Mahler: Symphony No.7 / Mozart: Symphony No.41 "Jupiter" 马勒：第七交响曲 / 莫扎特：第41交响曲“朱庇特”
- 艺人
- Klaus Tennstedt
- 语种
- 其他
- 厂牌
- BBC Legends
- 发行时间
- 2007年10月01日
- 专辑类别
- 现场专辑
专辑介绍
Gramophone Classical Music Guide
2010
“The Seventh was not an especial high-point of Tennstedt's Mahler symphony cycle with the London Philharmonic – not that it's a bad performance, per se, it just never really catches fire. A live performance from 1993 (EMI), made at one of the conductor's last public appearances, is considerably more compelling, though the first movement is encumbered by some dangerously slow tempi. This BBC Legends release comes from a 1980 concert given at the Edinburgh Festival just a few months before Tennstedt and the LPO took the work into EMI's Abbey Road studios.
It's a revelation. Yes, the interpretative outline is similar in both accounts – and the live version is not without its technical stumbles, of course – but how fervent the playing is here, and how much more sense Tennstedt's tempo manipulations make. Listen, for example, beginning at 9'05” in the first movement where a vast landscape of breathtaking purity is conjured, or to the movement's end, which is driven with just the right amount of brute force, it seems, to set one's heart pounding. The Scherzo is appropriately eerie, full of shadows and shrieks, yet it sings, too – a weird and powerful effect. Most impressive of all, perhaps, is the treacherous finale, where Tennstedt and the orchestra make the most of the music's manic mood swings. This is, without a doubt, a great Mahler Seventh.
Mozart's Jupiter Symphony would have benefited from an acoustic less cavernous than the Albert Hall, but it's still a stylish performance.
The slow movement is given an operatic sense of dramatic purpose, the Minuet has a surprisingly songful grandeur, and the joyousness of the finale is not merely exuberant but heartfelt.
Treasurable.”
Gramophone Magazine
December 2007
“…how fervent the playing is here… Listen, for example, beginning at 9'05& in the first movement where a vast landscape of breathtaking purity is conjured, or to the movement's end, which is driven with just the right amount of brute force, it seems, to set one's heart pounding. The Scherzo is appropriately eerie, full of shadows and shrieks, yet it sings, too - a weird and powerful effect. Most impressive of all, perhaps, is the treacherous finale, where Tennstedt and the orchestra make the most of the music's manic mood swings. This is, without a doubt, a great Mahler Seventh. Mozart's Jupiter Symphony would have benefited from an acoustic less cavernous than the Albert Hall, but it's still a stylish performance. Treasurable.”
最新简评（共5条）
- @金耳朵大王(我还没想好要写什么...)：第七交响曲第五乐章，当热烈活泼的回旋曲听，长达18分钟的高能轰炸，心情逐渐变得激动起来
- @独风冷雨(阳光淌过手心天空笑了笑！)：喜欢~_~
- @pierrot(pierrot)：GOOD!!!
- @pierrot(pierrot)：GOOD!!!
- @哲人与猪：Tennstedt的马勒必收！