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by Jason AnkenyWhile never a contemporary superstar or latter-day legend on a par with many of his peers, singer/pianist Walter Davis was among the most prolific blues performers to emerge from the pre-war St. Louis scene, cutting over 150 sides between 1930 and 1952. Born March 1, 1912 in Grenada, Mississippi, Davis two-fisted piano style bore the heavy influence of Leroy Carr, although he was better known for his funereal vocal style; he first attracted attention upon relocating to St. Louis during the mid-1920s, and soon made the first of his many recordings for the Victor label. Despite its abundance, his work — much of it recorded in conjunction with guitarist Henry Townsend — was solid but unspectacular, eclipsed by the likes of associates including Roosevelt Sykes and Peetie Wheatstraw; still, he enjoyed a fair amount of success before a stroke prompted him to move from music to the ministry during the early 1950s. Davis was still preaching at the time of his death on October 22, 1963.