and that he would never be able to match the songs hed written in tandem with Marr.

A misperceived flirtation with British nationalism (not helped by a couple of seemingly racial caricatures in recent songs) tarnished his image even more in the U.K. press during 1992, this coming amid even more frequent reports of feuds with his managers, business associates, and ex-bandmates. All the controversy overshadowed the fact that 1992s Mick Ronson-produced Your Arsenal was a smashing return to form; Morrissey used his new guitar tandem of Alain Whyte (who co-wrote much of the material) and Boz Boorer (formerly of rockabilly revivalists the Polecats) to full advantage in crafting a crunchy, glammed-up record. It easily ranked as the hardest-rocking of his career. Meanwhile, over in the U.S., tickets for his upcoming tour were selling like hotcakes and he managed to sell out L.A.s Hollywood Bowl even faster than the Beatles had.

His confidence renewed by his American success (to the point where he permanently moved to Los Angeles), Morrissey delivered an equally strong follow-up in 1994s calmer Vauxhall and I, which even got him his first Top 50 singles chart entry in the U.S. with the MTV-supported The More You Ignore Me, the Closer I Get. A hit-and-miss compilation, The World of Morrissey, followed in 1995, after which he switched labels (from Sire to RCA) for the first time since the Smiths debut album. Also issued in 1995 was the prog rock-informed Southpaw Grammar, which confounded many and perhaps prevented him from expanding his American audience past a now-sizable group of longtime listeners. In 1996, he moved to another new label, this time Island, and released Maladjusted the following year. It failed to sell well outside of his most fanatical followers and his relationship with Island ended in 1998.

In the years that followed, Morrissey remained a massively popular touring attraction on the strength of his singular identity, despite the fact that he had yet to land another record deal. Finally, he signed his Attack label to Sanctuary, and released his first studio album in seven years, 2004s You Are the Quarry. The concert recording Live at Earls Court followed one year later. His second full-length for Sanctuary, Ringleader of the Tormentors was produced by Tony Visconti (T. Rex, David Bowie) and released in spring 2006.

Morrissey　莫里西 / Steven Patrick Morrissey

艺人介绍

热门评论

最新简评（共141条）

Morrissey 莫里西 / Steven Patrick Morrissey

艺人介绍

热门评论

最新简评（共141条）

Morrissey　莫里西 / Steven Patrick Morrissey