Marie Laforêt
- 风格
- #法国流行
- 地区
- France 法国
艺人介绍
Biography
by Jason Birchmeier
Popular throughout the 1960s and '70s, Marie Laforêt is a French pop singer who garnered fame initially as a film actress during the early to mid-'60s. Born Maïténa Doumenach to parents of Armenian heritage on October 5, 1939, in Soulac-sur-Mer, Aquitaine, France, she made her film debut in 1960 in the René Clément drama Plein Soleil, a big-screen adaptation of the Patricia Highsmith novel The Talented Mr. Ripley. Plein Soleil not only launched the acting career of Laforêt; it also made a cinema star of actor Alain Delon. In the wake of her showbiz breakthrough, Laforêt was offered one role after another, notably beginning with Saint Tropez Blues (1961) and La Fille aux Yeux d'Or (1961). Her onscreen performance of the title song from the former film, "Saint Tropez Blues," essentially launched her singing career while La Fille aux Yeux d'Or, on the other hand, earned her the nickname the Girl with the Golden Eyes. In the mode of a folksinger, Laforêt's recording career took flight in 1963 in association with the label Disques Festival; among her more notable early recordings was a cover of Bob Dylan's "Blowin' in the Wind." She made her full-length album debut in 1964 with a self-titled album comprised of her recording output to date. Successive self-titled full-length albums were released throughout the remainder of the 1960s and were likewise comprised of previously released EP material. In the 1970s Laforêt more or less abandoned acting and focused instead on a series of recordings released in association with the Polydor label. She had some major hits during this period, most notably "Viens, Viens" (1973) and "Il a Neigé sur Yesterday" (1977). With the exception of Viens, Viens (1973), the majority of her full-length albums were once again self-titled. Similar to how Laforêt had abandoned acting in favor of music-making during the 1970s, she returned to the cinema in the 1980s and left music behind. A long line of best-of compilations would be released in later years, generally focusing on either her 1960s output on Festival or her 1970s output on Polydor.
最新简评（共17条）
- @Geworfenheit(购买诗集《落日飞奔术》电...)：。
- @兔八哥（八音的歌）(音乐无国界 民族的即世界...)：独具法国旋律的同时，富含西班牙和阿拉伯的风格;从东方人的角度来看，曲风具有新疆风味，音色质感细腻，曲调沁人心脾，具感染力。前期作品佳，后期稍逊色一筹。欣赏后深受感动。
- @の圆滚滚(心存善根 愿我梦想成真~...)：她太有味道～法兰西
- @大喵(不要自我设限.....)：♐️♐️♐️
- @泽湍( )：小甜甜和她的外形神似
- @未知生物：
- @ⅣMI(ali 呸)：
- @隔壁老王(Wubba lubba ...)：
- @芳芳：不需要理由
- @hentaiasfolk(首席鉴萌师；心大口味杂)：从mon amour,mon ami来的，听了精选集彻底爱上Marie了.....manchester et liverpool, ivan boris et moi都很动听，歌词也很有点哀伤，她真是唱故事的高手.....el polo里那段lulululu简直就是云雀QAQ 她在plein soleil里拨琴的样子太美啦