Renato Bruson

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风格: #歌剧　#声乐　#西方古典
地区: Italy 意大利

艺人介绍

雷纳托·布鲁松 (意大利语：Renato Bruson，1936年1月13日－)，生于意大利帕多瓦省，是当地著名男中音歌剧唱家，被视为是20世纪晚期及21世纪初期最重要的威尔第男中音之一。在帕多瓦学习声乐。1961年在斯波莱托首演。后在斯卡拉剧院、大都会歌剧院和科文特花园剧院演唱，擅长演唱威尔第和多尼采蒂的作品，其声音集中，富有表情，气质高雅。1969年，他第一次在大都会歌剧院演出。1978他首次在维也纳国家歌剧院登台。评论家们赞赏雷纳托·布鲁松的声音如天鹅绒般。他擅长于抒情线路，同时他也因为从不以高傲的态度拒绝饰演小角色而广受赞扬。

Renato Bruson (born 13 January 1936) is an Italian operatic baritone. Bruson is widely considered one of the most important Verdi baritones of the late 20th and early 21st century. He was born in Granze near Padua, Italy.

Bruson's passion for music matured in the parish choir when he was a child. He began his music studies at the conservatory of Padua where he was awarded a scholarship that allowed him to attend the courses in the face of economic problems. He did not receive much support from his family, who considered him a good-for-nothing. In his own words: &They thought that I only wanted to study music because I had no desire to work. At that time, the general feeling where I lived was that if someone worked, they had a future, whereas those who studied, especially if they studied music, were considered failures who would never find their path in life.& However, he could continue his studies with the help of the administration of the conservatory and the support of friends.

Bruson made his operatic debut as the Conte di Luna in Il trovatore at the Teatro Lirico Sperimentale in Spoleto in 1960. The following year he was Riccardo in I puritani at the Teatro dell'Opera di Roma in Rome. His first Metropolitan Opera appearance was as Enrico in Lucia di Lammermoor in 1969. In 1970 he started his collaboration with conductor Riccardo Muti in Un ballo in maschera in Florence. He made his debut at La Scala in 1972 as Antonio in Donizetti's Linda di Chamonix, at the Edinburgh International Festival in 1972 as Ezio in Attila, at Covent Garden in 1975 in the role of Renato in Un ballo in maschera, substituting with great success for Piero Cappuccilli. He debuted at the Vienna State Opera in 1978 with Macbeth, with such a success that the prestigious Austrian theatre awarded him with the important title of Kammersänger. In the 1980s he turned to the 18th century with Mozart's Don Giovanni and to Italian verismo with Umberto Giordano's Andrea Chénier.

Renato Bruson　雷纳托·布鲁松

艺人介绍

最新简评（共4条）

Renato Bruson 雷纳托·布鲁松

艺人介绍

最新简评（共4条）

Renato Bruson　雷纳托·布鲁松