Aube 中嶋昭文 / 中岛昭文
- 风格
- #微声 #实验音乐 #噪音
- 地区
- Japan 日本
艺人介绍
Aube is the name used by Japanese musician Akifumi Nakajima (中嶋昭文 Nakajima Akifumi?) for his experimental noise records. He has released many CDs, LPs and cassettes since 1991, and is regarded as one of the most important noise musicians working today. He himself does not like to term his work &music,& preferring the term &design&: &I don't think of myself as a musician or an artist. I'm a designer. I therefore consider my sound works to be designs as well&. The essential element of his Aube project is that each record is composed with only a single material source, manipulated and processed using various types of electronic equipment. Examples of sources he has manipulated include water, fluorescent lamps, voltage-controlled oscillators, voices, pulmonary sounds, the Holy Bible's pages and sounds made with steel wire.
Akifumi Nakajima was born in 1959 in Japan. He was interested in sound work since the 80s, but had not released anything until he was asked to create music for an art installation in the early 90s. Since then, he has created an enormous amount of work - most of which is based on one sound source. Anything is used - from glass to oscillators and even pages from the Bible. His early work is noisier, while his new direction leans toward ambient.
As stated previously, each recording in Aube's catalogue is synthesized from one source sound. Many of his earliest recordings use water as a source, in either a still form or a gush, as from a faucet or a stream. Among the most well-known are Hydrophobia (1991, Vanilla, Japan), Luminous (1993, G.R.O.S.S., Japan), Métal De Métal (1996, Manifold, USA), Cardiac Strain (1997, Alien8 Recordings, Canada), Set On (2001, Manifold, USA) and many more. (wiki)
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by John Bush
Akifumi Nakajimas Aube project has amassed a lengthy discography, most entries realizing the maximum capacity for audio variation from a minimum of sampled (in many cases, a single sound source). Influenced by space rock and musique concrète, Nakajima began recording in 1980 but released nothing until a decade later, when he produced music for an art installation given by a group of friends. Since the installation involved water, he decided to use appropriately watery sounds for the music. Nakajimas first Aube release came in 1991, when the Japanese noise label Vanilla released his cassette LP Hydrophobia. Quite a few more water-related recordings followed, and Nakajima soon began branching out by using varied sources such as field recordings, the hum from fluorescent lamps, human voices, brain waves, heartbeats, even pages being ripped from a Bible. He has recorded for Staalplaat, Manifold, Charnel Music, Pure, Iris Light and the Grand Rapids-based upstart Elsie & Jack Records. Nakajima also operates a cassette-only label named G.R.O.S.S. that has released several albums of Aube material. In 1999 the album Evocation was added and a year later Aube closely released, Richochentrance and Blood Brain Barrier, respectively.
热门评论
- @清谈：在大家了解艺术家中岛昭文之后， 我们也要向唱片提供者ZENO致敬！虾米音乐网至今数年，都是由世界各地朋友们大力支持和努力的成果。成绩归功于百忙中的音源提供者和虾米平台设计者。让虾米网能成为当下各大音乐网中的领军和佼佼者~大家在欣赏的同时对音乐欣赏的水准也进步了。
- @清谈：中岛昭文！环境氛围微声类→Microsound噪音杀手 他制造的一系列微声工噪杀伤性特别强！比德系的能量电子噪P.E类的刺激更强大数倍 在日本社会极度追求刺激的思潮下，中岛的音乐总算可以称为小众音乐了。后现代的死亡噪音在表面安静的氛围中给听者以极度的感官刺激，我们最初把此类音乐体系简单的称之为水滴式或渗透类杀伤噪音。。。但目前的日本艺术家为强调最大化的侵犯杀伤效果，而选用了全拼贴的形式以达到目的。给你的欺骗性是柔和而且安详~但是实际效果却是杀戮机制更加强大的一类特殊强噪。
最新简评（共72条）
- @直到世界尽头(超脱)：.
- @宁宁奔野(more care)：太强了
- @Geworfenheit(诗集电子版正在发售)：
- @小小虾(我还没想好要写什么...)：➕
- @琪裴衣(我还没想好要写什么...)：，
- @未知生物：
- @いちごいちえ(Cloud Nine)：/
- @迪奥炖鱼(我还没想好要写什么...)：有点高产
- @⁴❝(挖 礦 中)：
- @未知生物：沉淀