吉田達也

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风格: #实验摇滚　#先锋前卫摇滚
地区: Japan 日本

艺人介绍

吉田達也（よしだたつや、1961年 - ）は、日本のドラマー、作曲家。

概要

岩手県江刺市（現：奥州市）生まれ、東京高円寺在住。

プログレッシヴ・ロックやジャズロックのバックボーンから変拍子とポリリズムを得意とし、インプロヴィゼーション主体の瞬発力に富むアグレッシヴなプレイが特徴。日本のアンダーグラウンド音楽界では頂点に立つドラマーとされ、海外でもライヴやコラボレーションなどで精力的に活躍している。インディ・レーベル「磨崖仏」主宰。

ソロ、自ら立ち上げたバンド、セッションでの参加をすべて含めると、国内外の様々なレーベルから100を超える作品を発表している。国内外のミュージシャンとの共演もきわめて多い。

岩谷堂高校時代、吹奏楽部でドラムを始める。マグマなどのプログレ・バンドやディス・ヒートなどに影響を受け、1980年代初期から、東京都内のライブハウスを拠点に本格的な音楽活動を開始。

1985年、吉田とベースの2人だけによるバンド「ルインズ」を結成し、世界的に高い評価を受ける。1990年代には海外ツアーを始めるとともに、ルインズ以外に「高円寺百景」、「大陸男対山脈女」、「是巨人」、「赤天」、「ズビズバ」等、つぎつぎと違うコンセプト・音楽性に基づくユニットを立ち上げ、ほとんどのレパートリーを作曲。

近年では菊地雅章、藤井郷子など、ジャズ界の音楽家とも活動している。また、SAMLA MAMMAS MANNA、ACID MOTHERS GONG（Acid Mothers Templeとゴングの合体バンド）、ペインキラーといった日本国外のバンドのメンバーでもある。

音楽活動のかたわら石仏や石像など、石の写真を撮り続ける写真家でもあり、その趣味は結成するバンド名やレーベル名（「石窟寺院」、「磨崖仏」など）にも現れている。

生家は「卵めん」で有名な製麺会社。

by Eugene Chadbourne

Without a doubt, Tatsuya Yoshida was one of the most important drummers on the Japanese scene in the final decades of the 20th century, having spearheaded at least a half dozen of that country's most important groups. Perhaps best-known among these would be the Ruins; an ironic band name coming from a land in which most aspects of antiquity have been preserved rather than destroyed. This group's unique basic instrumentation of drums and bass was no less than a palace revolt against the established role of the rhythm section. As if setting the basement servant headquarters aflame and then tromping upstairs to take control of the house proper, the two musicians let their amazingly intricate rhythmic patterns become the music -- not that "rhythmic patterns" is much of a description of what most of it sounds like, kind of like calling the Thames River "water." Although he has said his main influence was European progressive rock drummer Christian Vander, Tatsuya was still usually heard in the traditional drummer's ensemble role. Having long since stepped beyond that, he has had an interesting development creating his own solo music; becoming a one-man band in the process and using elements of everything from sheer noise to disco and pop.

The appeal of his solo performance and the technical mastery of drumming that is displayed as an almost casual aspect can have surprising appeal, as the artist found out himself during a solo tour that took him to a remote part of Northern Italy. He was carrying much too much luggage, a typical syndrome with percussionists, and was faced with the haunting dilemma of having to go up and down lengthy passages of stairs to reach a train platform that was actually only a few feet away; and completely accessible if one only ignored the severe warning not to cross the tracks to reach other platforms. The former Yugoslavian territories remain the only part of Europe in which citizens are allowed to wander across train tracks at will; Italy, like the rest of Europe, dispenses punishment for any violations. Yet, in some cases, the heavily laden are known to glance around for signs of police or railway officials, and make a move if the coast is clear. This is just what the hapless Tatsuya did, most likely under the advice of a corrupt touring partner, only to see a policeman dashing toward him from a section of the station he hadn't noticed. He geared up for trouble but the policeman simply took off his hat in tribute and said in pidgin English: "Please, if I may have a moment. I am a local percussionist and would like to ask some technical question about your performance last night."

Other band collaborations of his include Akaten, Koenjihyakkei, Ybo2, and Gerogerigegege. He has recorded prolifically in every context.

吉田達也　吉田达也 / Tatsuya Yoshida

艺人介绍

热门评论

最新简评（共53条）

吉田達也 吉田达也 / Tatsuya Yoshida

艺人介绍

热门评论

最新简评（共53条）

吉田達也　吉田达也 / Tatsuya Yoshida