The Normal
- 风格
- #合成器流行
- 地区
- United Kingdom 英国
艺人介绍
by Andy Kellman
A short-lived outfit whose existence is conveniently ed by a lone 1978 single, the Normal was an alias for Daniel Miller, owner of Mute Records. Through the likes of Cabaret Voltaire, Fad Gadget, and Depeche Mode, Millers label was responsible for opening thousands of minds to the possibilites of electronic music. Despite the Normals low profile and minimal output, their T.V.O.D./Warm Leatherette single added its own significant contribution to the then-new electronic pop playing field. The B-side, written in tribute to J.G. Ballards auto-wreck fetish novel Crash, carried relentless pulsing, clinical snapping, and detached vocal chants; its since become a classic in the realm, having been covered by the likes of Grace Jones and Chicks on Speed. As the Normal, Miller also contributed to an experimental live EP with Robert Rental entitled Live at West Runton Pavilion; Miller briefly dedicated himself to synth-pop covers of classic rock songs as the Silicon Teens as well.
热门评论
- @Lain：冷兵器时代需要您
- @m̦̖̖u͍o̙̯͈̦n：daniel miller 当时误认为玩朋克必须要学会三个和弦, 而合成器只要会按键就好, 于是入手一台 korg.. 很大程度上影响乐队创作理念的小说 Crash 讲的是一位性倒错者, 会被撞车的场景唤起性欲 = = 这本书是他和女朋友分手后被友人推荐的..
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