by MacKenzie WilsonMinistry's Paul Barker and Max Brody compose the cinematic eccentricity of Pink Anvil. The duo derives an experimental sound that's rooted in goth rock, avant-garde, and post-punk for an abstract mess. In summer 2002, the two isolated themselves near the Mexican border to record a maddening batch of material. The end result was the synth-driven Halloween Party, which appeared on Ipecac in spring 2003.