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风格
#德国流行
地区
Germany 德国

艺人介绍

安耐特·露易珊(Annett Louisan,本名Annett Päge,1977年4月2日-)是一位德国歌手。首张专辑是“Bohème”,曾维持在德国排行榜上将近一年,最高排名为第三。歌曲主题大多与恋爱有关。

一个身高一米五二的娇小女人,一张邻家女孩一般平和亲柔的脸。Annett Louisan 并不是踩着美色,家世,力量的叱咤风火轮踏入乐坛的。25岁的Annett生于德国一个单亲家庭,父亲似乎从来就是一页早已翻过的日历,一个封存在岁月以外的话题。没有father figure的童年也可以没阴影,Annett在祖父母的庇护下无忧地度过了青稚岁月。唱歌就象她的另一艺术爱好绘画一样自然而然地嵌入她的成长。当她在汉堡学习绘画的时候,Annett开始在酒馆打工演唱来支付学习和生活的费用。城市这个五彩斑斓的大舞台不仅为她的演唱日渐成熟提供了养足的沃土,融入歌艺圈枝节相连,脉络互通的庞大关系网更为Annett日后的成功奠定了基础。

在Annett的歌声中,你可以捕捉到很多歌坛元老巨匠的收放自如,对歌曲驾驭的随心所欲。但是她那纯得似水的音色又那么熨贴地拂过你的耳侧,将你包绕。你听她不动声色地向你讲述那些饰色的出演(Das Spiel),那些虚遮的谎言(Die Luege),你会在她的歌声里心痛了,为了这个美音的歌者,为了那些渐行泛起的尘封记忆……

Annett Louisan (born Annett Päge on 2 April 1977, in Havelberg, Saxony-Anhalt Germany) is a German singer. She lives in Hamburg, Germany. Louisan is her stage name, derived from the name of her grandmother, Louise. Concerning her birth year, there is conflicting testimony, with the official date being given as 1979. In 2004, she married Gazi Isikatli, a Turkish business student, but in 2008 they parted ways. Her first album, Bohème, was listed on German charts for almost a year, with a peak ranking of third place. She appeared on the AVO Session program at Basle on 7 November 2006.

Annett Louisan plays a wide variety of music with blues, soul, jazz and swing. The lyrics of her songs are mostly about love, failure and disappointment. Annett Louisan is one of the few German artists who has obtained a high profile with chanson-style songs. Apart from Louisan's own musical interpretation this is due to the lyrics of her producer, Frank Ramond, as well as the compositions of her songwriters, Hardy Kayser and Matthias Hass. Her lyrics also deal with the politicized issues of female self-conception and societal roles, creating a complex ambivalence. This became most apparent with her first single Das Spiel. In this song roles with contrary approaches to sexuality and inter-personal relationships (i.e. the child, the woman and the emancipated carer) are combined. Musically, her second album moves away from pop and concentrates more on the French-German chanson-tradition. Bal-musette, Tango and Bossa Nova rhythms give the songs diversity. Unobtrusive backings allow the often breathy voice of Louisan to remain prominent.


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