by Richard SkellyGuitarist, singer and songwriter W.C. Clark was one of Austins original blues musicians, and he is considered the godfather of that citys blues scene. Wesley Curley Clark was born and raised in Austin and grew up surrounded by music, since his father was a guitar player and his mother and grandmother sang in the choir at St. Johns College Baptist Church. By the time he was 16, he played his first show at Victory Grill and was introduced to local legends T.D. Bell and Erbie Bowser. He began playing bass with Bells band, honing his blues chops on guitar on his own time. While East Austins club scene flourished in the late 1950s and early 60s, white students from the nearby University of Texas campus began to patronize the blues clubs, and after taking a regular gig at Charlies Playhouse, Clark made music his full-time occupation. After six years at the playhouse, he met R&B singer Joe Tex and joined his band as guitarist. After leaving Texs band and returning to Austin, Clark was surprised and encouraged by the infusion of young white blues players on the local scene. Bill Campbell, Angela Strehli, Lewis Cowdrey and Paul Ray and the Vaughan brothers were attracting growing crowds to their shows and forming close bonds with the black blues players who had already been on the scene. In the early 1970s, Clark teamed up with guitarist and piano player Denny Freeman and vocalist Angela Strehli to form a group called Southern Feeling. With this group, Clark was able to blossom as a songwriter, but after a record deal fell apart, he took a job as a mechanic at a local Ford dealership. However, a young guitarist named Stevie Ray Vaughan kept visiting him at the garage. Vaughan was putting his own band together and insisted that Clark be a part of it. Calling themselves the Triple Threat Revue, they eventually took to the road with Lou Ann Barton as lead vocalist. Clark and keyboardist Mike Kindred wrote Cold Shot, which went on to become one of Vaughans biggest hits in the mid-1980s. Clark has recorded three albums — Something for Everybody (1986), released independently on his own label, and two albums for the New Orleans-based BlackTop label, 1994s Heart of Gold and 1996s Texas Soul. On Texas Soul, Clark is accompanied by a band of Austin-area blues veterans, including Chris Layton and Tommy Shannon of Vaughans Double Trouble, producer and guitarist Derek OBrien, and saxophonist Mark Kaz Kazanoff. In March 1997, Clark and his band had an accident while returning to Austin in their van; he lost his fiancee and drummer. Clark was uninjured, but the experience slowed him down for awhile. However, Clark continues to be active on the Austin blues scene, of which he is affectionately referred to as the godfather, releasing Lovers Plea in 1998. He hit the road to promote the album around the same time that the PBS show Austin City Limits began showing a rare performance with Stevie Ray Vaughan as a part of their Best of series. After the tour, he went back to the studio and didnt return until 2002, when From Austin with Soul was released.