Conrad Schnitzler Konrad Schnitzler
- 风格
- #德国前卫摇滚
- 地区
- Germany 德国
艺人介绍
北京时间8月8日消息，据国外媒体报道，德国实验音乐人、德国著名乐队“橙梦”(Tangerine Dream)以及Kluster的早期成员康拉德-施尼茨勒(Conrad Schnitzler)已于当地时间8月4日因胃癌病逝，终年七十四岁。
by John Bush
One of the prime figures in the growth of Kraut-rock, Conrad Schnitzler made important contributions to the early history of Kraftwerk and Kluster. Like many in the Kraut-rock community, Schnitzler was greatly inspired by influences in the visual artistic world as well as the musical; he studied sculpture with Joseph Beuys, and composition with Karlheinz Stockhausen, also looking to John Cage and Pierre Schaeffer for inspiration. By 1969, he was working with Tangerine Dream, with whom he recorded Electronic Meditation. The album became one of the most distinctive in TDs discography, and Schnitzler takes much of the credit for its chance-taking approach.
Before the end of the decade, Schnitzler had begun appearing with another soon-to-be Kraut-rock legend, Kluster. Formed with Dieter Moebius and Hans-Joachim Roedelius, the group recorded two albums in 1970, Klopfzeichen and Zwei Osterei. Schnitzler left for a solo career one year later, though Moebius and Roedelius probably appeared on his debut, Schwarz (no credits were given, but other musicians can be heard). With Schwarz and 1972s Rot, Schnitzler began to progress from mostly acoustic music to a style based around electronics and tape-looped sound. Though he continued to record sparingly during the 1970s, not much of Schnitzlers work was released until the following decade. He emerged in 1978 with the album Con, recorded at Peter Baumanns Paragon Studios, and with the support of the French label Egg Records.
The beginning of a new decade resulted in much activity for Conrad Schnitzler, and he released seven albums in total during 1980-81 alone. The styles ranged from the harsh sequencer trance of Consequenz to the surprisingly pop-oriented project Con 3 (both were recorded with drum machines and vocals by Wolf Sequenza, formerly of Ton Steine Scherben). During the rest of the 1980s, Schnitzler recorded often, but released his work on increasingly obscure labels. After another fallow period during the early 90s, he began recording with Plate Lunch Records, which issued new releases such as 1998s 00/44 as well as archival reissues like 1971s Rot.
最新简评（共22条）
- @Geworfenheit(购买诗集《落日飞奔术》电...)：比较
- @痣.(B I R T H M ...)：ᯣ
- @L(此号报销)：~
- @一只大老虎：Legend！
- @未知生物：稳重
- @.(我还没想好要写什么...)：
- @未知生物：•
- @早起看见绿玻璃恶魔就撞墙(人们多么仇恨音乐，才会用...)：全集已听已扔。
- @keinschatten(需要有空闲的朋友帮助上传...)：Conrad Schnitzler的色彩系列blau, rot ,gelb, silber,gold需要有人帮助上传完整带bonus track的版本（比如ROT里面的1973的red dream加轨非常精彩）
- @keinschatten(需要有空闲的朋友帮助上传...)：几个朋友都没有时间，我自己也没有时间，需要有人帮助上传