by Craig Harris
Nearly three decades since they first came together during informal sessions at ODonoghues Pub in Dublin, The Dubliners remain one of the most influential of Irelands traditional folk bands. Unlike their counterparts, The Clancy Brothers, The Dubliners have never strayed from the raw looseness of the pub scene. According to Dirty Linen, Whereas The Clancys were well-scrubbed returned Yanks from rural Tipperary, decked out in matching white Arab sweaters, The Dubliners were hard drinking backstreet Dublin scrappers with unkempt hair and bushy beards, whose gigs seemed to happen by accident in between fistfights.
Initially known as The Ronnie Drew Folk group, The Dubliners have gone through several personnel changes since they were formed in 1962. The original group featured Ronnie Drew on vocals and guitar, Luke Kelly on vocals and five string banjo, Barney McKenna on tenor banjo, mandolin, melodeon and vocals and Ciaren Bourke on vocals, guitar, tin whistle and harmonica.The first change occured in 1964 when Kelly left temporarily and Bobby Lynch (vocals and guitar) and John Sheahan (fiddle, tin whistle, mandolin, concertina, guitar and vocals) were added. The following year, Kelly returned and Lynch departed.
The Dubliners earliest recordings included appearances on the multi-artists compilations, The Hootnanny Show and Folk Festival — Festival Folk, released in 1964, their first break came when they met Nathan Joseph, owner of Transatlantic Records, at the Edinburgh Festival in 1963. Signing with Josephs label, the group released their debut full-length album, The Dubliners, later the same year.
In 1967, The Dubliners recorded their breakthrough single, Seven Drunken Nights, based on Child Ballad number 273. Although its risque lyrics caused it to be banned from officially-sanctioned radio stations, it became a top five hit after being aired by pirate radio station, RTE. With the songs success, the band began touring throughout the world. In the early-1970s, The Dubliners toured in a production of Brendan Behans Cork Leg.
A second phase of personnel changes began in 1974 when Bourke suffered a brain hemorrhage during a show. Although he subsequently appeared to have recuperated and rejoined the group, he collapsed again on the stage and left for good. He died on May 10, 1988 at the age of fifty three. Following Bourkes first departure, Ronnie Drew left to pursue a solo career and was replaced by Jim McCann. With Drews return, five years later, McCann departed. The groups problems, however, were not over. In the same year, Kelly collapsed from a brain tumor during a concert and was required to undergo several surgical operations. He died on January 30, 1984, at the age of forty-four.
In 1987, The Dubliners regained their earlier popularity when Eamonn Campbell, who had often been a guest musician on their albums, produced an album, Celebration, featuring a collaboration with The Pogues on an updated version of the traditional folk song, The Irish Rover. Released as a single, the tune reached number seven on the British music charts. Campbell subsequently joined the band as a regular member. In 1990, The Dubliners and The Pogues reunited for a single, Jacks Heroes/Whiskey In The Jar, that celebrated Irelands winning the world cup. Two years later, The Dubliners joined with Hot House Flowers to record a single, The Rose, that reached number two on the British music charts. 30 Years AGreying, released the same year, featured collaborations with Rory Gallagher, Billy Connolly and De Danaan. In December 1995, Drew left the band for the second time and was replaced by Paddy Reilly. Despite the changes in the bands lineup, they continue to perform and record their gutsy style of Irish music.