Frankie Lee
- 风格
- #灵魂布鲁斯
- 地区
- 欧美
艺人介绍
by Richard SkellyVocalist Frankie Lee has always been an engaging and energetic live performer, though his recorded output is still very small, given the number of years hes been around and how legendary his live shows have become. If Denise LaSalle is a modern day Bessie Smith, than Lee is a 1990s Otis Redding. One of Lees live-show trademarks (like the late Albert Collinss guitar walks) is the point in the show in which he leaves his mic on stage and walks out into his audience, be it a festival of 10,000 people or a small club of 50. Lees motto is, whether its one or 1,000, me and my band are gonna put on a show.Lee was born April 29, 1941, in rural Mart, TX. His early influences included Sam Cooke, but before that, he sang in church groups. He recalled in several interviews that his grandmother made him sing, never realizing hed end up singing blues, not gospel. He began recording in 1963 with Don Robeys Duke/Peacock label out of Houston. He recorded three singles that attracted regional attention: Full Time Lover, Taxi Blues and Hello, Mr. Blues. While he and Sonny Rhodes were living in Austin, Lee was heard by Ike Turner. That night, Turner invited him to join the Ike & Tina Turner road show. He was off with them the next day, gaining invaluable performing experience.After returning from the road trips with their revue, Lee settled in Houston and had the chance to work with the people he admired, including Big Mama Thornton, Bobby Blue Bland, Clarence Gatemouth Brown, Ted Taylor, Junior Parker, O.V. Wright, James Thunderbird Davis and Joe Hinton. Don Robey heard Lee in a Houston nightclub and offered him the chance to record. Later, Lee began working with guitarist Albert Collins, and the two became good friends, finally leaving Texas together in 1965 for California. Lee sang with Collinss band for the next six years. By 1971, Lee was in Los Angeles, working with his cousin Johnny Guitar Watson. (Watson passed away at age 61 on May 17, 1996.) He recorded for Elka Records, with Watson producing. In 1973, Lee moved north to the San Francisco Bay area, and in the late 70s, he recruited a young guitarist, Robert Cray, to play in his back-up band. Finally Lee landed a contract with Hightone Records, a then developing label, and recorded his debut album, The Ladies and the Babies in 1984.After successful performances with Sonny Rhodes at the Chicago Blues Festival, Lee moved to New Jersey in 1986, where he quickly established a following at clubs and festivals throughout the northeast. Lee was signed to record for the Flying Fish label in 1992, and Sooner or Later, with Doug Newby and the Virginia-based Bluzblasters, was the result. Lees latest release, Going Back Home, is on the San Francisco-based Blind Pig label. The album was actually recorded back in the mid-80s, but wasnt released until 1994.Oddly enough, as of the mid-90s, Lees live clubs shows were as energetic as ever, and hes lost none of his enthusiasm for performing, despite the fact that hes now in his mid-50s. Hes got a whole lot of talent and energy left, so there will be more recordings from this exciting vocalist and showman in the future. Records worth owning include The Ladies and the Babies and Going Back Home. Any of his singles for the Peacock or Elka labels, such as Full Time Lover b/w Dont Make Me Cry, are collectors items, and should be snatched up without hesitation.
最新简评（共1条）
- @暗愫：~