Cyril Davies

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风格: #英国布鲁斯
地区: 欧美

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by Bruce EderThe Cyril Davies R&B All-Stars were, after the Rolling Stones, the best British blues band of the early 60s — and if theyd gotten to stay together a little longer under Davies, they might even have given Mick Jagger, Brian Jones, and company a real run for their money. This regrettably short-lived blues band was assembled by harpist/singer Cyril Davies (1932-1964) in 1963, following his exit from Blues Incorporated. The groups original lineup, featuring Davies on harp and vocals, had Bernie Watson on guitar, Nicky Hopkins on piano, Ricky Brown playing bass, and Carlo Little on the drums — all four had been recruited from the ranks of Screaming Lord Sutchs Savages. This quintet recorded an initial single, Country Line Special, driven by Davies wailing harp and vocals, that was sufficiently authentic to get it placed alongside the British releases of songs by Muddy Waters, Howlin Wolf, and the rest of the Chess Record luminaries in Englands Pye Records catalog. Watson and Brown went their separate ways during the summer of 1963, and Jeff Bradford and Cliff Barton came in on guitar and bass, respectively, with Long John Baldry — another Blues Incorporated alumnus — occasionally sitting in on vocals. Their second single, Preachin the Blues, was released in September to modest but promising success, and for a time it looked like Davies and company were going to be a major force on the burgeoning R&B scene. But Davies collapsed late in 1963, and was diagnosed as suffering from acute leukemia; he died in January of 1964. Long John Baldry kept Hopkins, Bradford, Barton, and Little together as his backup band, the Hoochie Coochie Men, but the moment had passed. Davies vocals, though hardly overly impressive, had a character to them that made the groups records competitive during the early blues boom of 1962-1963, and his harp playing was second to no one in England, a powerful, alternately mournful or exultant sound. Baldry, by contrast, never became more than a middle-level success in England, though it wasnt for lack of talent — he was a good singer, but by 1966 the audience for British blues was looking for flash along with the talent, and guitar players with charisma were more important than vocalists; witness the talent that Eric Clapton parlayed into international super-stardom while John Mayall was left behind as a cult figure. Ironically, Baldrys biggest single exposure on record to international audiences may have been as the speaker introducing the Rolling Stones on their 1966 concert album Got Live if You Want It. Nicky Hopkins subsequently emerged as a star session player in his own right, recording and performing with various bands (including the Rolling Stones) during the late 60s and 70s, and members of the All-Stars/Hoochie Coochie Men also turned up on Screaming Lord Sutchs recordings during this period, most notably his Heavy Friends album.The Cyril Davies R&B All-Stars remain an impressive footnote in the history of British blues, however, for their handful of recordings, including Country Line Special, Preachin the Blues, and a hard-rocking rendition of Buddy Hollys Not Fade Away. They never recorded an album, but their songs appear on numerous anthologies including: A Shot of Rhythm and Blues (Sequel Records), Stroll On (Sony Music), and Dealing With the Devil (Sony Music).

Cyril Davies

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