Theatre of Tragedy

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风格: #工业金属　#哥特金属　#厄运金属　#电音流行
地区: Norway 挪威

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当1995年来自挪威的Theatre of Tragedy发表了首张同名专辑之后，歌特式金属乐的风潮便开始蔓延至全欧洲，并带动大量歌特金属乐团的追随，在短短几年时间之内，歌特金属乐便得到蓬勃的发展而成为欧洲金属乐界一股新兴的势力！

Theatre of Tragedy的出现，可说为原本刚强制式化的金属音乐，如吉他英雄式的音乐编奏型态，带来了新的冲击与启发，让世人体验到原来金属音乐也能有如此阴柔和着重气氛营造的表现方式，为金属音乐开启了另一种新的可能性！

Theatre of Tragedy或许不是第一个尝试将女音主唱或是将80年代英伦歌特摇滚元素融入于金属乐当中的乐团(如Paradise Lost)，但他们却是确立歌特金属风格与带动歌特金属发展的首要功臣之一！TOT将悠柔的女音演唱、death metal的死腔、歌特摇滚闇中带美的精髓，与沉重的doom metal相互融合，成为了新型态的gothic death metal，TOT的音乐元素，如优美女音主唱与death男腔对唱的形式，大量的键盘弦乐、钢琴运用，都成为日后gothic metal的最基本要素。柔弱女音与残暴死腔的对唱，犹如天使与恶魔般的对比，黑闇兼具优美感的气氛与旋律，都是TOT为歌特金属做出的定义。

Formed out of Norways famed black metal scene, Theatre of Tragedy combine elements of goth and metal with an added touch of drama thanks in part to the dual vocals of Raymond I. Rohonyi and Liv Kristine Espenaes. With the accompaniment of Frank Claussen (guitars), Tommy Olsson (guitars/programming), Eirik T. Saltroe (bass), Hein Frode Hansen (drums) and Lorentz Aspen (synthesizer), Theatre of Tragedy orchestrates a different performance piece with each song, while the singers bounce dialogues off of each other and even at times portray different characters. With their 1995 self-titled debut on Massacre, Theatre of Tragedy won over Century Media Records, who began licensing their albums for U.S. distribution. Velvet Darkness They Fear appeared in 1996, and the more electronic-flavored follow-up Aegis was released in 1998; both albums helped substantially expand the groups following among both goth and metal audiences. Before Musique was issued in 2000, the band parted ways with both Olsson and Saltroe.

Theatre of Tragedy　悲情剧院

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Theatre of Tragedy 悲情剧院

艺人介绍

热门评论

最新简评（共423条）

Theatre of Tragedy　悲情剧院