Bismillah Khan 比斯敏拉·汗
- 风格
- #印度 | 拉格
- 地区
- India 印度
艺人介绍
印度唢呐大师
Certain instruments become indelibly linked with particular performers. In the Hindustani realm, the santoor is closely associated with Shivkumar Sharma and the rudra vina with Zia Mohiuddin Khan, but historically, perhaps the closest and most intimate association has been with Bismillah Khan and the shehnai.
Born in 1916, he has raised the status of one of Indias most distinctively voiced instruments unprecedentedly. In its folk form this double-reeded instrument is used on a variety of ritual occasions but is especially associated with weddings. Bismillah Khan has recorded extensively and like many Indian classical artists most of his early work was released by EMI India or its overseas partners. His historic jugalbandi with Vilayat Khan was chosen to inaugurate the Music of India series on EMI Indias parent company in Britain. This series licensed the work of masters such as Ravi Shankar, Ali Akbar Khan and Nikhil Banerjee. The debut release in the Music of India series, however, featured in the terminology of the album duettos on Chaiti-Dhun and Bhairavee Thumree. The third in the series was another shehnai jugalbandi, this time with violinist V.G. Jog. It was a further indication of the esteem in which Bismillah Khan was held. Time has only reinforced that.
最新简评（共17条）
- @Geworfenheit(购买诗集《落日飞奔术》电...)：
- @乐思海(众生喧哗，独寻幽静。)：已入化境
- @SpaceRock(f@ck 5 cents...)：[带墨镜笑]
- @台風クラブ：事实上唢呐本就应该如此凄婉
- @自由如风(非常响，特别近)：唢呐的正确打开方式
- @Cristian1984：
- @BinchOuTan(690313618/No...)：印度唢呐大师
- @老张(我还没想好要写什么...)：都是唢呐，在人家嘴里就能吹出勾魂夺魄的旋律；而国内多用来扭秧歌和参演民族风情的烂歌。这不是崇洋媚外，真的是差距，听了这首曲子才知道唢呐还可以这样吹。
- @满目青山(一个五音不全的家伙)：国宝级大师,自觉的灵
- @麦丘：Bismillah Khan（1913 03 21—2006）生于印度比哈尔邦