Eberhard Weber 埃伯哈德·韦伯
- 风格
- #后波普 #室内爵士 #世界融合 #第三流派
- 地区
- Germany 德国
艺人介绍
by Ron Wynn
Though not strictly a jazz bassist and certainly one of the least flamboyant improvisers, Eberhard Weber is among Europe's finest bassists. His style doesn't embrace either a bluesy orientation or an animated, energetic approach. Weber's influences are primarily European, notably contemporary classical and new music. His technique of using contrasting ostinato patterns in different voices was taken from composer Steve Reich. He's also made innovations in bass design. Weber added an extra string to his electric bass at the top in the early '70s; this extended its range and gave it a deeper, more striking sound. He added yet another string above that in the late '70s. Weber once doubled on cello but dropped it to concentrate on acoustic and electric bass. Weber's father taught him cello at six, and he began to play bass at 16. He worked in school orchestras, dance bands, and local jazz groups. He met Wolfgang Dauner while participating in the Dusseldorf Amateur Jazz Festival in the early '60s; they worked together over the next eight years, both as a duo and in the group Et Cetera. Weber worked with Dave Pike in the early '70s, and co-led the band Spectrum with Volker Kriegel. His early-'70s album The Colours of Chloe was one of ECM's most acclaimed. He formed the group Colours in 1974 and toured America in 1976, 1978, and 1979, heading it until 1981. Weber also played from the mid-'70s to the early '80s with the United Jazz and Rock Ensemble. During the '80s, Weber worked and recorded with Jan Garbarek and also wrote film scores and gave solo concerts. He continued recording with ECM, both with his group and with other musicians such as Gary Burton. Weber has several ECM titles available on CD, including 1993's Pendulum, 2001's Endless Days, and 2007s Stages of a Long Journey.
热门评论
- @No.n：万物之间微妙的变化。埃伯哈特同时让我们进人了两个不同的世界，宇宙的宏观与微观世界……宇宙的和谐与平衡，万物之间发生的我们几乎无法感知的位移，仿佛是一只蜗牛缓慢的移动；在我面前埃伯哈特的音乐像是一本画满奇异插图的书，我在里面的旅行似乎根本不在乎担心是否迷路……
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