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#根源唱作人 #独立流行 #另类唱作人 #噪音流行 #室内流行 #艺术流行 #前卫流行
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两年前,Annie Clark在她的首发专辑"Marry me"中以St. Vincent的名字首次亮相,迅速直接地展现了她那令人眼花缭乱的音乐天赋,一颗新星在德克萨斯平原大地冉冉升起。来自各方的文化评论媒体,从"Pitchfork" 到"Spin"再到“纽约时报”,无不狂喜于她专辑中娴熟的编排和优雅的歌词,通过Vicent的现场表演稳步增长了她的歌迷群体,这些歌迷都惊讶于她那具有强大磁场吸引的舞台魅力。St. Vincent的不少歌迷说"Merry Me"这首歌的标题,从字面上看,就有令人心碎的力量。该专辑为她带来了一个非常成功的开头,使她获得了“年度最佳女歌手奖”的桂冠,并进行了国际巡演。

"Acotr"是一张令人陶醉、富有经验和结构复杂的全新专辑,也体现了St. Vincent在音乐上的野心,不断进步,从不向后看。这些歌曲不但在结构编排上更巧妙,歌曲制作更为宏伟,甚至在现场演出也是更加自信和鼓舞人心的。关于"Acotr"的创作,她创造了一种奇特的过程,她乐于沉浸在自己最喜欢的电影里,比如"Badlands","Pierrot le Fou","The Wizard of Oz", "Stardust Memories"和"Sleeping Beauty",每首歌都是作为一个秘密的电影配乐开始的,接着它们慢慢地具有独立性,她会根据每部作品的结构和歌词来充分考虑歌曲的重点。由此产生的11首电影配乐同时也成了脍炙人口的流行歌曲。

"Acotr"这是一张需要你闭起眼睛来倾听的专辑,美妙的音乐不断移动旋转。"The Fantasy of Disney"(迪斯尼狂想)具有那种变化多端的戏剧形式,横扫听众的耳朵。"The Strangers"一开始便看似在为失去爱情歌唱的一首挽歌,突然扭转犹如洪水袭来的颠覆。"Actor Out Of Work"有一种亲吻般的具有混灭性的声音混合了顽皮的歌词以及吉他。如果说"Marry Me"成功的向世人推荐了Annie Clark,那么"Acotr"这张专辑便成功的替她加冕。Clark的头顶闪耀着光环,很荣幸我们能够亲眼所见。(鹿燃Gin/译)

Before she began writing and singing her own quirky, intricate pop songs, Annie Clark proved her musical prowess as part of Glenn Branca's 100 Guitar Orchestra, as a guitarist and background vocalist for the Polyphonic Spree on their third album, Fragile Army, and as a member of Sufjan Stevens' touring band. Sounding something like Regina Spektor, My Brightest Diamond, Joan as Police Woman, and Feist, St. Vincent (which Clark called herself as a solo artist) self-released a three-song EP for her tour in Europe, which included a cover of the Jackson Browne-penned "These Days," as well as originals, the Billie Holiday-esque "What Me Worry" and the orchestral "Paris Is Burning." That same year Clark signed to Beggars Banquet and issued her excellent full-length debut, Marry Me — on which she played not only guitar, but also organ, vibes, Moog, bass, and piano, just to name a few — in July 2007.


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