Juan Diego Flórez 胡安·迭戈·弗洛雷兹 / Juan Diego Florez
- 风格
- #古典跨界 #歌剧
- 地区
- Peru 秘鲁
艺人介绍
男高音歌唱家胡安·迪亚哥·弗洛雷兹（Juan Diego Flórez）1973年生于秘鲁首都利马，早年在当地学习音乐，后在美国费城的库尔蒂斯学院完成学业。弗洛雷兹的首次正式演出是1996年在罗西尼的故乡佩萨罗（意大利东部的一海滨小城）举行的罗西尼歌剧节上，他的表现颇受好评，并引起了歌剧界的极大关注。此后，弗洛雷兹便作为一位冉冉升起的青年男高音歌唱家出现在歌剧舞台上，他擅长演唱佩尔戈莱西、罗西尼、唐尼采蒂、威尔第、普契尼、洛塔等人的作品，并与多位当代指挥家合作过，包括：穆蒂、郑明勋、马里内尔、查理、杰尔梅第、罗塞特、里奇、西摩尼、帕帕诺、杰达、阿巴多。
Juan Diego Flórez (born January 13, 1973 in Lima, Peru) is a Peruvian operatic tenor, particularly known for his roles in bel canto operas. On June 4, 2007, he received his country's highest decoration, the Gran Cruz de la Orden del Sol del Perú。
Juan Diego Flórez was born in Lima, Peru, on January 13, 1973 where his father, Rubén Flórez, was a noted guitarist and singer of Peruvian popular and criolla music. In an interview in the Peruvian newspaper Ojo, Flórez recounted his early days when his mother managed a pub with live music and he worked as a replacement singer whenever the main attraction called in sick. "It was a tremendous experience for me, since most of those who were regulars at the pub were of a certain age, so I had to be ready to sing anything from huayños to Elvis Presley music and, in my mind, that served me a great deal because, in the final analysis, any music that is well structured—whether it is jazz, opera, or pop—is good music".
Initially intending to pursue a career in popular music, he entered the Conservatorio Nacional de Música in Lima at the age of 17. His classical voice emerged in the course of his studies there under Maestro Andrés Santa María. During this time, he became a member of the Coro Nacional of Peru and sang as a soloist in Mozart's Coronation Mass and Rossini's Petite Messe Solennelle.
He received a scholarship to the Curtis Institute in Philadelphia where he studied from 1993 to 1996 and began singing in student opera productions in the repertory that is still his specialty today, Rossini and the bel canto operas of Bellini and Donizetti. During this period, he also studied with Marilyn Horne at the Music Academy of the West in Santa Barbara. In 1994 the Peruvian tenor, Ernesto Palacio invited him to Italy to work on a recording of Vicente Martín y Soler's opera Il Tutore Burlato. He subsequently became Flórez's teacher, mentor and manager and has had a profound influence on his career.
最新简评（共36条）
- @灵感来日(音乐是灵魂的伴侣,让心灵...)：罗西尼高音
- @大喵(不要自我设限.....)：⛎⛎⛎
- @！.......(在指间 ， 在唇...)：这音色真清亮～
- @Chloe( )：昨晚听晚音乐会一直回味至今，每一个声音都那么准确到位，高质量！期待see you next year! 感谢昨晚深圳音乐厅的所有观众朋友们，每一个只留人声的时刻全场都如同静止了呼吸，等待那个灿烂的声音。
- @致命模仿(想说话，想沉默)：他不是天王，他是等待封神的人。 很多年前，我看完姜文《太阳照常升起》午夜场回家。 一个人干掉一瓶红酒，直到太阳照常升起时，才滚回床上睡觉。 今晚的演出，仿佛多年前那个夜晚穿越而来。 只不过，上次主要是视觉，由色彩，明度，机位，哦，加上音效。 而这一次，是主要听觉，不是花腔，也不是咏叹。 而是来自歌单较远处那首多尼采蒂的《偷撒一滴泪》。 是的，这是来自《爱的甘醇》。 来自古典乐美之源泉。 歌剧，是古典乐的唐诗。 然而就是图中这位凡人与另一位凡人。 通过音符，歌词，颂赞。 一曲一曲把深圳音乐厅， 重现为缪斯所在的殿堂。 那就是哈莱尔《朋友们，生活是值得的》。 记2019.12.5深圳音乐厅大陆首演
- @白色郁金香：收
- @渔(我还没想好要写什么...)：他要来上海了，我没买到票
- @春风少年郎(良言一句三冬暖，恶语伤人...)：小弗也变老弗了
- @小雪雪猫猫：生日快乐
- @_091116(我还没想好要写什么...)：）