Arild Andersen 阿里尔德·安徒生
- 风格
- #世界融合 #后波普 #先锋爵士 #自由爵士
- 地区
- Norway 挪威
艺人介绍
挪威贝斯手 阿里尔德‧安德森﹝Arild Andersen﹞已经证明伴奏乐器在乐团中扮演的独立性及自由性，在60年代末期的挪威音乐季崭露头角的他，后来与Don Cherry、Sonny Rollins以及ECM王牌Jan Garbarek、Paul Bley等人不断地合作演出，累积相当惊人的演奏实力及音乐创作的泉源。Arild Andersen在摇滚、融合及自由爵士上都能驾驭自如，热情如火的演出也博得许多专业乐评及乐迷的极高赞扬。
Norwegian bassist Arlid Andersen has demonstrated fine skills and stylistic versatility. He's performed admirably in free, jazz-rock, and quasi-new age situations since the '60s. Andersen studied bass and the Lydian Chromatic Concept of Tonal Organization with George Russell, and also played with him during the '60s and '70s. He also studied with Karel Netolicka. Andersen began playing at various festivals in Norway during the late '60s. He was tabbed by Don Cherry for his first appearance outside Norway at the Berliner Jazztage in 1968. Andersen worked with Jan Garbarek from 1969 to 1973, and played with Russell, Sonny Rollins, Karin Krog, Sam Rivers, and Paul Bley at various festivals. He also worked with Bley, Rivers, Joe Farrell, Dave Friedman, Barry Altschul, Steve Kuhn, and Sheila Jordan in New York during the early '70s. Andersen backed vocalist Radka Toneff, and led quartets that featured Knut Riisnaes, Jon Balke, Paal Thowsen, Juhani Aaltonen, and Lars Jansson in the '70s and early '80s. During the '80s, he performed and recorded with Alphonse Mouzon, John Taylor, and Bill Frisell. Andersen led the quintet Masqualero, with Jon Christensen, Balke, Tore Brunborg, and trumpeter Nils Peter Molvaer. They toured England and Europe, while recording during the '80s. Andersen recorded as a leader for ECM in 1991.
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