Olivier Messiaen 奥利维埃·梅西安
- 风格
- #现代古典
- 地区
- France 法国
艺人介绍
by Craig Harris
The classical music tradition was expanded to include the sounds of nature and world music by French composer Oliver Messiaen. His composition Turangalila Symphonie, premiered by the Boston Symphony Orchestra in 1949, fused rhythms of classical Indian music and western pop influences. From 1930 until his death in 1992, Messiaen served as organist and composer at Eglise De La Trinite in Paris.
Messiaen inherited his creative skills from his parents. His mother was poet Cecile Sauvage, while his father helped to translate Shakespeare into French. Composing music by the age of eight, Messiaen advanced quickly. After learning to read music, he successfully tackled the operatic scores of Mozart, Gluck, Berlioz, and Wagner. He was only 11 years old when he began studying at the Paris Conservatory.
Accepting a position as organist at La Trinite in 1930, Messiaen was inducted into Ecole Normale de Musique in Paris six years later. Messiaen's musical career was interrupted when he enlisted as a medical orderly in the French army in 1939. Captured by German forces the following year, he was taken to a prisoner of war camp in Silesia. While imprisoned, he continued to work on his music. Despite the lack of a piano, he composed, The Quartet for the End of Time, premiering the piece for an audience comprised of more than five-thousand prisoners.
In 1941, after securing his freedom and being discharged from the army, Messiaen taught harmony at the Paris Conservatory. Between 1943 and 1947, he conducted seminars on musical analysis and composition to a small, private group that included Pierre Boulez and Karlheinz Stockhausen.
Messiaen continued to balance his work at Eglise de la Trinite with commissioned compositions. The French government commissioned him to compose a piece, Et Expecto Resurrectionem Mortuorum, in memory of those who died in the World Wars. The following year, he taught composition at the Paris Conservatory.
最新简评（共70条）
- @木鸡(～)：～
- @大喵(不要自我设限.....)：❇️❇️❇️
- @Geworfenheit(购买诗集《落日飞奔术》电...)：
- @Dicky777Wang( 㐂...)：❤️
- @啊板(你好呀。(¦3[▓▓]虾...)：真的觉得同时期这几位我还是更喜欢利盖蒂（ 梅西安也很酷，但不是我的菜…
- @天使angel(我还没想好要写什么...)：梅西安对调性、和声、十二音列、鸟歌、希腊节奏、印度节奏等等都有深入的研究，其音乐理论著作有我的音乐语言（Technique de mon langage musical）和节奏、色彩与鸟鸣的理论（Traité de rythme, de couleur, et d’ornithologie）。
- @天使angel(我还没想好要写什么...)：他时常远行，因而在作品中融入了多样元素，例如日本音乐、犹他州布莱斯峡谷国家公园的风景以及圣方济各的生活等。梅西安曾形容，当他听见和音、尤其是根据他的音乐调式所谱出的和声时，会不由自主产生共鸣、联想到色彩（即所谓的联觉现象），进而将这些色彩结合、转化入旋律之中。有一段时间，他全心投入关于“全序列主义”参数化的实验，因此被后世认定是序列主义领域的革新先锋。他是首位在管弦乐曲中使用马特诺琴的作曲家之一。
- @天使angel(我还没想好要写什么...)：法国作曲家、风琴家、音乐教育家，普遍公认为二十世纪最具代表性的作曲家之一。他的音乐常融入复杂的节奏语言（他私下钟爱古希腊和印度音乐），并以“有限移调调式”（梅西安自他早期作品中提出的概念）铺陈出和声与旋律。梅西安身为一位天主教徒，曲作中常流露出他对信仰的虔诚。
- @天使angel(我还没想好要写什么...)：1963 天堂的色彩（Couleurs de la Cité Céleste） 1975-1983 阿西西的圣方济各（Saint-François d'Assise）
- @天使angel(我还没想好要写什么...)：1946-48 图伦加利拉交响曲（Turangalila Symphony，又译作：爱之交响曲） 1959-60 时间色彩（Chronochromie） 1932 升天（L'ascension） 1948 康德约蒂亚（Canteyodiaya） 1974 星辰峡谷（Des canyons aux étoiles…） 1952 黑喜鹊（Le merle noir） 1953 鸟儿醒来（Le reveil des oiseaux） 1955-56 异邦鸟（Oiseaux Exotiques） 1956-58 鸟志（Catalogue d’Oiseaux）