J.E. Mainer

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风格: #弦乐团
地区: 欧美

艺人介绍

by James Manheim

Mainers Mountaineers, with their leader J.E. Mainer on fiddle, were one of the most popular string bands of the 1930s. They formed an important link between old-time string music and bluegrass, and their musical life exemplified several important aspects of the musical culture of the mountain southeast: the importance of the brother duet, the early link between country music and radio advertising, and the prevalence of turn-of-the-century sentimental song in the repertories of 1930s musicians. Mainer was born in Buncombe County, NC, and was raised in the mountains. His first instrument was the banjo, which he played at local square dances. Mainers music, like that of other southeastern performers, offered an alternative to working in North Carolinas hellish textile mills; Mainer left home for mill work in his mid-teens, landing first in Knoxville, TN, and then in Concord, NC, where he moved in 1922 and lived for the rest of his life. At one point, having turned his banjo over to his brother Wade temporarily, he sold some agricultural seed on commission and drew his pay in the form of a tin fiddle. After he mastered the showpiece John Henry, he invested in a better instrument. Soon he and Wade had joined with other local musicians to form a band. Mainers appetite for performing was whetted when he started winning top prizes at fiddle contests.

By the early 30s, the commercial potential of country music on radio had been amply demonstrated, and Charlottes Crazy Water Crystals Company (a purveyor of bottled water containing mineral salts of dubious medical value) offered Mainers Mountaineers a series of promotional appearances and a slot on Charlottes powerful WBT radio station. The group, now featuring John Love and Zeke Morris on guitars, was re-christened the Crazy Mountaineers and remained on WBT for four years. The fame they attained interested record companies in turn, and the group recorded its first sides for the Bluebird label in Atlanta in 1935.

One of the 14 songs recorded at that session was Maple on the Hill, a turn-of-the-century sentimental standard originally composed by the African-American Cincinnati janitor-composer Gussie Davis. The song had been introduced to country audiences by both Vernon Dalhart and the Carter Family, but the mournful warmth of J.E.s fiddle and Wades banjo made it a country standard. In 1936, Wade and Zeke Morris left to form the Sons of the Mountaineers, while J.E. and his new lineup, consisting of Snuffy Jenkins, George Morris, and Leonard Stokes, spent over a year playing on radio stations in Spartanburg and Columbia. In 1939, with new musicians once again, Mainer recorded once more for Bluebird with Clyde Moody and Jay Hugh Hall. After World War II, Mainer became one of the first artists signed to the independent Cincinnati label King and made recordings with a band featuring his sons Curly and Glenn. New musical trends were in the air by then, however, and Mainer returned home to Concord. For the next 15 years he made mostly local appearances.

The Mountaineers were rediscovered during the folk revival in 1962 by Chris Strachwitz of the California-based Arhoolie label. At that time, Mainers Mountaineers recorded The Legendary Family From the Blue Ridge Mountains, which introduced Mainers music to a whole new generation. King reissued some of the Mountaineers recordings (such as Good Ole Mountain Music) in the early 60s, and over the course of that decade Mainer recorded several more albums and made appearances on the radio and at festivals. He continued to perform until his death in 1971.